Ruba Nadda (Cairo Time) delivers layers of fear and distress with this taut psychological thriller. Helen (Patricia Clarkson) is a doctor mourning the recent death of her husband (Callum Keith Rennie) when Will (Scott Speedman) arrives at her cabin, badly injured by a gunshot. Clarkson’s performance is nuanced and compelling and you won’t soon forget Tim Roth as the relentless villain.
Terrance Odette’s (Heater, Saint Monica, Sleeping Dogs) drama centres on a Catholic priest (Michael Murphy) in a Niagara Falls parish whose world is turned upside down after he receives a letter alleging sexual transgression. Our sympathies are put to the test as he comes to terms with his memories and deals with the fallout.
Anne Wheeler’s most decorated film is an upbeat musical melodrama based on her mother’s wartime memories. Daisy Cooper (Rebecca Jenkins) is a wife and mother who joins a dance band to provide for her family while her husband is at war. Beautifully shot by cinematographer Vic Sarin, it’s bittersweet and poignant, with fine performances by Jenkins and Robyn Stevan, both of whom won Genies for their work.
Ruth (Sonja Bennett, who also penned the screenplay) fakes being pregnant to fit in with her child-rearing friends. This uproarious comedy from Jacob Tierney (The Trotsky) will have you cringing in between fits of uncontrollable laughter as Ruth’s web of lies becomes increasingly tangled. The road to acceptance has never been so baby-bumpy; you’ll be laughing until you birth. Sorry, burst.
In his latest incendiary investigative documentary, Harold Crooks (Surviving Progress) examines the sordid history of offshore tax havens and the dire contemporary ramifications of such corporate malfeasance. It seems that it’s big business’ world and we’re just picking up the tab. But how long can the middle class and poor bear the tax burden? This is shocking look at an unsustainable system poised to implode.
Daniel Grou (aka PODZ) directs this riveting ensemble film about interlocking lives. We have Xavier Dolan playing against type as a buttoned-down Jehovah’s Witness; Julien Poulin and Louise Turcot as casino employees with secrets; Robin Aubert as a high-powered man with gambling issues; Anne Dorval as his perpetually plastered wife and Gabriel Sabourin as a tortured drug mule. Wow.
Love. Grief. Shock. Denial. Sleeplessness. Bubble bath. Masturbation. Pop Tart. Bootie. Rejection. Weeping. Awkward. Life’s a bitch.
Carol (Arabella Bushnell) has a unique way of dealing with her frustrations with family, friends and co-workers: writing brutally honest songs (that frequently feature threats of violence) and leaving them on their voicemail. Carol’s creative catharsis has some immediate and unexpected consequences in this hilarious, offbeat comedy from writer-director Kris Elgstrand.