Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Three bullied teenagers discover an unexpected solution to their problems.
It turns out that there’s a distinct difference between growing up and growing old.
Wild fish populations in BC have been declining since the late 70s, at about roughly the same time the open-net fish-farm industry began to grow fish in marine waters. Focusing on the research of biologist Alexandra Morton, filmmaker Scott Renyard links the crash of many fish species on Canada’s West coast to diseases spread from fish farms in this persuasive and urgent call to action.
Learning the dark truth about his workplace, a factory worker revolts.
After a tragic death, a Lebanese immigrant struggles to arrange Islamic pre-burial rituals in his adopted home.
A full-time mother/part-time sex-worker goes missing on the Downtown Eastside during the 2010 Winter Olympics.
This multi-narrative drama chronicles life in a small town in the Alberta badlands over the course of one year. As we’re introduced to a pregnant teenager, a hard-drinking musician, a reclusive taxidermist and an ambitious RCMP officer, the intertwining stories in director Kyle Thomas’ ambitious, eloquently executed film render a rich portrait; four circles of Drumheller, if you will.
We are thrilled to offer this coveted gala spot to the winner of the #mustseeBC competition, where audiences will have the power to tell us which film they want to see at this exciting event. Check out http://mustseebc.viff.org for details!
A boy follows his girlfriend to Hope, an ironically named town where his dreams die a slow death. However, his settled lifestyle is disrupted by a trip back to the city for a medical appointment, where he and a friend become stranded for 24 hours. René Brar tells the story of two troubled kids who never really grew up while examining the complex nature of relationships.
A paean to Vancouver’s disappearing movie palaces.
A young dishwasher contemplates the nightmarish prospect of making a life as a kitchen worker.
Dilys is full of energy as she gives us an entertaining insight into life at 91, and shares her ambitious hopes for the future.
A failing marriage leaves a woman sleepless and shrinking from sight.
Nicole (Julianne Côté ) has some growing up to do in this sweetly absurd, wryly comic third feature from Stéphane Lafleur (Continental, a Film Without Guns). Vibrantly shot in textured black-and-white 35mm, the appealing dramedy displays a disciplined visual sense, a good ear for dialogue and characters that become more endearing as the episodic action progresses. "Unconventional and slyly entertaining…"—Screen
A kid and his Big Brother mess around in the streets of a metropolis.
Water fights can lead to dramatic outcomes.
At a Saskatchewan cattle ranch during branding season, a blue-collar kid is rattled by an unsettling discovery.
Can thousands of carefully synchronized gestures and movements recreate an overall choreography?
"Young people today are too often found in a space of social homelessness, where we are invisible in public discourse, and the value of our lived experience is reduced to teenage weirdness." A poetic statement of what youth need.
Acclaimed filmmaker Thomas Burstyn (This Way of Life) turns his inquisitive camera on his aunt and uncle: Yolanda Sonnabend, a London artist who resides in decaying splendor, and Joseph Sonnabend, an esteemed AIDS physician who’s returned to a house he hates and sister he can’t relate to. The enthralling result is a film about family relations, fractured sibling love, gender, art, science, diaspora and legacy—and the uncomfortable role of the filmmaker as voyeur, confidant, family.