Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
What would bullying look like if we saw it for what it is? (United Way Care to Change Video Competition winner.)
Two brothers share the scars of an untold history that has driven them to existential extremes.
Terrance Odette’s (Heater, Saint Monica, Sleeping Dogs) drama centres on a Catholic priest (Michael Murphy) in a Niagara Falls parish whose world is turned upside down after he receives a letter alleging sexual transgression. Our sympathies are put to the test as he comes to terms with his memories and deals with the fallout.
Learning the dark truth about his workplace, a factory worker revolts.
It turns out that there’s a distinct difference between growing up and growing old.
Wild fish populations in BC have been declining since the late 70s, at about roughly the same time the open-net fish-farm industry began to grow fish in marine waters. Focusing on the research of biologist Alexandra Morton, filmmaker Scott Renyard links the crash of many fish species on Canada’s West coast to diseases spread from fish farms in this persuasive and urgent call to action.
Out of his depth in a fight for a girl’s affections, Adam issues a challenge to his rival.
After a tragic death, a Lebanese immigrant struggles to arrange Islamic pre-burial rituals in his adopted home.
A paean to Vancouver’s disappearing movie palaces.
This multi-narrative drama chronicles life in a small town in the Alberta badlands over the course of one year. As we’re introduced to a pregnant teenager, a hard-drinking musician, a reclusive taxidermist and an ambitious RCMP officer, the intertwining stories in director Kyle Thomas’ ambitious, eloquently executed film render a rich portrait; four circles of Drumheller, if you will.
A boy follows his girlfriend to Hope, an ironically named town where his dreams die a slow death. However, his settled lifestyle is disrupted by a trip back to the city for a medical appointment, where he and a friend become stranded for 24 hours. René Brar tells the story of two troubled kids who never really grew up while examining the complex nature of relationships.
A failing marriage leaves a woman sleepless and shrinking from sight.
Nicole (Julianne Côté ) has some growing up to do in this sweetly absurd, wryly comic third feature from Stéphane Lafleur (Continental, a Film Without Guns). Vibrantly shot in textured black-and-white 35mm, the appealing dramedy displays a disciplined visual sense, a good ear for dialogue and characters that become more endearing as the episodic action progresses. "Unconventional and slyly entertaining…"—Screen
As a woman and her dog go about their day, our understanding of their relationship shifts dramatically.
A young dishwasher contemplates the nightmarish prospect of making a life as a kitchen worker.
The journey of a toy car takes us on a memorable journey through time and across generations in rural Quebec.
A kid and his Big Brother mess around in the streets of a metropolis.
There’s one thing a deaf teenager would like to hear more than anything else…
In his latest incendiary investigative documentary, Harold Crooks (Surviving Progress) examines the sordid history of offshore tax havens and the dire contemporary ramifications of such corporate malfeasance. It seems that it’s big business’ world and we’re just picking up the tab. But how long can the middle class and poor bear the tax burden? This is shocking look at an unsustainable system poised to implode.
Canada, France, Germany
Perverse and playful, David Cronenberg’s merciless satire takes dead aim at the Hollywood glitterati’s vanities, psychoses and foolish belief that the past can be rewritten. A powerhouse ensemble—John Cusack, Julianne Moore, Mia Wasikowska and Robert Pattinson—brings Cronenberg’s glamourous grotesques to life. “Mulholland Drive, Sunset Boulevard and The Player wrapped up into one darkly comic, Gothic-tinged package.”—Screen. Winner, Best Actress (Julianne Moore), Cannes 2014.