Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
In need of cash for a lifesaving operation, a senior schemes to rig a bingo game.
There’s one thing a deaf teenager would like to hear more than anything else…
A young boy falls in love in Victoria’s Chinatown and sparks a symphony in dynamite.
A little girl believes that a homeless man is the reincarnation of her recently flushed goldfish.
In his latest incendiary investigative documentary, Harold Crooks (Surviving Progress) examines the sordid history of offshore tax havens and the dire contemporary ramifications of such corporate malfeasance. It seems that it’s big business’ world and we’re just picking up the tab. But how long can the middle class and poor bear the tax burden? This is shocking look at an unsustainable system poised to implode.
Director Ricardo Troggi (1981) delights with this hilarious and sometimes caustic souvenir of his own life when he was 17 years old. Jean-Carl Boucher plays young Ricardo as a cockeyed Quixote, fearlessly tilting at the repressive tyranny of everyday adolescence. Inspired by a surreal vision, he’s on a quirky quest that involves raging hormones, family drama and petty crime.
In the crackpot mosaic that is Montréal in 1966, Jean Corbo, an idealistic 16-year-old, befriends two far-left political activists and joins the FLQ (Liberation Front of Québec), an underground movement determined to spark a socialist revolution and Québec’s separation from Canada. Director Mathieu Denis brings the true and tragic story of a decisive moment in Canadian history into sharp focus.
A broken family learns to cope when their autistic son shows them everything they need—without saying a word.
An eminent psychiatrist disappears from his office. The last person to have seen him is Michael, a handsome and seemingly innocuous patient, played here by Xavier Dolan in a tour-de-force performance. The director of the hospital, Dr. Green (Bruce Greenwood), investigates the disappearance but instead uncovers Michael’s dark secrets. Charles Binamé directs this taut psychological drama with a sure and subtle hand.
Bernie Custis, 83, was the first black quarterback in professional football. This is his story.
A young military couple struggles to keep their marriage together through the last days of the husband’s tour.
Three friends struggle to realize their identities inside a shifting love triangle that fractures their friendship.
An animated ode to filmmaker Claude Jutra and an account of his views on art and cinema.
We are thrilled to offer this coveted gala spot to the winner of the #mustseeBC competition, where audiences will have the power to tell us which film they want to see at this exciting event. Check out http://mustseebc.viff.org for details!
A father and daughter bond as she cuts his hair. But then the phone rings…
An abstract exploration of ephemerality and recycling.
A striking visual treatment of a spoken word poem, written and performed by Hopy Tareke.
An isolated and disabled man yearns to experience intimacy in a world that would rather ignore him.
Canada, France, Tunisia
Writer-director Kaouther Ben Hania turns her caustically funny eye to the sexist practices and antediluvian views she finds endemic in her country. "An audacious mockumentary… Hilarious and acerbic… Ostensibly about the director’s search for a man who slashed 11 women from his motorbike back in 2003, the pic shines a discomfiting light on Tunisia’s attitudes toward women, using a fake-documentary approach…"—Variety
The prolific Xavier Dolan reveals a newfound maturity with this bittersweet account of Diane (Anne Dorval, channelling Gena Rowlands) and her delinquent son (Antoine-Olivier Pilon, magnetic). Having abandoned the matricidal posturing of I Killed My Mother, Dolan sides with Diane on this occasion, crafting "a funny, heartbreaking and, above all, original work…"—Variety. Winner, Prix du Jury (ex aequo), Cannes 2014.