France, Belgium, Estonia
Jeanne Moreau gives another in a lifetime’s worth of great performances as Frida, an Estonian woman long settled in Paris who must accept a fellow Estonian caregiver (Laine Mägi) into her upscale home. Ilmar Raag’s moving observational tale is "a story of gradual transformation, slight, graceful and incidental."—Sydney Morning Herald
Art-house titans (and mutual admirers) Ben Rivers and Ben Russell conspire on this uncompromising, three-part sensory experience that commences in a bucolic Estonian commune and culminates with a black metal concert. "[A] tapestry of beautifully rendered concepts [that’s] impressively committed to its poetic design… Rivers and Russell have certainly cast a spell that sticks."—Indiewire
What to do when your single father sticks you with his date’s teenaged daughter at the amusement park? An evening full of suspicion, awkward relations and sexual tension.
Representative of the best new face of eco-tourism, Jessica Oreck’s (Beetle Queen Conquers Tokyo) exquisite documentary examines the skilled humble lives and rugged routines of one enterprising Finnish family, celebrating the uncommon relationship they’ve forged with nature. "A work of ethereal beauty… utterly engrossing…"—Variety
François Ozon’s controversial drama follows 17-year-old Isabelle (Marine Vacth), from a comfortable Parisian background, who chooses to become a high-class prostitute. Ozon’s refusal to judge coupled with Vacth’s amazing performance make for a disturbing and deeply affecting work.
All of the fairytale archetypes—be they wolves or fairy godmothers—are present in Agnès Jaoui’s (The Taste of Others) delightful comedy. However, as a beguiling ensemble of lovelorn Parisians navigate their romantic entanglements, the playful narrative skirts conventional happily-ever-afters and steers itself into far more realistic and rewarding territory.
Isabelle Huppert and Toni Servillo (Il Divo) are superb in Italian master Marco Bellocchio’s caustic political critique and keenly observed social drama centring on the hot-button issue of euthanasia. A powerful and supremely intelligent work, showing Bellocchio at the peak of his powers.
Reminiscent of Fellini at his most symphonic, Paolo Sorrentino’s (Il Divo) story of a high-flying journalist (Toni Servillo, superb) brought low by the death of his first love is both visually dazzling and emotionally rich. “Sorrentino’s magnificent return to form… A lush, classical tale of middle-age hedonism and lost love.”—Guardian
Spain, France, Romania
Albert Serra’s (Honor de Cavelleria) dreamy period piece finds an aging Giacomo Casanova (Vicenç Altaió) coming face to face with the new age, as embodied in the form of Dracula… “Serra’s most accessible work… Casanova is a vivid character rich with metaphor… [Serra] turns the characters into symbols of history in flux.”—Indiewire. Winner, Golden Leopard, Locarno 2013.
UK, France, Portugal
"The [Cannes] festival’s most brilliant movie was Jean-Luc Godard’s The Three Disasters… 3D as you have never seen it before… A masterpiece, the first movie of the cinematic future.”—Film Comment. Peter Greenaway’s and Edgar Pêra’s parts of this trilogy are pretty eye-popping too! Special 3D Presentations.
Corneliu Porumboiu follows up on Police, Adjective with this film within a film about a director whose affair with one of his supporting actresses threatens to cross over into—and change the shape of—the film he is making. A clever and intimate look at the easily crossed fine line between art and life.
Michael Lonsdale and Claudia Cardinale are superb in Manoel de Oliveira’s gorgeous period piece about the return of a prodigal son bent on destroying his family. "An exquisite yet anguished spectacle, a grand piece of cinematic chamber music for a cast of mighty soloists…"—New Yorker
In this piercing masterpiece, Rithy Panh grapples with the horrors Cambodia faced under the Khmer Rouge. "A series of painstakingly crafted dioramas… at once extremely fragile and necessarily distanced… A dam constructed to control the flow of an ocean of sorrow."—Film Comment. Winner, Best Film, Un Certain Regard, Cannes 2013.
UK, USA, France, Mexico
Gliding with the grace of a boomerang, Juan Carlos Martín’s documentary circles back through artist Gabriel Orozco’s career, tracing how the Mexican modernist’s drawings, photographs and sculptures became so influential. And every time the camera returns to Orozco, we see an artist wrestling with precisely what a career retrospective signifies.
France, Germany, Kazakhstan
With its culture of intimidation, the playground has always resembled a prison yard. Lyrical and jarring, Emir Baigazin’s commanding debut centres on a teenager trapped in a cycle of mind games and bullying. "Poetic, formally disciplined and psychologically gripping…"—Hollywood Reporter. Winner, Best New Director, Seattle 2013; Outstanding Artistic Contribution, Berlin 2013.
The rules were: one day, one wheel, one shot (no editing). Valérie Massadian’s (Nana) hypnotic short was made for Seattle’s Northwest Film Forum.
Tsai Ming-liang’s first feature in four years is a masterpiece: a blackly funny and unexpectedly warm comic tale of a father—Tsai’s usual brilliant actor Lee Kang-sheng—and two children adrift amongst the urban decay of Taipei. Part Buster Keaton, part rigorous art film, always enthralling.
UK, France, Germany, Afghanistan
Holding vigil at her husband’s side, a devoted Muslim (famous Iranian actress Golshifteh Farahani) discovers unexpected empowerment. As she expresses her frustrations and desires, new possibilities present themselves in her war-torn city. Atiq Rahimi’s adaptation of his novel proves a "poetic and politically charged allegory."—Screen. Winner, Best Actress, Abu Dhabi 2012.
Two of France’s hottest young stars, Léa Seydoux (Blue Is the Warmest Colour) and Tahar Rahim (A Prophet), play workers at a nuclear power station who fall in love in Rebecca Zlotowski’s powerful drama. Offers a rare and fascinating look inside the everyday workings of a nuclear power plant. "Engrossing, superbly acted."—Variety
Spanning the totality of Michael Haneke’s career and featuring interviews with him, as well as footage of Haneke working on the films Amour (Oscar winner for best foreign language film), Code Unknown and The White Ribbon, Yves Montmayeur’s documentary portrait is "a must-see for anyone who admires this director."—Guardian