Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
An unflappable free spirit (Kevin Azaïs, casually charismatic) and driven survivalist (Adèle Haenel, intense and alluring) make for unlikely lovers in Thomas Cailley’s wonderfully oddball comedy. When the couple enlists in boot camp, paintball pellets stand in for Cupid’s arrows and their fledgling romance is put through the paces. "Overflowing with relentlessly acerbic humour…"—Hollywood Reporter. Winner, FIPRESCI Prize, Directors’ Fortnight, Cannes 2014.
A family runs into the unbending rules of airport regulations which conspire against them.
Acclaimed and controversial French author Michel Houellebecq is the centre of this hilarious and strange mélange of real life and fiction. When the notorious curmudgeon (playing himself) is kidnapped and anesthetized with alcohol, a caustic (and occasionally inebriated) game of cat and mouse commences and the barriers between captor and captive slowly dissolve… Winner, Best Screenplay, Tribeca 2014.
Can a road trip to an unexpected place be a miraculous healing experience?
France, Turkey, Germany
"Nuri Bilge Ceylan [Once Upon a Time in Anatolia] is at the peak of his powers with [this] richly engrossing and ravishingly beautiful magnum opus… [The film] tunnels into the everyday existence of a middle-aged former actor turned comfortably situated hotel owner—and emerges with a multifaceted study of human frailty whose moral implications resonate far beyond its remote Turkish setting."—Variety. Winner, Palme d’Or, Cannes 2014.
France, Germany, Switzerland
Juliette Binoche is riveting as an actor asked to revisit the play that made her a star 20 years before—but this time she is to essay the role of the older woman, not the ingenue… "Though deceptively casual on its surface… [Olivier Assayas’ film is] a multi-layered, femme-driven meta-fiction that pushes all involved—including next-gen starlets Kristen Stewart and Chloë Grace Moretz—to new heights."—Variety
France, Hungary, South Korea
Hungarian director/ringmaster György Pálfi (Hukkle) turns an apartment building into seven rings of carnivalesque hell in this stunner. Pálfi essays the grotesqueries of modern life through stories that run the gamut from social realism to sci-fi. “It’s thrilling to see a director in such clear command of the cinematic medium operating in such a playfully stylized way.”—Variety. Winner, Best Director, Karlovy Vary 2014.
Germany, South Africa
Completed just prior to Mandela’s passing, Khalo Matabane’s deeply personal documentary finds the celebrated filmmaker wrestling with his conflicted feelings concerning the icon’s life and legacy. Posing provocative questions to world leaders, South Africans and himself, he foregoes nostalgia and assembles “a wonderful exploration of a complicated man and even more complicated issues that feels like vital viewing.”—POV Magazine. Winner, Special Jury Prize, IDFA 2013.
VIFF favourite Doris Dörrie (Cherry Blossoms) immerses us in the mayhem of Mexico City’s bustling Plaza Garibaldi and introduces us to the female Mariachis—still a rare breed—who perform there. While their passionate voices suggest indomitable spirits, moving confessional interviews reveal the discrimination and personal doubts they must contend with on a daily basis. "The female performers are dynamite… Inspiring."—NOW Toronto
Director Christian Petzold and muse Nina Hoss follow Barbara with this brilliantly acted drama about a facially disfigured camp survivor, Nelly (Hoss), in 1945 Berlin, who receives reconstructive surgery before searching for her husband. When she finds him (Ronald Zehrfeld), he doesn’t recognize her—but, believing Nelly dead, enlists her in a plan to inherit his wife’s money… Echoes of Vertigo redound in this haunting work.
Fear, prejudice and misunderstandings collide on a crowded airplane in the last minutes before takeoff.
Two elderly, completely opposite women with terminal conditions get stuck in the same hospital room.
An impromptu tryst between two horses serves as the catalyst for further dark comedy in this celebration of equine grandeur and human eccentricities. Benedikt Erlingsson’s debut is every bit as rugged, otherworldly and striking as its Icelandic backdrop. “A hugely enjoyable film from the wild side of the wild side… [It] deserves its cult status.”—Guardian. Winner, Best New Director, San Sebastián 2013.
A mysterious incident empties Hong Kong (an eerie sight reminiscent of 28 Days Later), leaving a busload of disparate strangers to determine what happened. “Hong Kong doesn’t do sci-fi,” claims one survivor. Fruit Chan dispels that notion as he “bends genre like it’s putty in his hands, distilling the macabre from the everyday and making the apocalyptic seem absurdly matter-of-fact.”—Variety
Hong Kong pop meets art in Heiward Mak’s latest feature, a rich, moving, dazzling, and deeply, sympathetically savvy look at the amorous and professional lives of six twenty-something Hong Kongers. Their complex, ambivalent lives play out over six years in fascinating, interlocking stories. Mak’s fiercely contemporary sensibility creates an essential snapshot of Hong Kong’s hopes, anxieties and pleasures today. Shelly Kraicer
This droll and appealing dramedy, set in a picturesque (if run-down) fishing village in northwest Iceland, focuses on dry alcoholic Hugi who’s trying to cope both with the feelings he still has for his ex-wife and a visit from his hard-drinking father… "One of the best up-and-coming young European directors, [Sigurðsson] has crafted a revealing, amusing and intelligent film to be cherished."—Screen
Imtiaz Ali’s drama is anchored by A.R. Rahman’s forceful score and Alia Bhatt’s amazing turn as a kidnapped heiress. "Abduction paradoxically results in liberation for both the sheltered daughter of a rich industrialist and her hardened-criminal kidnapper in… this Bollywood road movie, which intertwines dark social issues and blithe romance [and succeeds] thanks in part to relative newcomer Alia Bhatt’s endearingly cockeyed performance."—Variety
A young Bengali gentleman has a fascinating adventure, in which his love for film transcends the reality of the city he lives in.
Nagesh Kukunoor’s raw, powerful and deeply disturbing drama about sex trafficking and child prostitution in Andhra Pradesh packs a wallop, in no small part due to the performance of Monali Thakur as the 14-year-old heroine Lakshmi. "The film belongs to singer-turned-actress Thakur. [Her] portrait of ravaged innocence will haunt you forever."—NDTV. Winner, Audience Award: Best Narrative Feature, Palm Springs 2014.
Pan Nalin, whose Samsara and Ayurveda: Art of Being struck such chords with Vancouverites, turns his spiritually questing eye towards the Kumbh Mela, the sacred Hindu pilgrimage/festival that unfolds along the Ganges and attracts 100 million devotees. By alternating specific characters—a 10-year-old runaway, an aging holy man—with the sheer spectacle on display, Nalin’s gorgeous film is a celebration of diversity.