Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
UK, France, Germany, Malaysia, Thailand
Somewhere in Isan, in Thailand’s Deep Northeast, an ancient royal cemetery is being disturbed by developers. Nearby a school pressed into service as an army hospital houses soldiers with a mysterious sleeping sickness. What’s the connection? Apichatpong’s inimitable mix of dream, fact and speculative fiction teases out the answer, with some steely political implications. Very different in tone and style from Uncle Boonmee, but no less haunting. Tony Rayns
A long lost African mask is returned to its native Mali, while its keeper (Bakary Sangaré, from Samba Traoré) becomes a kind of ferryman from the world of the West into African civilization. Constructed as an ethnological road movie that progresses into a zone where magic and reality alternate, Jacques Sarasin’s compelling mystery pins the viewer’s attention from the outset and provides detailed insights into the lives and spirituality of everyday Malians.
Ben Russell’s deliciously visual "documentary" portrait of the lost island of Atlantis, a Utopia that has never/forever existed beneath our too-mortal feet…
Gripping and gritty, Gabriel Ripstein’s assured debut is a nimble, intense thriller that delves into cross-border crime. Arnulfo has a tidy little racket going—legally purchasing Arizona firearms and flipping them to Mexican cartels—until he’s targeted by an ATF agent (Tim Roth). Bad luck and even worse decisions conspire to set these two men on a treacherous journey that neither expected and both are wholly unprepared for. “A lean, careful, clever tale…”—Indiewire
A day in the life of José María, a bus driver/drag-queen-performer/family man utterly comfortable in the contradictory worlds he lives in.
Good news for those who’ve finally regained their faculties after VIFF 2014’s mind-bending The Incident: Isaac Ezban is back with another audacious product of his Twilight Zone-tinged vision. It’s 1968 and eight strangers have congregated at an isolated bus station, where they fall prey to a strange, transformative phenomenon. Employing a bombastic score with a conductor’s flair, Ezban once again demonstrates an unwavering commitment to exhilarating high-concept storytelling.
A bored housewife becomes a desperate one in Andrés Clariond Rangel’s sly slow-burn thriller. Dead of spirit after decades of upper-class leisure, Susana (Verónica Langer) finds her long-dormant passion rekindled by the arrival of a young new maid, Hilda (Adriana Paz). As her interest in the girl turns to obsession, an identity crisis gives way to more volatile behaviour. Rangel ensures that Susana’s shift from generosity to tyranny is chilling—and thrilling—to watch.
Tim Roth delivers an understated performance as a hospice nurse whose selfless devotion to the terminally ill sometimes distorts into more inscrutable behaviour in Michel Franco’s deft character study. Recalling Michael Haneke’s Amour in its unsentimental depiction of life’s closing chapters, this mesmerizing psychological drama also examines the heavy toll exacted on this caregiver who’s at ease with impending death but at a loss with life. “A captivating work.”—Screen
Middle-class Miguel (Diego Calva) and barrio-dweller Johnny (Eduardo Martínez) are young lovers who finance their skateboarding lifestyles by selling their blood—and the blood of others—to underground clinics in Mexico City. One day they take on a delivery for some gangsters and things go wrong… Meshing a romance, an ultra-realistic depiction of the skate scene and some noirish tropes, Julio Hernández Cordón’s beautifully shot drama takes young love to the limit…