Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
The 2007 murder of British student Meredith Kercher in Italy—and the arrest of her American flatmate, Amanda Knox—sparked a media circus. Michael Winterbottom revisits the case and explores what it’s like to be a filmmaker tackling a salacious story while struggling to retain your integrity. Daniel Brühl and Kate Beckinsale star in this investigation that dances in and out of the shadowy zone separating documentary and fiction, truth and lies.
John Boorman’s (Point Blank, The General) gently comic follow-up to the Oscar-nominated Hope and Glory chronicles the travails of the director’s alter-ego, Bill (Callum Turner), a young man conscripted into the army with the prospect of the Korean War hanging over him. That he never gets further than a Home Counties barracks is just one of the ironies sprinkled over this richly allusive career-capper.
Lucy Walker’s affecting doc features Scottish actress Marianna Palka courageously confronting her risk of inheriting Huntington’s Disease.
Populated by gorgeous misfits and propelled by effervescent pop songs, this jubilant musical from Belle & Sebastian lynchpin Stuart Murdoch comically depicts a critical juncture for three Glaswegians when it seems they’ve no other option than starting a band. “It’s warm and generous… Even non-believers will acknowledge the film’s utter sincerity… It means what it says.”—Guardian. Winner, Special Jury Prize: Ensemble Acting, Sundance 2014.
A spirit medium wants out but others, in this world and the next, have other plans.
A collection of memories set in stone. A contemplation of life, death and our place in time.
A man tries to save the life of a minuscule fish but the situation spirals out of control.
After revealing the deplorable intimidation tactics used to build a Scottish golf course in You’ve Been Trumped (VIFF 11), documentarian Anthony Baxter returns with this globetrotting condemnation of the sport’s environmental impact and culture of entitlement. Plus: He’s finally granted an audience with The Donald, resulting in a smug sermon from Trump Tower that has to be seen to be believed. “Fascinating…”—Scotsman
A polar bear is searching for his missing friend in this short animation about camouflage.
"An excellent, intelligent, and unfussily traditional documentary about a gifted artist who photographed many key 20th-century figures, including Mick Jagger, John Betjeman, Queen Elizabeth and Samuel Beckett. Now 89, a frail and lucid Bown reflects on her life… Others pay homage… and speak insightfully about aesthetics, technique, and the context of Bown’s work. Directors Luke Dodd and Michael Whyte’s austere filmmaking eminently suits the material…"—Guardian
A bittersweet love story that explores the ways movies can determine and skew our perspectives.
The troubles and tribulations of a handful of Londoners intersect at an iconic red phone box.
Almost two decades after “Common People” dominated the UK charts, beloved Britpop stars Pulp return to their unlikely industrial hometown of Sheffield to play one last gig. Florian Habicht commemorates the occasion by sharing Jarvis Cocker’s musings (he equates fame to a nut allergy), high-concept vignettes (a seniors’ choir sings “Help the Aged”) and footage of the epochal concert. “The live performances are electrifying…”—Observer
Leidi sets out in search of the father of her child.
As both Orange Juice frontman and a solo artist, Edwyn Collins had a way with words. Then, two debilitating strokes reduced his vocabulary to his wife’s name and the phrase “the possibilities are endless.” Documentarians James Hall and Edward Lovelace “immerse us in the experience… Their take on accident and recovery is romantic and terrifying, lush but insular. They dig beauty out of tragedy…”—Guardian
UK, USA, France
Bizarre circumstances makes reluctant bedfellows out of American con artist Chester (Viggo Mortensen) and Athens hustler Rydal (Oscar Isaac) in Hossein Amini’s absorbing 60s-set adaptation of Patricia Highsmith’s novel. As they evade the authorities, Chester’s wife (Kirsten Dunst) finds herself torn between these seductive charlatans. “An elegantly pleasurable period thriller, a film of tidy precision and class.”—Telegraph
UK, Poland, Germany
The nomadic Badjao tribe are citizens of the sea, subsisting for centuries on the spoils of their compressor-diving expeditions. Eliza Kubarska‘s poetic documentary follows 10-year-old Sari as he sets out on his first fishing trip and is initiated into his people’s traditions and lore. "A mythological tale of wonder and water…"—DOX. Winner, Special Jury Prize: International Feature, Hot Docs 2014.
Wilhelm Sasnal—whose paintings hang in MOMA and Paris’ Pompidou—has a second life, alongside his wife Anka, as a director; their Parasite is a haunting, gorgeously made evocation of contemporary Polish alienation. Centred on a lonely old man and a troubled younger mother (with baby) who move in together, this formally daring work has both a rare immediacy and an aching sense of compassion.
A dutiful civil servant (Eddie Marsen, superb) whose job it is to thanklessly—and often fruitlessly—try to locate next of kin is inspired to finally start living by the daughter (Downton Abbey’s Joanne Froggatt) of a recently deceased neighbour. Uberto Pasolini’s latest is dry and sardonic comedy at its best. “Resonant and life-affirming, Still Life is a tonic for the soul.”—Empire. Winner, Horizons: Best Director, Venice 2013.
Dubliner Christina Noble (Deirdre O’Kane) travels to Ho Chi Minh City to better the lot of street children and war orphans. Is the fighting spirit coursing through her Irish veins a match for widespread corruption and indifference? Stephen Bradley offers "a joyful and rousing affirmation of the human spirit that will resound widely."—Hollywood Reporter. Winner, Audience Award: Best World Narrative Feature, Nashville 2014.