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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Maybe location isn’t quite everything in these short films but it’s certainly integral. A haunted lighthouse, eerie acoustics lab and sleepy prairie community are but some of the atmospheric environments that these compelling stories immerse us in. Featured films: Bison, Broken Face, Chamber Drama, Eclissi, Fallow, Lifers, Light and Sleeping Giant
Acclaimed filmmaker Thomas Burstyn (This Way of Life) turns his inquisitive camera on his aunt and uncle: Yolanda Sonnabend, a London artist who resides in decaying splendor, and Joseph Sonnabend, an esteemed AIDS physician who’s returned to a house he hates and sister he can’t relate to. The enthralling result is a film about family relations, fractured sibling love, gender, art, science, diaspora and legacy—and the uncomfortable role of the filmmaker as voyeur, confidant, family.
Believing that he’s been racially profiled, a young black man blows off steam. Then, things get personal.
Academy Award-winning director John Zaritsky (Leave Them Laughing), a bit of an oddball himself, returns with an engaging, light-hearted look at eccentrics. From a desert hermit to Denman Street’s Duck Lady, we’re introduced to those who dare, or are driven, to be different. Eccentrics are healthier and happier, as we discover in this funny, touching and thought-provoking film.
A variety of formative experiences are conveyed in this wildly diverse collection of short films that employ absurdist humour, affecting drama, cosmic flourishes and haunting surrealism to share with us the moments that will forever change these stories’ young protagonists. Featured films: 40 Candles, The Cut, Dorsal, Godhead, Petit Frère, Ship and Stray
An intimate portrait of uncertainty and loss told through close details of hands and objects.
Carol (Arabella Bushnell) has a unique way of dealing with her frustrations with family, friends and co-workers: writing brutally honest songs (that frequently feature threats of violence) and leaving them on their voicemail. Carol’s creative catharsis has some immediate and unexpected consequences in this hilarious, offbeat comedy from writer-director Kris Elgstrand.
A chef who’s honed his talents in prison finds the outside world to be an unforgiving place.
Jack (Paul Campbell) and Meagan (Alex Paxton-Beesley) have got it all. They’ve just bought a house, they’re thinking about a family and they have a close-knit circle of zany friends that love them. A few hookups, breakups and breakdowns later, the circle unravels and then regroups in this sharp-edged and libidinous comedy from writer-director Alex Pugsley.
Tormented by bedbugs, an ostracized woman learns an unexpected lesson about acceptance.
After having this hand lopped off by a gangster he’s offended, a brash underground cartoonist watches the disembodied appendage return to life and become a reanimated avenging angel/defender of free speech. Deliriously irreverent, wantonly vulgar and perversely gory, Matt O’Mahoney’s splatter horror flick is one of the year’s most gonzo genre offerings and “signals an underground spirit thriving in Vancouver…”—Spectacular Optical
When a series of grisly murders plague a low-rent film production, a former master-editor turned whipping boy becomes the prime suspect. Astron-6 (Manborg) film collective members Adam Brooks and Matthew Kennedy write, direct and star in this deranged, debauched ode to ’70s Italian giallo fare. Gore, gratuitous nudity and an inspired guest appearance by Udo Kier make for the perfect late night out.
Writer-director Soran Mardookhi brings us the moving story of Sherzad (Kamal Yamolky) and his estranged young daughter, Jina. A former electrical engineer in Iraqi Kurdistan, he’s now trying to make a new life for himself in his adopted home of Canada. Jina (Camillia Mahal) numbs her harrowing childhood memories with drugs. But even among other misfits, she has a hard time fitting
A full-time mother/part-time sex-worker goes missing on the Downtown Eastside during the 2010 Winter Olympics.
Ana Valine’s darkly comic drama centres on mother/daughter con artists who just can’t catch a break. Seen through the eyes of 16-year-old Sammie (Paloma Kwiatkowski)—who lives with her pill-popping, alcoholic mom Marlene (Suzanne Clément)—this bittersweet journey leads us through dysfunction, love and addiction, before culminating with an unusual deliverance for this compelling pair. Winner, Best Director, Leo Awards 2014.
An African village is the stage for a story of oppression and hope.
While posted at a remote lighthouse, a disfigured sailor is besieged by a strange storm.
Ruba Nadda (Cairo Time) delivers layers of fear and distress with this taut psychological thriller. Helen (Patricia Clarkson) is a doctor mourning the recent death of her husband (Callum Keith Rennie) when Will (Scott Speedman) arrives at her cabin, badly injured by a gunshot. Clarkson’s performance is nuanced and compelling and you won’t soon forget Tim Roth as the relentless villain.
A young boy falls in love in Victoria’s Chinatown and sparks a symphony in dynamite.
Dilys is full of energy as she gives us an entertaining insight into life at 91, and shares her ambitious hopes for the future.