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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
After having seen his estranged uncle on the bus for the first time in years, Eric weighs the merits and risks of reaching out.
The latest involving documentary from Chelsea McMullan (My Prairie Home) exemplifies excellent storytelling and artful execution. When two Canadian siblings travel to Thailand to find out what really happened to their murdered father, they discover that he fled Canada due to his involvement with a biker gang, only to land in deeper corruption in Thailand and the Philippines. Furthermore, he has two kids in Thailand with the same names as them. McMullan creates a creepy and subtly condemning portrait of foreigners doing very bad things.
A compilation of short films that delve into the relationships we’re born into, the bonds we fashion for ourselves and how our perceptions of kin can be altered, be it over time or in one critical instant.
In 1985, Steve Fonyo ran his “Journey For Lives” marathon, covering almost 8,000km of Canada and raising $14 million for cancer research. He was subsequently named an Officer of the Order of Canada, becoming the youngest person to ever receive that honour. Then things began to fall apart. He repeatedly ran afoul of the law and was convicted of various crimes. His Order of Canada was revoked. Refreshingly, Alan Zweig (15 Reasons to Live) tells the story of Fonyo’s downfall with great sensitivity—and without ever lapsing into sentimentality.
Directionless and homeless after a breakup, a sawmill worker pulls out his wrestling unitard and climbs back into the ring.
After his terminally ill daughter (Olivia Martin) claims to have had a past life as an astronaut, a Christian teacher (Charlie Carrick) experiences a profound crisis of faith. Obsessively seeking answers, he risks his marriage and his remaining days with his child to determine whether she’s lived before… and might live again. Reflective and provocative, Connor Gaston’s debut is one of the year’s most unique Canadian features.
Accompanying teen brothers on their daily routine of complicity and intimidation, Star tackles themes of identity and friendship.
In a world where women procreate asexually, male babies have become passé and an entire gender faces extinction… What’s a guy to do? Well, the youngest man alive (Patrick Gilmore), who toils as a housekeeper for a West Vancouver all-female family, is unaware that he’s about to become a key player in a battle for survival. Camera Shy’s Mark Sawers is at the height of his satirical powers with this wry speculative mockumentary.
Painted in a vibrant neon palette reminiscent of Drive, Hogtown threatens to become a slaughterhouse in Gabriel Carrer’s stylistically bold, psychologically complex revenge film. After a gang assault leaves his policewoman wife (Tianna Nori) seriously injured, Bruce (Ry Barrett) dons a S.W.A.T. uniform and patrols the streets, intent on taking his pound of flesh. Despite carrying himself like a clenched fist, his grip on reality is slipping and he begins stalking an innocent woman (Jessica Vano). “[It] lives up to its title in its brutal intensity…”—Hollywood Reporter
VIFF favourite Charles Wilkinson (Oil Sands Karaoke) returns with a visually stunning paean to breathtaking Haida Gwaii and the spirited people who populate it. The natural beauty of this culturally rich archipelago has served as a backdrop for tragedies such as outbreaks of smallpox and the exploitation of natural resources. And yet, the Haida Nation remains undaunted, preparing for a showdown over the Northern Gateway pipeline and planning for a more sustainable future.
Joshua’s dull afternoon is upended when his volatile older brother shepherds him through the countryside in search of adventure.
What would it be like to live alongside one of the shapers of human events, in their youth, before they’ve transformed history? In Fiona Rayher and Damien Gillis’ documentary, we follow Caleb Behn, a young Dene lawyer locked in a battle with the oil and gas industry. He may become one of this generation’s great leaders—if he can discover how to reconcile the fractures within himself, his community and the world around him through the blending of the modern tools of law with ancient wisdom.
With a mesmerizing Michael Eklund starring as photographer Eadweard Muybridge, Kyle Rideout crafts a complex and compelling portrait of the man who’d be immortalized as both the godfather of cinema and the last American to receive a justifiable homicide verdict (for killing his wife’s lover). As fascinations distort into obsessions, Rideout skilfully employs techniques indebted to the infamous pioneer to convey Muybridge’s psychological unravelling.
Alex Williams’ film illuminates a shocking time when Canada embraced racial segregation, wilfully and illegally denying Indigenous peoples the basic freedom to leave their reserves and jailing them when they did so without a pass. Cree, Soto, Dene, Ojibwe and Blackfoot elders tell their stories of living under—and resisting—this system. Likewise, they link their experiences to the current state of affairs. Acclaimed Cree actor and activist Tantoo Cardinal narrates this investigation into a little-known aspect of our history.
When a Quebecois mother enters her four-year-old daughter in a Florida beauty pageant, a game of cat-and-mouse commences.
While housesitting for the parents of a friend who committed suicide, Beckett finds the world reflecting his inner turmoil.
Andrew Cividino’s remarkable debut is a story of friendship, confusion, betrayal and peer pressure. Fourteen-year-old Adam is enduring a dull summer in a small Lake Superior beach community when he meets local boys Foster and Rizzo. “The cast and filmmakers illuminate not just the wit and charm of young men, but also the callow cruelty of youth, driven by a killer combination of naïve idealism, solipsism, poor self-esteem and raging hormones.”—Hollywood Reporter
In Paul Gross’ film, ripped from the headlines, a sniper, who has never allowed himself to think of his targets as human, becomes implicated in the life of one of them. An intelligence officer, who has never contemplated killing, becomes the engine of a plot to kill. A legendary Mujahideen warrior, who had put war behind him, is now deeply involved. Three different men, three different worlds, three different conflicts, yet all stand at the intersection of modern warfare.
An Alberta farm town wishes to be frozen in time, much like the taxidermied gophers in its lone tourist attraction.