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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Think Pan’s Labyrinth meets Carnivale and you’ll still be unprepared for this astonishing debut from Done Four Productions and director Nicholas Humphries. In this Dust Bowl-era reimagining of The Little Mermaid, an amphibious siren (Katelyn Mager) falls prey to a nefarious benefactor (Game of Thrones’ Iwan Rheon) and ends up in a magical turf war. Sumptuous production design and sinister storytelling conjure a seductive fantasy world.
François Péloquin’s debut is a subtle and charming coming-of-age story. Jérémie (It’s Not Me, I Swear!’s Antoine L’Écuyer) dreams of a very different life from the one awaiting him at the family sawmill (presided over by Roy Dupuis). However, his crazy joyride comes to an end when a fateful mistake shatters his fragile world. Péloquin drafts an impressive chronicle of one teenager’s summertime crucible. “Affecting and beautifully shot.”—Hollywood Reporter
Two siblings endure the impact a residential school has on their relationship with themselves, one another and nature itself.
When her boyfriend stops making love with her, Jeannette (Marie Brassard) begins an affair with a young co-worker (Francis La Haye). Alas, it turns out that her heart problems are physical as well as metaphorical. When Jeannette inherits the heart of a deceased Malian woman, she’s stalked by the donor’s son (Youssef Camara) who’s convinced that she’s the reincarnation of his late mother… Ryan McKenna’s stylized and nuanced film is sure to delight.
In Adam Garnet Jones’ first feature, a teenage girl commits suicide in a remote Anishinaabe community and it’s up to her brother Shane (Andrew Martin) to take care of their family. Shane was supposed to move to the city for university in the fall and was desperately trying to convince his secret boyfriend (Harley Legarde-Beacham) to come with him. When forced to choose between devotion to his family or his desire to dictate his own future, what will he do?
Over the course of two days, a lifeguard stationed at English Bay undergoes an existential crisis.
A collection of short films about characters who’ve run afoul of the fates and occasionally the actual law. For what it’s worth, these deviants, delinquents and hard-luck cases aren’t in this alone. But can anyone or anything arrest their free falls?
A tea-time get-together between old friends reveals the seedy indiscretions within the group.
A selection of short films in which characters are tormented by mixed-up emotions as they’re beset by grief, insecurities, identity issues and outright existential crises. These are the ways they get by.
Sophie Deraspe’s investigative documentary is the latest reminder to be skeptical of everyone you encounter online. Deraspe tells the cautionary tale of the infamous Gay Girl in Damascus Internet hoax. A blog that purported to be a boots-on-the-ground look at life as an out lesbian in fractious Syria turned out to be something else entirely. "What begins as an account of an online affair gradually morphs into a commentary on identity in the Information Age. [A] slippery, deftly woven narrative…"—Variety
A lyrical study of an all-but-abandoned company town that withered and died the moment its resources had been plundered.
For decades, The Dollhouse stood in a frozen field just off of a prairie highway. Then, a match was lit and it was lost forever.
A compendium of short films that inventively explore the chaotic streets, sleepy suburbs, abandoned ghost towns, untamed wilds and repositories of curiosities that dot our country’s landscape.
An anthology of short films set to swirling melodies and entrancing rhythms that establish a compelling tone, as characters struggle for acceptance, are subjected to scrutiny (oftentimes their own) and experiment with identity.
The latest involving documentary from Chelsea McMullan (My Prairie Home) exemplifies excellent storytelling and artful execution. When two Canadian siblings travel to Thailand to find out what really happened to their murdered father, they discover that he fled Canada due to his involvement with a biker gang, only to land in deeper corruption in Thailand and the Philippines. Furthermore, he has two kids in Thailand with the same names as them. McMullan creates a creepy and subtly condemning portrait of foreigners doing very bad things.