Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Tim Roth delivers an understated performance as a hospice nurse whose selfless devotion to the terminally ill sometimes distorts into more inscrutable behaviour in Michel Franco’s deft character study. Recalling Michael Haneke’s Amour in its unsentimental depiction of life’s closing chapters, this mesmerizing psychological drama also examines the heavy toll exacted on this caregiver who’s at ease with impending death but at a loss with life. “A captivating work.”—Screen
The zero-sum game that is the "law of the market" (the French title)—wherein if one wants a job another must be let go—lies at the heart of Stéphane Brizé’s profoundly humanist drama. Vincent Lindon is superb as an unemployed mechanic whose new job in security at a big-box supermarket forces him to make decisions that go against everything he believes in… "A powerfully affecting social drama… Lindon [gives] a veritable master class in understated humanism."—Variety
Every time Vincent dives into a lake, the introvert transforms into something uncanny, leaping like a dolphin and brandishing superhuman strength. If there were a villain to vanquish, he’d be a superhero. Instead, he’s left to wrestle with the very relatable fear of falling victim to persecution. “So persuasively does debut director-actor Thomas Salvador immerse the viewer in his imaginative world that it seduces entirely, in a silent comedy kind of way…”—Hollywood Reporter
What makes Angus Angus? What makes Kobe Kobe? Who’s got the world’s best beef? What’s the best way to cook it? Can we feel less guilty about consuming so much of it? What’s in the cow’s best interest? Are our interests, the cattle’s and the planet’s sustainability absolutely irreconcilable? We have the questions and Franck Ribière’s Steak (R)evolution has the revealing answers, including how the most humane raising of livestock results in the most delectable steak. "Vegetarians beware—this mouthwatering documentary may just about convert you.”—Hollywood Reporter
France, Poland, Romania
Anca Damian’s ambitious mixed-media animated docudrama is a work of overwhelming artistry. Presented as a dialogue between Adam Jacek Winkler—a Quixote-like Pole who fought with the Mujahideen in Afghanistan against the Soviets—and his daughter (who co-wrote the film with Damian), it evokes the powerful personality of an uncompromising individualist and true romantic who lived outside the law due to his love of independence. “Beautifully assembled…”—Hollywood Reporter
In Alice Winocour’s taut, beautifully controlled drama, an Afghanistan veteran prone to panic attacks (Rust and Bone’s Matthias Schoenaerts, indelible) is hired to protect a wealthy businessman’s wife (Diane Kruger) and child at their luxurious coastal estate. Are the dangers he detects real or are they just PTSD symptoms caused by his war-time experiences? "A pulsing, sexy thriller… Schoenaerts at this point should be certified as a genuine movie star."—Vanity Fair
France, Germany, Netherlands
June 1940: German troops march into Paris. Jacques Jaujard (Louis-Do de Lencquesaing) and Count Franziskus Wolff Metternich (Benjamin Utzerat) work to protect the treasures of the Louvre Museum… This is just the jumping-off point for Russian master Alexander Sokurov’s (Russian Ark) gorgeously shot (by Amélie’s Bruno Delbonnel) exploration of the relationship between art, culture and power that traverses the centuries. "Sophisticated, complex and thoroughly absorbing…"—Guardian
France, Lithuania, Netherlands
A flight of fancy from Alanté Kavaïté, this dreamy, coming-of-age story focuses on 17-year-old Sangailé (Julija Steponaitytė), a young woman with a fascination for flying and a contradictory fear of the same. Until, that is, she meets the fearless Auste (Aistė Diržiūtė) and the two young women fall in love… Punctuated by a charmingly aestheticized eroticism that is entirely appropriate to this crisply told tale, Sangailé is a touching and deeply empathetic gem.
As Freudians will guess from the title, Phan’s stunning film has a lot to do with patriarchy and the penis. When Vietnam’s government offered cash incentives to fathers to undergo vasectomies, they didn’t expect that unmarried, fun-loving kids would sign up, just for pocket money. Student slacker Vu resists his father’s order to get married, but down which deviant paths will life take him? Tony Rayns
A compelling story of the lengths a father will go to for the love of his child, set to Alexi Murdoch’s "Orange Sky."
Former martial arts champion Andreas Marquardt’s life isn’t defined by victories but rather by vicious cycles. The product of unthinkably abusive parents, contempt came easily, setting him on a self-destructive path demarcated by pimping and prison. Rosa von Praunheim’s unflinching docudrama reopens Marquardt’s old wounds through stylish re-enactments and profiles how one woman’s devotion—or is it masochism?—steers him towards hard-won redemption.
IT technician Hervé Falciani left his job at a Swiss branch of HSBC in 2008, taking with him a hard-drive containing a database of 130,000 bank accounts held by citizens from 180 countries. Ben Lewis’ comprehensive investigation explores in detail the fallout from Falciani’s actions, particularly the very slow progress being made by tax authorities in various countries to recoup the billions hidden in secret accounts…
Like his father before him, Sheikh Rehman has spent a lifetime designing and painting Bollywood film posters for Mumbai’s ancient Alfred Talkies cinema. His huge banners teem with the energy and action one expects from the films themselves. But times are changing—the Alfred Talkies’ audience is dwindling and plastic posters are becoming the norm… Florian Heinzen-Ziob and Georg Heinzen’s alternately vibrant and elegiac film holds focus on the colourful Rehman, a real artist who energetically plies his trade even as the only life he has known disappears around him.
A woman and a man meet in an abandoned opera house, where they embark on a magical pas de deux between time and space.
After a traumatic incident at a raging party, 17-year-old Tina (Carolyn Genzkow) discovers that a grotesque creature is following her like a shadow. Alarmingly, their bond grows increasingly symbiotic. Is this psychosis or living proof that every teenage year is a fresh hell? A title card advises of the health hazards of the stroboscopic visuals found in AKIZ’s EDM-propelled “narcotic-mindf**k-melodrama.” However, nothing warns of the unshakeable disquiet that lingers well after the last beat. "A raucous mashup of It Follows and Basket Case…"—Hollywood Reporter
Shot in a single astonishing take, this tour-de-force heist thriller plunges us into the predicament of Victoria (Laia Costa), whose “one crazy night” in Berlin grows increasingly perilous as she’s roped into a bank robbery. Such technical audaciousness only heightens the narrative’s tension, setting the stage for a dizzying climax that’s precisely the sort of spectacle best seen on the big screen. “A kinetic, frenetic, sense-swamping rollercoaster ride.”—Hollywood Reporter
Nicolas Steiner’s intrepid documentary tracks down five Americans who’ve moved off the grid. Taking refuge in tunnels and bunkers, they’re living like they’re in a post-apocalyptic world. Were there personal cataclysms that drove them to this? Steiner reveals key details about his subjects and their motivations—including those of an army vet who now wanders the desert in a spacesuit—with a patience that rivals the technical prowess on display in this visually stunning film. "Intriguing and absorbing… There is a certain poetry to these unusual lives.”—Screen
A vegetable merchant with a bullhorn. Two women on a bench. The intersection of life’s frustrations and melancholic comedy.
The long-awaited follow-up to 2010’s Attenberg, Athina Rachel Tsangari’s new comedic drama has her skewed sensibility and mordant wit pointed at the male psyche and its absurd penchant for competition. Six male acquaintances—they certainly aren’t friends—find themselves on a luxury yacht, where they engage in an escalating series of challenges that threatens to turn nasty… "A committedly deadpan comedy of manners, morals and men behaving weirdly…"—Variety
In this prize-winning experimental essay film, a HKer interrogates her estranged parents with acuity, compassion and formal daring. (SK)