Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
When elderly Ingrid offers old friend Gavin some cherry cake in exchange for his help with the yard work, it’s only one of the delights on the table.
A meeting with a Holocaust survivor (Eli Wallach, in his last performance) teaches a self-involved young man that life can change in a moment.
It’s a scenario familiar to Canadians: oppressed indigenous people fighting to rebuild and assert their rights. On this occasion, the setting is New Zealand’s beguiling Te Urewera forest region. The players? A fiercely independent Tuhoe tribe negotiating a settlement and an apology from the Crown while constructing an architectural gem of a community centre through sustainable methods. This confluence of honoured tradition and progressive environmentalism begets a stirring depiction of Indigenous pride, and both architectural and diplomatic ingenuity. Directed with finesse, sensitivity and clear eyes by Sarah Grohnert.
In Paul Gross’ film, ripped from the headlines, a sniper, who has never allowed himself to think of his targets as human, becomes implicated in the life of one of them. An intelligence officer, who has never contemplated killing, becomes the engine of a plot to kill. A legendary Mujahideen warrior, who had put war behind him, is now deeply involved. Three different men, three different worlds, three different conflicts, yet all stand at the intersection of modern warfare.
An animated depiction of the experiences of dealing with a body dysmorphic disorder, disordered eating and scoliosis.
In Ciro Guerra’s vibrant and wildly original feature, two explorers embark on parallel journeys—albeit 40 years apart—down the Colombian Amazon. Both are in search of a sacred flower with mythical healing powers. Both encounter a native shaman and his tales of colonialism’s devastating toll. As unlikely friendships take root, Guerra’s drama enwraps viewers in seductive visuals and alluring ethnographic details. “A soulful, strange and stunning discovery.”—Indiewire
Joan Cheever builds a stronger community, one three-course meal at a time.
Patricio Guzmán explores the watery Patagonian Archipelago and its meaning in Chilean history—from its use by Chile’s Indigenous peoples to its function as a grave site for Pinochet’s desaparecidos… "Applying the same mix of lyrical nature and space imagery, voice-over narration, archive photos and footage, and interviews [that he used in Nostalgia for the Light], the director crafts another deeply poetic but also committedly, at times even angrily, humanist meditation on buried traces of the past and how they determine our present and future…"—Screen
Two towering performances by screen icons Charlotte Rampling and Tom Courtenay make Andrew Haigh’s slow-burn drama a must-see. A week before their 45th wedding anniversary, the Mercers’ genteel life in the English countryside is threatened when Geoff receives a letter saying that the body of his long-dead first love has been recovered—perfectly preserved—in the Swiss Alps… "Composed with rigour and exactitude and performed with a repressed, heartfelt passion."—Guardian
In this enchanting Icelandic export, two estranged, unmarried brothers are reunited after 40 years when an infectious disease threatens to decimate their prized flocks of sheep. As they face financial ruin and emotional devastation (their love for these animals is endearingly evident), Grímur Hákonarson fashions a richly detailed tragicomedy concerning idiosyncratic vocations and immediately relatable sibling dynamics. “Wonderfully wry, charmingly understated…”—Variety
The only thing standing between Micky and her first orgasm are some misguided ideas about healthy female sexuality.
In this reinterpretation of the myth, Salome composes a piece of electroacoustic music centred on the sound of the male orgasm.
Hashiguchi has likely given more pleasure to VIFF audiences over the years than any other Japanese director, and this is his crowning achievement to date: three interwoven tales of individuals learning to cope when love slips through their fingers. The protagonists are a bereaved bridge-repairman, an unhappy housewife with creative ambitions and an elite gay lawyer. Wildly funny in parts, but the overall tone is worldly and very wise. Tony Rayns
Unearthing a treasure trove of archival footage, Virginia Heath’s montage film offers a kaleidoscopic tour of mid-20th century Scotland. As we glimpse evocative vignettes of labour and leisure, protests and parades, strife and revelry, we enter a world seemingly conjured from the realms of fantasy rather than reels of found footage. And playing throughout are King Creosote’s lush chamber pop songs, which lend a captivating sense of lore to every scene and heighten the film’s intimacy. "An immersive, moving and, at times, truly magical window on the past…"—Guardian
Not familiar with Frank Morgan? He was Charlie Parker’s protégé and played with Billie Holiday. His father always said that Frank was “the best sax player in the world. But…” That “but” concealed a multitude of sins: bank robbery, larceny, forgery and burglary. Instead of a career, he had a habit. This music documentary includes a high-power tribute concert, fascinating insights into jazz and race in the 50s, musical lore, and interviews with Gary Giddins, Michael Connelly, Ron Carter, Clora Bryant and Delfeayo Marsalis.
Like his father before him, Sheikh Rehman has spent a lifetime designing and painting Bollywood film posters for Mumbai’s ancient Alfred Talkies cinema. His huge banners teem with the energy and action one expects from the films themselves. But times are changing—the Alfred Talkies’ audience is dwindling and plastic posters are becoming the norm… Florian Heinzen-Ziob and Georg Heinzen’s alternately vibrant and elegiac film holds focus on the colourful Rehman, a real artist who energetically plies his trade even as the only life he has known disappears around him.
Overwhelmed by past mistakes, a young man returns home and finds solace in the strength of his recently widowed mother.
An immersive experience that casts a hypnotic spell, Mauro Herce’s sui generis drama can be read as an allegory for late capitalism or taken at face value as a haunting look at the freighter Fair Lady and its Filipino crew on a mission that only comes to light when a natural disaster occurs. Awash in reds and greens, the film gives off an otherworldly glow—we could just as easily be ensconced in a spaceship on a science-fiction journey… Transfixing.
Julio Hernández Cordón
Middle-class Miguel (Diego Calva) and barrio-dweller Johnny (Eduardo Martínez) are young lovers who finance their skateboarding lifestyles by selling their blood—and the blood of others—to underground clinics in Mexico City. One day they take on a delivery for some gangsters and things go wrong… Meshing a romance, an ultra-realistic depiction of the skate scene and some noirish tropes, Julio Hernández Cordón’s beautifully shot drama takes young love to the limit…