Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
After having this hand lopped off by a gangster he’s offended, a brash underground cartoonist watches the disembodied appendage return to life and become a reanimated avenging angel/defender of free speech. Deliriously irreverent, wantonly vulgar and perversely gory, Matt O’Mahoney’s splatter horror flick is one of the year’s most gonzo genre offerings and “signals an underground spirit thriving in Vancouver…”—Spectacular Optical
Terrance Odette’s (Heater, Saint Monica, Sleeping Dogs) drama centres on a Catholic priest (Michael Murphy) in a Niagara Falls parish whose world is turned upside down after he receives a letter alleging sexual transgression. Our sympathies are put to the test as he comes to terms with his memories and deals with the fallout.
Randall Lloyd Okita
Two brothers share the scars of an untold history that has driven them to existential extremes.
Six stunning buildings, six auteurs and glorious 3D come together in this hymn to the art of architecture. The Berliner Philharmonie concert hall (Wim Wenders), California’s Salk Institute (Robert Redford), the National Library in St. Petersburg (Michael Glawogger), Denmark’s Halden prison (Michael Madsen), the Oslo Opera House (Margreth Olin) and the Pompidou in Paris (Karim Ainouz) are brought to life like never before. (Important Note: Only the Sep. 30 screening at International Village #9 will be in projected in 3D. The Oct. 4 screening at The Centre for the Performing Arts will be projected in standard 2D.)
Göran Hugo Olsson
Assembling striking archival material of African liberation efforts and scoring it with passages from Frantz Fanon’s vital treatise on colonialism, The Wretched of the Earth, acclaimed director Göran Hugo Olsson fashions one of the most impressively structured and incredibly intense found-footage films in recent memory. Lauren Hill narrates this “prickly, passionate call to arms.”—Time Out. Winner, Cinema Fairbindet Prize, Berlin 2014.
Omori follows The Ravine of Goodbye with a delicious comedy-drama about the perfect odd couple: Tada (Eita), who runs a shaky do-it-all service, and his buddy Gyoten (Matsuda Ryuhei), who usually gets in the way. The storyline involves phoney organic farming, pensioners, babysitting, yakuza and lesbian parenting. Two hours of sheer charm! Tony Rayns
Twenty years ago, Nas released Illmatic and redefined the sound of hip-hop with the album’s intricate jazz-infused rhythms and blunt-force rhymes. In his directorial debut, graffiti artist One9 looks back at the seminal record’s creation, as well as the environment and experiences that contributed to it. “It’s impossible not to get swept up in the energy of the era.”—Indiewire
Eloquent and engrossing, George Ovashvili’s fable-like drama unfolds on a tiny island that emerges each summer from a river between warring Georgia and Abkhazia. For the skillful elderly peasant who plants its amazing corn crop and his nubile granddaughter, it’s soon the site of a desperate struggle for survival. "A master class in emotionally charged minimalism…"—Hollywood Reporter. Winner, Crystal Globe, Karlovy Vary 2014.