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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Dilys is full of energy as she gives us an entertaining insight into life at 91, and shares her ambitious hopes for the future.
Benny and Joshua Safdie’s (Daddy Longlegs) corrosively energetic mélange of documentary and fiction draws on the life of real junkie Arielle Holmes (playing a slightly fictionalized version of herself) as she tries to score while obsessing about her boyfriend. Adding scripted scenes featuring real drug dealers and denizens of the neighbourhood, the brothers have fashioned something powerful and sui generis.
An animated ode to filmmaker Claude Jutra and an account of his views on art and cinema.
Did the universe begin with a yin-yang globe or with an egg? The most plausible, science-based insight into the mystery of everything since The Hitchhiker’s Guide to the Galaxy. Tony Rayns
A young dishwasher contemplates the nightmarish prospect of making a life as a kitchen worker.
Juliano Ribeiro Salgado
Wim Wenders and Juliano Ribeiro Salgado’s magnetic portrait of photographer Sebastião Salgado, is "illuminating and uplifting… [It moves] from his early years growing up on a Brazilian farm… through to his increasingly large-scale photographic projects that took him to many of the world’s most hostile and dangerous conflict zones… A moving tribute to a peerless talent."—Guardian. Winner, Special Jury Prize, Un Certain Regard, Cannes 2014.
Born with albinism, Adam is ostracized in his Tanzanian village and violently assaulted by witch doctors who believe that his limbs possess mystic properties. A Canadian born with the same condition hears of Adam’s plight and takes action. “Harrowing and poignant… Vic Sarin’s [documentary], with its searing images, is both ode to human resilience and ingenuity, and indictment of human cruelty and stupidity.”—Globe and Mail
Wilhelm Sasnal—whose paintings hang in MOMA and Paris’ Pompidou—has a second life, alongside his wife Anka, as a director; their Parasite is a haunting, gorgeously made evocation of contemporary Polish alienation. Centred on a lonely old man and a troubled younger mother (with baby) who move in together, this formally daring work has both a rare immediacy and an aching sense of compassion.
If newspapers are dying, this could be their last gasp. Starring The Japan Times, USA Today and the late, lamented International Herald Tribune, amongst others. Tony Rayns
Skipping across South Sudan in a plane he built himself, uncompromising Oscar-nominated documentarian Hubert Sauper (Darwin’s Nightmare) reveals how the world’s newest country is being carved up by foreign multinationals and missionaries. “A surreal, moving, infuriating and persuasive argument that in South Sudan there’s nothing ’post’ about colonialism.”—The New York Times. Winner, Special Jury Prize: Cinematic Bravery, Sundance 2014.
What starts out as an engaging stroll among Britain’s so-called “best and brightest” takes a shocking, violent turn in this penetrating, provocative dissection of class entitlement (and the sexism and racism that goes with it). Intense and suspenseful, the latest from Lone Scherfig (An Education) also functions as an impressive showcase for a whole gallery of brilliant up and coming actors.
Anlo Sepulveda and Paul Collins’ visually stunning (much of it is shot underwater) and totally mesmerizing chronicle of Texas’ San Marcos River—its history, its place in First Nations’ mythology, its more utilitarian position in modern times, its uncertain future—has been compared to Baraka and Koyaanisqatsi for the way it forces us to contemplate our relationship with the natural world. Winner, Audience Award, SXSW 2014.
Made by a group of ex-street youth in Sierra Leone, Africa, this film explores how $2,000 could end poverty.
When you’re depressed and on edge, reconnecting with a childhood friend in a bar might not be the best idea.
Co-written (and reputedly also supervised) by Bong Joonho, this is an exceptionally gripping story set at sea between Korea and China. A fishing-boat skipper is persuaded (against his better judgment) to smuggle a group of 25 illegal immigrants from China, all of them ethnic Koreans, ashore: what could possibly go wrong? Like Memories of Murder, this is based on a real incident notorious in Korea. Tony Rayns
When the person who’s supposed to be closest to you is no more than a stranger…
VIFF regular Shinozaki brings a touch of his enthusiasm for horror-fantasy movies to the tragic story of a teacher who has lost her fiancé in the 2011 tsunami. Her traumatizing loss meshes with her interest in precognitive dreams… and with the post-tsunami play developed by one of her students. Hirabayashi’s brilliant short also explores the aftershocks of the disaster. Tony Rayns
A little girl believes that a homeless man is the reincarnation of her recently flushed goldfish.
"Young people today are too often found in a space of social homelessness, where we are invisible in public discourse, and the value of our lived experience is reduced to teenage weirdness." A poetic statement of what youth need.
Hafsteinn Gunnar Sigurðsson
This droll and appealing dramedy, set in a picturesque (if run-down) fishing village in northwest Iceland, focuses on dry alcoholic Hugi who’s trying to cope both with the feelings he still has for his ex-wife and a visit from his hard-drinking father… "One of the best up-and-coming young European directors, [Sigurðsson] has crafted a revealing, amusing and intelligent film to be cherished."—Screen