Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
"I grew up believing I was a boy. Maybe I was. Maybe I am." An exploration of just how fluid and subjective gender identity can be.
Ana Valine’s darkly comic drama centres on mother/daughter con artists who just can’t catch a break. Seen through the eyes of 16-year-old Sammie (Paloma Kwiatkowski)—who lives with her pill-popping, alcoholic mom Marlene (Suzanne Clément)—this bittersweet journey leads us through dysfunction, love and addiction, before culminating with an unusual deliverance for this compelling pair. Winner, Best Director, Leo Awards 2014.
Jean-Marc Vallée follows up on the Academy Award-winning Dallas Buyers Club with this powerful adaptation (by Nick Hornby, no less) of Cheryl Strayed’s best-selling memoir. The perennially underrated Reese Witherspoon is better than perfect in the role of the author, a woman who, following the death of her beloved mother (played wonderfully by Laura Dern), seeks to vanquish her demons by hiking 1,800 kms of the Pacific Crest Trail.
“A government without a sense of humour isn’t democratic.” This caption from a Venezuelan cartoon speaks volumes about satire’s power to test the establishment in political hotspots. Stéphanie Valloatto’s stirring, funny documentary profiles a dissident profession’s leading practitioners. “Just like the best political cartoons, the documentary… manages to synthesize a vast subject in ways both insightful and, at times, frightfully funny.”—Hollywood Reporter
Liz Van Allen Cairns
A failing marriage leaves a woman sleepless and shrinking from sight.
Greg Vander Veer
Legendary teacher Martha Hill made a colossal impact on the North American dance scene that few others can lay claim to. A colleague of Martha Graham, Hill became Juilliard’s first Director of Dance, where she pioneered a mix of classical ballet and modern dance forms. Sprinkled with archival footage and anecdotes from dance luminaries, Greg Vander Veer’s lively and inspiring biography celebrates this singular heroine.
Seamlessly blending nine decades of film and photographs, this is a story of the process of aging told through dance.
The Reel Youth Film Festival pulls together an insightful, compelling and hilarious collection of short films from across the globe—all made by youth. Chosen by a peer selection panel from hundreds of international submissions, this collection will show you the world through the eyes of an incredibly gifted emerging group of young filmmakers.
An old VIFF tradition is revived in this electrifying anthology of new indie animation from Japan—with a special bonus in the form of Hwang Gyuil’s Deaf and Wind from Korea. A wide range of graphic styles and techniques, tackling everything from a ninja vendetta to the secret origin of the universe. Tony Rayns
Elio Alonso Vásquez Miranda
A Peruvian orchestra welcomes troubled youth and provides them with an inclusive space where they can thrive artistically.
Rodrigo H. Vila
Argentina’s Mercedes Sosa (1935-2009) was one of the most talented and politically engaged singers of the 20th century. Known as "the voice of the voiceless ones," she was a mainstay of the nueva canción folk movement, dazzled audiences worldwide and won numerous Grammy awards. Rodgrigo H. Vila’s loving portrait melds archival concert footage and contemporary interviews to breathtaking effect. Winner, Audience Award, Panama 2013.
A hit-and-run accident splinters this drama into three distinct chapters, each unfolding from a different character’s perspective. The involving, overlapping structure recalls Kieślowski and summons bold performances from a uniformly brilliant cast (headlined by Valeria Bruni Tedeschi). "This slick, stylish fusion of class critique and murder mystery confirms Paolo Virzi as one of Italy’s more dynamic directors."—Variety. Winner, Best Actress, Tribeca 2014.