Find Your Film
Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively.
After botching a romantic weekend, a luckless inventor travels back in time to try again. Instead, he initiates an inescapable circuit of events and spawns a legion of romantic rivals: other misguided versions of himself. Hugh Sullivan’s absurd, antic debut is "an exemplary time travel comedy… [It] uses the constant pileup of future and past events to enhance its humor and intelligence at once."—Indiewire
Intimate yet expansive, clear-eyed yet deeply personal, [this] marks an irresistible feature debut for writer-director Maya Forbes. Drawing on a tough but rewarding chapter of her own childhood, during which she and her sister were raised by their bipolar father while their mother went to grad school, Forbes brings a marvelous warmth and specificity to this story of a mixed-race family struggling to survive, aided considerably by one of Mark Ruffalo’s richest, most appealing performances.—Variety
For two teen girls, a clandestine night sharing secrets is transformed when there’s a power failure.
A surreal (and occasionally highly entertaining) summit unfolds when Iranian expat Mehran Tamadon convenes four Islamic religious leaders to discuss creating a more open society in his homeland. The sense of melancholic mischief here recalls Panafi’s This Is Not a Film but the concerns expressed and consequences incurred are unique to Tamadon. “An amusing game to watch…”—Hollywood Reporter. Winner, Grand Prix, Cinéma du Réel 2014.
Award-winning documentary filmmaker J.P. Sniadecki travelled throughout China by train for three years, capturing—with dazzling range and astonishing intimacy—the public and private spaces, faces and thoughts of Chinese people on the move. The film’s visceral forward-charging play of light and sound is pure cinema; what its Chinese passengers have to say to us is nothing short of revelatory. Shelly Kraicer
In David Robert Mitchell’s devilishly conceived horror flick, a malevolent spirit ruthlessly stalks one victim after another. Once this spirit has you in its sights, the only permanent escape is through sexual congress—at which point your partner inherits this supernatural creeper as if it were a particularly virulent form of STD. "Tender, remarkably ingenious and scalp-pricklingly scary.”—Daily Telegraph
The director of Western Movie and Two Boys and a Sheep returns with a sardonic tale of "funeral training" and a girl whose favourite colour is blue. Tony Rayns
Canada’s Daniel Ziv has made the most successful documentary in Indonesian history. Shining a light on urban poverty, it’s also made stars of three inspirational Jakarta street musicians whose talent is only rivalled by their resourcefulness. Life is hard for these troubadours but commitment and passion always have a fighting chance. "Stunningly vivid and full of energy…”—Tempo Magazine. Winner, Best Documentary, Busan 2013.
Lisandro Alonso returns with a gorgeous, 19th century-set existential exploration. Viggo Mortensen is a Danish engineer who heads into the Patagonian wilderness in search of his missing daughter. "This hallucinatory head-trip Western remains unmistakably Alonso’s film… a metaphysical road movie in which origin and destination are markedly less important than the journey itself."—Variety. Winner, FIPRESCI Prize, Un Certain Regard, Cannes 2014.
A small miracle of a movie, Tsai Ming-liang’s insanely slow, magnificently gorgeous film is his most beautiful in years. For 56 minutes we watch Tsai’s actor fetiche Lee Kang-sheng, accompanied by French art-house icon Denis Lavant, walk ever-so-slowly through a series of urban spaces in Marseilles. Hilarious visual puzzles; plays of light and space; pure cinema magic. Shelly Kraicer
Riri Riza follows his exploration of Timor’s civil war in Atambua 39° C with a very different but equally engrossing movie. A young woman is giving "primitive" children their first schooling in a huge preservation area in southern Sumatra. She finds herself fighting tribal prejudices, bureaucratic arrogance… and illegal loggers. Tony Rayns
We devour countless cooking shows, culinary magazines and foodie blogs. We love food and yet—thanks to our expensive obsession with expiration dates and perfect produce—we throw nearly half of it in the trash. Attempting to live waste-free, filmmakers Grant Baldwin and Jen Rustemeyer subsist on discarded food for six months. Their documentary charts their experiment’s shocking revelations. Winner, Emerging Artist Award, Hot Docs 2014.
Seamlessly blending nine decades of film and photographs, this is a story of the process of aging told through dance.
Acclaimed and controversial French author Michel Houellebecq is the centre of this hilarious and strange mélange of real life and fiction. When the notorious curmudgeon (playing himself) is kidnapped and anesthetized with alcohol, a caustic (and occasionally inebriated) game of cat and mouse commences and the barriers between captor and captive slowly dissolve… Winner, Best Screenplay, Tribeca 2014.
The story of an idealistic teacher who becomes convinced that one of her five-year old charges is a prodigious poet, Nadav Lapid’s second feature (Policeman was in VIFF 11) invites myriad questions about life and art, words and meaning, and the perceptual boundaries between adults and children. Elusive, haunting and ultimately disturbing, this is a drama you’ll be replaying in your mind long afterwards.
Nagesh Kukunoor’s raw, powerful and deeply disturbing drama about sex trafficking and child prostitution in Andhra Pradesh packs a wallop, in no small part due to the performance of Monali Thakur as the 14-year-old heroine Lakshmi. "The film belongs to singer-turned-actress Thakur. [Her] portrait of ravaged innocence will haunt you forever."—NDTV. Winner, Audience Award: Best Narrative Feature, Palm Springs 2014.