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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
IT technician Hervé Falciani left his job at a Swiss branch of HSBC in 2008, taking with him a hard-drive containing a database of 130,000 bank accounts held by citizens from 180 countries. Ben Lewis’ comprehensive investigation explores in detail the fallout from Falciani’s actions, particularly the very slow progress being made by tax authorities in various countries to recoup the billions hidden in secret accounts…
Imbued with the sensual, dreamy, mysterious air of adolescent longing and becoming, Carol Morley’s first dramatic feature is set in an all-girls school in late 60s Britain. A sudden death sparks a series of unsettling incidents that shake both the student body and faculty: is it a virus, mass hysteria or mischief-making? Featuring a spectacular turn from Game of Thrones’ Maisie Williams, this tantalizing, enigmatic film suggests some clues but leaves much to the imagination.
Faye Farber, 85 years old, has a movie star attitude and whole lot of spirit. (This project was produced with Reel Youth mentors and the support of Revera.)
In Adam Garnet Jones’ first feature, a teenage girl commits suicide in a remote Anishinaabe community and it’s up to her brother Shane (Andrew Martin) to take care of their family. Shane was supposed to move to the city for university in the fall and was desperately trying to convince his secret boyfriend (Harley Legarde-Beacham) to come with him. When forced to choose between devotion to his family or his desire to dictate his own future, what will he do?
While film preservation isn’t a foreign concept on these shores, devoted efforts here pale in comparison to the outright heroism displayed by the three brave Afghan cinephiles profiled in Pietra Brettkelly’s inspiring documentary. Having risked their lives to hide an 8,000-hour film archive from the Taliban regime, they now seek to restore it and reacquaint their countrymen with past monarchs, invasions and bygone days when Afghan women wore miniskirts. They’re not just striving to save a century’s worth of celluloid but also their nation’s history and culture.
A fever dream within a dream, the latest transmission from celluloid fetishist Guy Maddin (assisted by young co-director Evan Johnson) is part campy, whacked out tribute to vintage Hollywood melodrama, part anguished crypto-confessional and all brilliant: a passionate, virtuoso pastiche that is also perversely original and sui generis. The perfect date movie for mad cinephiles! “[An] inventive, audacious, and outright hilarious tour de force whatzit.”—Cinema Scope
An exemplary employee in an old Swiss archive starts responding to all orders with, "I would prefer not to." Melville’s famous phrase has fatal consequences.
What would it be like to live alongside one of the shapers of human events, in their youth, before they’ve transformed history? In Fiona Rayher and Damien Gillis’ documentary, we follow Caleb Behn, a young Dene lawyer locked in a battle with the oil and gas industry. He may become one of this generation’s great leaders—if he can discover how to reconcile the fractures within himself, his community and the world around him through the blending of the modern tools of law with ancient wisdom.
June 1940: German troops march into Paris. Jacques Jaujard (Louis-Do de Lencquesaing) and Count Franziskus Wolff Metternich (Benjamin Utzerat) work to protect the treasures of the Louvre Museum… This is just the jumping-off point for Russian master Alexander Sokurov’s (Russian Ark) gorgeously shot (by Amélie’s Bruno Delbonnel) exploration of the relationship between art, culture and power that traverses the centuries. "Sophisticated, complex and thoroughly absorbing…"—Guardian
Directors Tony Massil and Pablo Alvarez-Mesa’s creative documentary follows Frank Furko, an 80-year-old eccentric living in a Pittsburgh suburb. The film focuses on Frank’s celebrity, which derives from a deeply felt friendship with Pudgie Wudgie, his 20-pound performing house cat. Supported by Frank’s 20 years of VHS video archives—mesmerizing footage that is strange, often hilarious and oddly beautiful—this is an intimate and thoughtful portrait of an older man struggling to come to terms with his very unusual past.
Unearthing a treasure trove of archival footage, Virginia Heath’s montage film offers a kaleidoscopic tour of mid-20th century Scotland. As we glimpse evocative vignettes of labour and leisure, protests and parades, strife and revelry, we enter a world seemingly conjured from the realms of fantasy rather than reels of found footage. And playing throughout are King Creosote’s lush chamber pop songs, which lend a captivating sense of lore to every scene and heighten the film’s intimacy. "An immersive, moving and, at times, truly magical window on the past…"—Guardian