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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.
The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.
Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.
Louie Psihoyos (The Cove) returns with another enviro-doc that doubles as a top-flight thriller. Racing against the clock to stave off a mass extinction, Psihoyos’ undercover activists infiltrate underground marketplaces trafficking in endangered marine life and immerse us in oceans turning toxic from our energy consumption. The stakes couldn’t be higher, resulting in a film that unfolds with uncommon urgency. “A mesmeric entertainment and enlightenment… A chilling call to action to stop ocean poisoning before it results in destruction of the planet.”—Hollywood Reporter
One of the most astonishingly exotic films in this year’s festival has to be Khosrow Sinai’s drama. The title refers to the island of Hormuz, with its extraordinary multicoloured soils, ancient Portuguese forts and folk-art traditions. How much are the custom-bound villagers willing to welcome the outside world? Enter Dr. Ahmad Nadalian, a highly educated interloper from Tehran who proposes a radical plan to transform the islands assets into a thriving cultural destination.
In this enchanting Icelandic export, two estranged, unmarried brothers are reunited after 40 years when an infectious disease threatens to decimate their prized flocks of sheep. As they face financial ruin and emotional devastation (their love for these animals is endearingly evident), Grímur Hákonarson fashions a richly detailed tragicomedy concerning idiosyncratic vocations and immediately relatable sibling dynamics. “Wonderfully wry, charmingly understated…”—Variety
An exploration of the complex relationship between a father and daughter, employing animation, re-enactments and archival photos.
What would you do if you were a middle-aged man in an unhappy marriage who inadvertently discovered you had two weeks to live?
VIFF is proud to partner with Reel Youth, which has pulled together an insightful, compelling and humorous collection of international youth-made shorts. Chosen by a youth-selection team from 700+ submissions from 20 countries, the festival shows us the world through fresh eyes. Whether an Indian psychological thriller, a Georgian music video about love and diversity, or an Australian romantic comedy about insects, laughing and learning are guaranteed.
While he was presenting his Horses of Fukushima here last year, Matsubayashi shot some images of Vancouver—and he’s fed them into this extraordinary wordless documentary. Shot in 17 cities across the globe, this uses only reflected images—seen in glass, mirrors, puddles and so on—to sketch a critique of a world gone wrong. It’s poetic, affectionate and cynical in equal measure. Playing with an ace selection of animé shorts. Tony Rayns
Atom Egoyan returns with a completely original take on the darkest chapter of horror in the last century. Christopher Plummer plays a man who’s looking for the person who may have been responsible for wiping out his family, as he strains to seize the evanescent memories of long-ago brutality. The all-star cast includes Henry Czerny, Martin Landau and Bruno Ganz. Benjamin August’s screenplay will keep you guessing until the very end.
Noam Chomsky and his unassailable arguments about how economic inequality has become an entrenched part of western life are front and centre in Peter Hutchison, Kelly Nyks and Jared P. Scott’s superbly reasoned documentary, one part analysis and one part call to arms. The interviews with Chomsky were shot over four years and show that none of the 86-year-old’s fight has gone out of him. "This short, sharp, smart essay-film makes excellent use of Chomsky’s insights…"—Hollywood Reporter
What’s right, what’s wrong in relationships, especially when you’re married and edging towards an act of adultery? Hong’s scintillating new film offers two antithetical versions of events over two days and one night in Suwon, a town near Seoul. A man arrives a day early for an appointment and kills time flirting with a painter and her friends. The situation makes for another wry comedy of manners, laced with heavy drinking and regrets. Tony Rayns
The birth of a filmmaker.
A portrait of DJ Rhiannon, a rising star and one of a handful of female DJs who’ve “made it” in an industry controlled by men.
The tone is broadly comic, but Tominaga’s edgy thriller flirts with some serious themes: voyeurism, showbiz chicanery, violent crime. A scummy ex-teacher disgraced ten years ago for secret filming in the girls’ locker room runs into one of his ex-pupils, now a wet-towel deliveryman. Next thing they’re sexual rivals and caught up in a blackmail scam. Indecently entertaining. Tony Rayns
Directed by Lenny Abrahamson (Frank) and based on the best-selling Man Booker Prize-nominated novel by Irish-Canadian author Emma Donoghue, this is the story of five-year-old Jack, who lives in an 11-by-11-foot room with his mother. Since it’s all he’s ever known, Jack believes that only "Room" and the things it contains (including himself and Ma) are real. Then reality intrudes and Jack’s life is turned on its head… A remarkable and disturbing work.
Awash in nostalgia, Jenni Olson’s essay film is cinepoetry at its most eloquent and accessible. Assembling immaculately framed images of California’s beguiling landscapes and architecture, Olson lends mesmerising narration that proves both introspective and amusing as she ruminates on colonialism, Hitchcock’s Vertigo, unattainable love and the impermanent beauty of the world we’ve constructed. Lulling and provocative in turns, this is the assured work of a filmmaker exceedingly comfortable in her celluloid skin and yet eager to uncover new veins of expression.
The term “costume drama” takes on a whole new meaning in Lee Wonsuk’s sumptuous period melodrama, which centres on the rivalry between the official tailor to the king’s court and a handsome young upstart with new ideas and techniques. Their conflict plays out amid a welter of fabrics, passions and protocols, with several top stars adding dramatic weight. The attention to the details of tailoring is awesome. Tony Rayns