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Use our search function below to sort the films by their English title, the names of directors, or their country of origin. Films can also be filtered by series, genre, or Vancouver International Film Festival venue. You can also browse by film series by visiting our Browse By Series page.

The majority of films in the Vancouver International Film Festival are unrated and you must be 18 and purchase a $2 VIFF membership to attend a screening. However, a selection of films are open to all ages.

Before you make your purchase, please note The Rio is 19+ exclusively with the exception of the rated High School Screenings at this venue.

Duration: 70 mins
Country of Origin: USA, 2013
Series:
Nonfiction Features

Anlo Sepulveda and Paul Collins’ visually stunning (much of it is shot underwater) and totally mesmerizing chronicle of Texas’ San Marcos River—its history, its place in First Nations’ mythology, its more utilitarian position in modern times, its uncertain future—has been compared to Baraka and Koyaanisqatsi for the way it forces us to contemplate our relationship with the natural world. Winner, Audience Award, SXSW 2014.

Audience Award Winners, Environment, Aboriginal / First Nations
(Tu dors Nicole)
Duration: 93 mins
Country of Origin: Canada, 2014
Series:
Canadian Images

Nicole (Julianne Côté ) has some growing up to do in this sweetly absurd, wryly comic third feature from Stéphane Lafleur (Continental, a Film Without Guns). Vibrantly shot in textured black-and-white 35mm, the appealing dramedy displays a disciplined visual sense, a good ear for dialogue and characters that become more endearing as the episodic action progresses. "Unconventional and slyly entertaining…"—Screen

Comedy, Music & Dance, Youth Under 18 May Attend
Duration: 106 mins
Country of Origin: France, 2014
Series:
Spotlight on France

Yves Saint Laurent receives a suitably stylish, well-tailored biopic courtesy of director Jalil Lespert, who delves into the iconic designer’s meteoric rise, relationship with Pierre Bergé (Guillaume Gallienne) and creative crises. Pierre Niney "doesn’t play Saint Laurent so much as embody him… [and] Ibrahim Maalouf’s score occasionally dares to go for baroque or broke, lending an operatic quality to the proceedings that suits the material.”—Hollywood Reporter

Fine Arts or Theatre, Biography, Queer Interest