
Mamma Roma
Anna Magnani, possibly the finest actress of Italian neo-realism, is Mamma Roma, celebrating her break from prostitution by inviting herself to her pimp’s wedding. Now freed from her life of abuse and humiliation, Mamma Roma brings her teen-age son back to Rome to give him a better life. But her past returns and the struggle for survival in post-war Italy encapsulates Pasolini’s fascination with the marginalized and the dispossessed. The film, banned in Italy after its release and not screened in the US until 1995, is now a classic of Italian cinema.