Long in rights limbo (and never issued on bluray), GHOSTS… Of The Civil Dead is a near legendary Australian prison drama co-written and starring Nick Cave, and the feature debut of director John Hillcoat (The Road; The Proposition). Hard-hitting doesn’t begin to do it justice, this is an intense, scary, provocative film, but one that seems more relevant than ever judging by the mini-industry in prison-building that has taken over North America in the interim.
The latest screening from the City of Vancouver Archives features newly digitized films that focus on the city’s transportation, landmarks, industry, and domestic and public spheres. From Vancouver’s last interurban streetcar ride to its first Grey Cup Parade, from Obon in Oppenheimer Park to barrelmaking on False Creek, spend a Sunday afternoon reliving Vancouver’s past from the 1920s to the 1960s.
Local historian and artist Michael Kluckner will provide commentary during the projection. The silent films will be accompanied live by renowned jazz pianist, Wayne Stewart.
Back by popular demand, the City of Vancouver Archives returns to the big screen with an archival presentation originally screened in 2013. Experience Vancouver’s outdoor pastimes in the 1940s. Flash back to the 1960s with a rain dance in Kitsilano. Take a bicycle ride though Vancouver in the 1970s. Witness the city’s transition leading up to Expo ’86.
With commentary provided by historian Michael Kluckner, this screening includes home movies, City-commissioned films, television shows produced by local stations and the community, and local advertisements. Those movies originally produced without sound will be accompanied live by pianist Wayne Stewart.
This experimental feature from Vancouver-based curator Bill Jeffries has three elements: text, visuals, and score. The visuals consist of long, surprisingly soothing takes of autumn leaves chased from the lawns and sidewalks of our own fair city. The text, appearing as superimposed captions, comes in the form of satirical imagined memos from VP Dick Cheney to President George W Bush, and touch on the major issues of that administration. Meanwhile the soundtrack is given to Mahler, his glorious 2nd Symphony. Filmmaker in attendance.
If you have never visited Haida Gwaii then this is a great place to start. Wilkinson’s stunning cinematography vividly captures the raw beauty of this very special part of the world. It is also, of course, a battlefield, though Wilkinson finds reasons to hope that First Nations’ long-view of environmental sustainability can prevail over short-term economic interest. Granted this is a complicated and paradoxical struggle, and Wilkinson hears firsthand from those figuring out their own way forward in practical, not ideological, terms. It’s an inspiring film for that, and a worthy conclusion to a fine trilogy.
"Anyone who can throw a hatchet and sue you is a force to be reckoned with." Meet Caleb Behn, one of the new generation of First Nations leaders, a charismatic and articulate young Dene lawyer grappling with the contradictions between tradition and modernity embodied in his own life by the examples of his mom (an oil and gas executive) and his dad (an environmentalist). Caleb’s dilemma will reverberate with anyone with a conscience.
Through an intimate and artistic lens, Milk brings a universal perspective on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of stunningly beautiful visuals and poignant voices from around the globe. Inspiring, informative, provocative and sensitive, Milk celebrates bringing a new life into this world with a strong call to action and reflection.
A fever dream within a dream, the latest transmission from celluloid fetishist Guy Maddin is part campy, whacked out tribute to vintage Hollywood melodrama, part anguished crypto-confessional, and all brilliant: a passionate, virtuoso pastiche that is also perversely original and sui generis. It’s the perfect date movie for film lovers - and replete with bathing tips!
Decades before the cinema was invented, Eadweard Muybridge became obsessed with capturing motion on film. His studies of horses at gallop were a sensation in their day. He was a pioneer in the field of photography, an innovator, equal parts scientist and artist - but he was also a strange and obsessive personality, whose rocky personal life descended into equally sensational melodrama. The directorial debut of BC’s Kyle Rideout, Eadweard is a massively ambitious and highly compelling feature film.
China, Taiwan, Hong Kong
In the tradition of Crouching Tiger, Hidden Dragon, Hero, and The Grandmaster, The Assassin is a martial arts movie recalibrated as an exquisite work of art. It is the Tang Dynasty: 10-year-old Nie Yinniang is abducted by a nun who initiates her into the martial arts. One day, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised. "Heart-stoppingly beautiful." Robbie Colin, Daily Telegraph
GB, Qatar, Jordan, United Arab Emirates
A kind of reverse angle on Lawrence of Arabia, this 1916 desert adventure epic takes the perspective of a young Bedouin boy (Theeb, or "Wolf") who tags along when his older brother is compelled to guide a British army officer through dangerous terrain to the next oasis.
"A classic adventure film of the best kind." Variety
It’s not a plant, not a fungi, and not an animal. It has no brain… yet it’s alive, it feeds, makes decisions, and it moves. Welcome to the world of slime mold, a single cell substance so strange scientists speculate it may be a visitor from outer space! "Imagine if Stanley Kubrick and Douglas Trumbull were tasked with making a 1970s educational science film about the pods from Don Siegel’s Invasion of the Body Snatchers and you’re some way to understanding The Creeping Garden." James Marsh, Twitch
When a homicide detective makes the fateful decision to cover up a hit-and-run accident which kills a man, he invites karmic retribution on a grand scale in this wickedly ingenious suspense thriller.
“A masterclass in throat-squeezing, stomach-knotting suspense loaded with smart plot twists, dark humor and high-gloss visuals." Stephen Dalton, The Hollywood Reporter
Valorized with great skill and insight by John Vaillant in his Governor General’s Award–winning book The Golden Spruce, Grant Hadwin’s journey from logging scout to eco-terrorist now becomes a powerful non-fiction film. Artfully reconstructing a life in the wilderness, Sasha Snow reminds us how much is at stake here, in our own backyard, and give a fair-minded account of a highly contentious individual.
"Feed me!" Levi Stubbs from the Four Tops provides the vocal chords for Audrey, a personable plant with vampiric tendencies in this irrepressibly dark but gleefully funny musical comedy. Steve Martin has a show-stopping turn as a sadistic dentist, but even he is upstaged by Bill Murray’s masochistic patient - while Rick Moranis and Ellen Greene are unexpectedly, genuinely, touching as the lovers caught up in mayhem. Showing here in both the darker, Director’s Cut (late show, 19+ only) and the original PG 13 theatrical release (Saturday matinee).
In what could be construed as a cry for help, John Travolta made it his mission to bring Scientology leader L Ron Hubbard’s sci-fi novel to the screen. He succeeded only too well. The movie was a big budget disaster. Travolta stars as a 9 foot tall alien (a Psychlos) lording it over the humans in a Rasta wig and KISS boots. Fortunately Vancouver’s own Barry Pepper is on hand to win the world back for mankind.
Copresented with Northwest Comedy, this screening will be shown in Hecklevision: allowing you, the audience, to text your running commentary, barbs, put downs and snark up there on the screen.
A furrball of a comic book movie, Catwoman was originally mooted as a spinoff for Michelle Pfeiffer after 1993’s Batman Returns. A decade, several actresses, and 28 screenwriters later, Catwoman emerged as an entirely new conception, a meek graphic designer, Patience Phillips, working at a large cosmetics company run by Lambert Wilson and Sharon Stone. Their latest product line is anti-aging cream - yep, that’s what this movie is about. As Den of Geek put it, this is a "weird mish-mash of The Crow and The Devil Wears Prada", with PG-13 friendly leather s/m trimmings. Miaow!
“We’ve come this evening to bring you some joy, happiness, inspiration, and some pos-i-tive vi-brations,” Mavis Staples tells concertgoers at the opening of this irresistible portrait of the irrepressible gospel/soul legend – a vow the movie delivers aplenty. Guided by her father, Pops, The Staples Singers married gospel and delta blues in the 50s; sang Freedom songs for the civil rights movement in the 60s; and topped the Billboard charts with “Respect Yourself” and “I’ll Take You There” in the 1970s. Interviewees include Bob Dylan and Jeff Tweedy but it’s Mavis’s huge voice that does the real talking. You’ll have a blast.
When a drifter discovers a very special pair of sunglasses, it gives him a whole new perspective on life. See, these are a kind of x-ray specs. They reveal the true nature of the world we live in: the power elite is in fact an alien race, feeding off our apathy through the promotion of rampant consumerism. Far-fetched? Tell that to Donald Trump…
Millions know their voices, but no one knows their names. Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century.