The 12-year-old son of political dissidents fighting the brutal military junta in 1970s Argentina, Juan goes to school under an assumed name and gets his first crush on a girl. But when his parents suddenly need to pack up and run his life is changed forever.

"Most coming-of-age movies don’t open with the prepubescent protagonist’s mom and dad getting into a cartoon gunfight in the street—then again, there are lots of unusual touches in Argentine filmmaker Benjamin Ávila’s feature. Blessed with old-school pedigree (producer Luis Puenzo made the Oscar-winner The Official Story) This ’70s-set story of a boy (Teo Gutiérrez Romero) and his exiled revolutionary parents returning home on the sly follows a well-trod path of viewing history through a child’s eyes. But the way the director throws in offbeat elements—animation, a Moonrise Kingdom–ish interlude in the woods, surreal dream sequences—without diluting the Dirty War drama is impressive." David Fear, Time Out New York

"A charming, involving first feature, Clandestine Childhood muscles its familiar coming-of-age material into something more vibrant and urgent than the usual. Through sharp editing and director Benjamín Ávila’s moment-making brio, this ’70s period piece charts a young boy’s attempts to carve out something like a childhood despite being the son of wanted revolutionaries in the Argentina of General Jorge Rafael Videla, whose brutal government "disappeared" millions just like them." Alan Scherstuhl, Village Voice

In 60s Australia, John Grant (Gary Bond), is an Education Department bonded teacher at a tiny outback school. Making his way to Sydney for the holidays, John takes the train but stops overnight in Bundayabba.

Drawn into the ’Yabba’s’ culture of drinking and gambling, he becomes embroiled in the locals’ insular and threatening world.

""Wake in Fright" is a film made in Australia in 1971 and almost lost forever. It’s not dated. It is powerful, genuinely shocking and rather amazing. It comes billed as a "horror film" and contains a great deal of horror, but all of the horror is human and brutally realistic."

- Roger Ebert, Chicago Sun-Times

"Combining elements of Heart of Darkness, After Hours, and Groundhog Day, Ted Kotcheff’s brutally brilliant Outback thriller follows the moral degradation, or perhaps redemption, of a snooty schoolteacher (Gary Bond) traveling from the backwater where he’s assigned to Sydney for his Christmas vacation. But along the way he gets stranded in "the city," Bundanyabba, where he loses his money in a backroom game of chance and must rely on the contemptuous hospitality of the local yokels […]Kotcheff’s masterpiece (he later did First Blood), it orchestrates landscape, music, demonic faces, and lots of blood, sweat, and vomit into a stark bacchanalia of men having fun." Peter Keough, Boston Phoenix

The untold story of how the ancient male practice of yoga has been revolutionized by a dynamic generation of female teachers and students. Yogawoman reveals how yoga has utterly transformed the lives of thousands of over-stimulated, overscheduled, and multitasking modern women, and how they in turn have "feminised" yoga itself.

Left to fend for themselves after their SS officer father and mother, staunch Nazi believers, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey that exposes them to the reality and consequences of their parents’ actions. Led by the eldest sibling, 14-year old Lore (striking newcomer Saskia Rosendahl), they set out on a journey across a devastated country to reach their grandmother in the north.

"A lyrical, deeply affecting study into a rarely seen legacy of the Holocaust." - Megan Lehmann, The Hollywood Reporter

"Intense and emotional. Saskia Rosendahl is mesmerizing." - Kenneth Turan, Los Angeles Times

"Shortland’s brilliant new film is an unsettling coming-of-age story that renders its judgement on Germany’s crimes and strange aftermath of the war." - George Robinson, The Jewish Week