The most impressive debut feature of the year also happens to be the scariest. This tale of an anguished single mom (an incredible performance from Essie Davies), her monstrous six-year-old, and the storybook bogeyman who terrorizes their home is guaranteed to chill you to the bone.
"One of the strongest, most effective horror films of recent years - with awards-quality lead work from Essie Davis, and a brilliantly designed new monster who could well become the break-out spook archetype of the decade." Kim Newman, Empire
"Managing to scare an audience silly with original imagery and non-formulaic jolts is no mean feat […] Managing to move us at the same time is close to miraculous." Tim Robey, Daily Telegraph
"Deeply disturbing and unusually beatiful." Variety
Time to revisit Emily Carr with fresh eyes and renewed enthusiasm in the wake of (amazingly!) the first UK exhibition of her work, currently showing in London. The British critics have compared the work to Van Gogh. "Carr’s landscapes are as exhilarating as the places they represent," wrote The Guardian. This insightful, impressionistic documentary catches her irrepressible spirit. "The definitive critical film portrait of Emily Carr." (Georgia Straight).
"Ambitious, impressionistic, and endowed with a stunning wealth of archival imagery, Winds of Heaven stands as the definitive, critical film portrait of Emily Carr." Janet Smith, Georgia Straight
Join us for a night of scorching music, film, mojitos and traditional Cuban food. The evening will begin with a special screening of the classic Cuban documentary We Are the Music (Nosotros La Musica), a vivid panorama of the island’s music and dance legends from the early 1960s, featuring the likes of Ignacio Villa, Celeste Mendoza, Ana Glorai, Charanga Francesa and many more. Made in 1964 by Rogelio Paris, the film can be considered the unofficial father of Buena Vista Social Club.
After the screening, join us in the atrium for Cuban food, live music from Afro-Cuban Dimensions and of course every opportunity to dance! Tickets $15 include film, music and food - mojitos extra.
France, Poland, Denmark
Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.
"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian
"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader
"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire
In the first of our series bringing you opera productions from London’s Royal Opera House, a chance to enjoy the company’s new staging of Richard Wagner’s epic, his final masterpiece. A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the kingdom?
Running time includes two intermissions.
An unforgettable experience!
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Andrei Serban’s staging of Puccini’s final opera is a glorious pageant of rich colour, dance and drama. Turandot is a tale of disguised identities, riddles, ritual executions and powerful, triumphant love.
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.
Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
Kasper Holten, ROH Director of Opera, presents a mesmerizing new production of Mozart’s sublime tragicomedy. The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. When he commits murder, he unleashes vengeance from beyond the grave.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
Globe artistic director Mark Rylance and Stephen Fry star in this critically acclaimed and award-winning production of Shakespeare’s comedy of melancholia. An all-male cast replicate the performance norms of Shakespeare’s time. "Pure comic delight!"
Tickets $15 ($13 students/seniors)
"Sensational… Pure comic delight!"
The State Hermitage Museum in St. Petersburg is one of the largest and most visited museums in the world, holding over 3 million treasures and world class masterpieces in stunning architectural settings. To celebrate its 250th anniversary in 2014, Margy Kinmonth’s film reveals the remarkable stories that have shaped the Hermitage’s 250 year journey from Imperial Palace to State Museum.
The most radical, underground movie to creep into the mainstream in some time, Jonathan Glazer’s first since Birth might have been called "The Woman Who Fell to Earth". That woman is Scarlett Johansson, simultaneously deglamourized and highly sexualized. In a mesmerically choreographed series of incidents she picks up random men and destroys them. It’s a dispassionate, alien-ated view of sexual attraction and human connection, and unlike anything you have seen before.
"It sure as hell got under mine. Jonathan Glazer’s sci-fi horror is loosely adapted, or atmospherically distilled, by Walter Campbell from the 2000 novel by Michel Faber. The result is visually stunning and deeply disturbing: very freaky, very scary and very erotic." Peter Bradshaw, The Guardian
A gem of a film for all ages from Studio Ghibli’s other master, Isao Takahata (Grave of the Fireflies). In this captivating 10,000 year fable, a woodcutter discovers a magical child in a bamboo stalk. The girl grows quickly, transforming into a young woman of such grace and beauty it seems her life is charmed…
“Princess Kaguya has the feel of a true Takahata film, from its unshrinking emotional fidelity to its sudden, exhilarating leaps into fantasy […] There is a deep wisdom in this film, but a deep sadness too. If it is Takahata’s farewell, it’s one that will have a long echo, just like his 1,000-year-old source.” Mark Schilling, Japan Times
"A visionary tour de force." Maggie Lee, Variety
A pinnacle of animation in the new millennium." Matt Patches, IGN Movies
Once upon a time in Vancouver, there was a baseball team called the Asahi, This was in the 1930s, when the city had a small Japantown on the downtown wharves, and the team was formed by the Canadian-born kids of immigrants. Smaller, and weaker, than the Caucasian teams, they struggled at first - but then they figured out a smarter way to win… Like a Fred Herzog exhibition brought to life, this is a lavish historical piece, a more philosophical type of sports movie than we’re used to in N America, but something that we can recognize as part and parcel of our own cultural heritage.
"From a Vancouver perspective it’s a fascinating film. Beautifully shot, it recreates a lost world in Japantown, when Powell Street was all Japanese businesses and the Powell Street Grounds (today’s Oppenheimer Park) was a baseball park filled with throngs of Asahi fans." John Mackie, Vancouver Sun
“‘It’s just a renovation,” quips Rijksmuseum director Wim Pijbes. “How complicated can it be?” Well, that was in 2006. Seven years later, as the work finally came to completion, he had his answer. This fascinating documentary (cut down from the original 4 hour version that showed on Dutch TV and at VIFF two years ago) sheds light on one of the jewels of the art world, the home to countless masterpieces by Rembrandt and so many others.
“Hoogendijk has created an artifact that 400 years hence may prove as vital a window into Amsterdam culture as any of the Dutch masterpieces hanging in the museum itself.” Peter Debruge, Variety