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Canada

Vancity Theatre Screening

Yes, your parents almost certainly did have a sex life. But don’t worry kids, more than likely you put a stop to it! This smart, sassy Canadian comedy scoots through half a dozen relationships buckling under the strain of reconciling child rearing and sexual satisfaction. Parents of all shapes and sizes will surely relate.

DOCside

Herman Wallace has spent 40 years imprisoned in solitary confinement in a six-foot-by-nine-foot cell for a crime many believe he never committed. The injustice of solitary confinement and the transformative power of art are explored in Herman’s House, a feature documentary from first-time director Angad Singh Bhalla, that follows the unlikely friendship between Jackie Sumell a New York artist, and Herman Wallace, one of America’s most famous inmates, as they collaborate on an acclaimed art project.

"Conceptually inventive, poetic and original, Herman’s House achieves a great feat in constructing a compelling narrative about a man we never meet and goals that aren’t quite reached… In the end, none can contain this unique and moving story, and we are left with our own imaginations, completely activated by this magnificent film." Ezra Winton, Art Threat

"As powerful as it is heartrending." Serena Whitney, Exclaim

Vancity Theatre Screening

A meditative, free-associative but entirely engrossing contemplation of the nature of time by the innovative non-fiction filmmaker Peter Mettler. Detroit, Big Island, India and CERN are just some of his philosophical pit-stops. Go with the (lava) floe.

"Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker… The End of Time becomes immersive and hypnotic… a ravishingly beautiful experience."
Stephen Dalton, The Hollywood Reporter.

"Peter Mettler’s poetic lens has inquired into everything from personal fulfillment (Gambling, Gods and LSD) to the Northern Lights (Picture of Light). Now he’s after his most elusive prey yet: the very human concept of time… [The End of Time] is of a piece with Patricio Guzmán’s Nostalgia for the Light, a film that similarly finds miraculous unity in seemingly random things." 
Peter Howell, Toronto Star.

Women in Film Festival
Vancity Theatre Screening

Opening Night supported by First Weekend Club. Come early to enjoy a reception, Siobhan Devine's Vancouver-made short film OMG (starring Gabrille Rose and Matreya Fedor, and a post screening Q&A with director Sean Garrity.

At 41, Nicole is at a point in her life when she is asking is this all there is - or whether she still has more to offer? One day she gets a letter from an anonymous observer who seems to know her daily habits intimately. More than that - he seems to intuit a potential Nicole herself has buried deep inside. He has a plan for her, if she is interested… And so begins a dance that is by turns adventurous, romantic, erotic, reckless and potentially disastrous.

“The plot will creep under your skin and raise your pulse.”

Chris Knight, The National Post

"Tightly crafted… very gripping with a fabulous performance by Michelle Giroux." Brian D Johnson, City TV

“Garrity fashions something tense, steely, and affecting out of a premise that might’ve yielded an erotic fantasy if the events here weren’t so rooted.” Jason Anderson, The Grid

Women in Film Festival
Women in Film Festival
Vancity Theatre Screening

This wildly funny and original Vancouver satire focusses on a corrupt local politician with a strange neural complaint: he believes he’s the subject of a reality TV show (even though no one else can see the cameraman who dogs his every move).

“"Movies about movies" are tricky ground, but there are very few missteps here. The humor is pitch black, and had me laughing constantly.” —Zack Mosely, Quiet Earth

Women in Film Festival
IBFF 2013 Vancouver (International Buddhist Film Festival)

From the World Cup to the remote Buddhist kingdom of Bhutan, three students are on a quest. The catch is…the teacher. Soccer-obsessed, charismatic filmmaker, and citizen of the world, Khyentse Norbu may be one of the most eminent Tibetan Buddhist teachers, but it’s a job description he slyly seems to reject at every turn.

"Provocative and surprisingly fast-moving." Ken Eisner, Georgia Straight

Vancity Theatre Screening

This affecting portrait of three generations of Cree women smacks of authenticity and truth. It’s a low-key movie about mother-daughter relationships and the way past mistakes have a way of cycling back round again no matter how hard you try to run away from them. 5 Canada Screen Awards Nominations: Best Film, Screenplay, Actress, Supporting Actress and Editing.

"Beautifully shot, newcomers Gee and Eyre are revelations, and the central theme of cultural pride is stirring and urgent." Glenn Sumi, Now Toronto

"Finely crafted… A trio of gorgeous performances from the three female leads…" Katherine Monk, Canada.com

Vancity Theatre Screening

The latest in our irregular series of archival shows throws a well-earned spotlight on the late Phil Keatley, whose long career at the CBC ranged from the 1950s to the 70s. Keatley is probably best known for his work as a producer on The Beachcombers, but here we look back further, to three black and white dramas he produced in BC between 1958 and 1967.

Vancity Theatre Screening

What if everything you thought you knew about drugs was wrong? What if society has misread - or been misled - about what science says about psychedelic substances? What if prohibition only exists to safeguard social inhibition (and big pharma profits)? Through interviews with the world’s foremost researchers, writers, psychologists and pioneers in psychedelic psychotherapy, Vancouver filmmaker Oliver Hockenhull explores the history of five powerful psychedelic substances (LSD, Psilocybin, MDMA, Ayahuasca and Cannabis) and their now established medicinal potential.

"Fuses science, art and spirituality into a seamless whole." Geoff Olson, Vancouver Courier

Witches

A Canadian-made “porno chic” movie? It never happened! So historians say. But tonight’s screening proves otherwise as the never-released and unknown sexually-explicit [or: ‘X-rated’] horror-spoof Sexcula—-made entirely in British Columbia back in ’73—-screens in a World-Premiere of its original, unplayed 16mm answer-print. Produced with the help of Canadian film tax credits (that’s right—-taxpayers backed a porn movie—only in Canada!), Sexcula is one of the oddest entries in the colourful catalog of “Canuxploitation.”. Special guests to be announced.

When livestock begin dying and people become mysteriously ill after gas leaks in Peace River Country in northwestern BC, a series of bombs are set off on the pipelines in reaction. "Trouble in the Peace" follows Karl Mattson, an enigmatic and reclusive cowboy, as he struggles to make sense of what’s happening to his town and the people in it. Feeling scared and alone, he embarks on a unique course of action in an attempt to save his family and unite the community.

Vancity Theatre Screening

There are men, and then there are men with beards. how your true face to the world. It’s not as easy as it looks! In fact for many men growing a beard is a challenge and even a rite of passage, a time when they reclaim their masculinity despite suspicion and derision from colleagues, bosses, friends and loved ones. If the results can be hairy - especially when confronted with a bowl of soup - they can also prove revelatory, opening up new channels of self expression and even sensuality.

Vancity Theatre Screening

Nunavut means "Our Land". But does that include us? After decades of what might generously be described as benign neglect, Canada seems more invested in the north than ever (no prizes for guessing why). Documentarian John Walker (A Drummer’s Dream) traces the long, often fractious relationship between the Inuit and the rest of the country, marvels at the beauty and hardship of this place, and reflects on his own experiences, revisiting the arctic for the first time since the 60s.

Vancity Theatre Screening

Two women from opposite sides of Hitler’s Third Reich meet in Toronto, years after the Second World War–Mania, orphaned by the regime, and Johanna, possibly the Nazi guard who protected her. Weaving together their stories, this powerful documentary intimately explores their war experiences and witnesses their reunion more than half a century later.

Canada, USA

DOCside

If you think Amour was too sentimental, then this extraordinary documentary from Brian Cassidy and Melanie Shatzky (Frances) is just what you crave: the filmmakers spent years visiting a nursing home, charting the progress of senility, dementia, and of course death among the residents. All this narrated with bleak, wrily philosophical humor by one of their number. The film is not journalistic, but poetic, a "dirge", in the words of the filmmakers - and one you will not forget in a hurry.

"The Patron Saints was the single best film I saw during the festival run of Putty Hill." - Matt Porterfield

"Mainly, this observational realism serves the filmmakers exceedingly well, creating a humane, almost elegiac atmosphere, with occasional flashes of black humour, all of it heightened by a soundtrack of choral music that culminates in Arvo Part’s ethereal version of My Heart’s in the Highlands." Kate Taylor, Globe & Mail

"Bleak, moving, expressionistic." NOW magazine

USA, Canada

The Best of Hot Docs

TICKET PACKS
* VIFC Guest + Volunteer Passes are not valid for Best Of Hot Docs Series

In 1968, homosexuality was illegal in NYC. Gay bars were dark, dirty, dangerous and mostly controlled by the syndicate. But then along came Steve Ostrow, opera singer and entrepreneur, with a grand vision. From the minute Ostrow opened the elegant Continental Bath and Health Club in the legendary Ansonia Hotel, it was a beacon for the hip, the beautiful and the infamous. With a cabaret stage featuring red hot performers like Bette Midler and Labelle, straight high society, celebs and hunky men in towels jammed into the same room, bringing gays into the open and ultimately playing a critical role in overturning anti-gay laws.

"Documentary gold. 4 stars." Glenn Sumi, Now magazine

"Intimate and fascinating… a slice of social and pop history that demands to be consumed." David Voigt, Examiner

"It’s a great story made even greater by Malcolm Ingram’s first-rate feature." Greg Klymkiw.

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