Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Based on a notorious historical incident in which the sixteenth century French town of Loudun was swept up in tide of witch-hunting mania, Ken Russell’s searing movie kept censors busy all over the world with its shocking imagery and no-holds-barred assault on ecclesiastical hypocrisy. Forty years on it retains its power, not least for the astounding, career-best performances from Oliver Reed and Vanessa Redgrave, Derek Jarman’s bold production design, and the electrifying score by Sir Peter Maxwell Davies.
"The pinnacle of Russell’s astonishing career, blending the exuberant visuals and musical underpinning of his most most exotic fantasies wieh a serious undercurrent of outraged political intent… a fearsome, breathtaking masterwork." Mark Kermode, BBC
"A garish glossary of sado-masochism… a taste for visual sensation that makes scene after scene look like the masturbatory fantasies of a Roman Catholic boyhood." Alexander Walker, Evening Standard
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
Peter Gabriel has always been at the forefront of innovative ways to meld his music with film, video and stage craft (Robert Lepage is a frequent collaborator). Filmed at London’s O2 in October 2012, this film captures the stunning Back to Front live show — primarily showcasing the best selling album So — but also contains interviews with the man himself and all the touring band to give the viewer an intimate portrait of Peter and a not-to-be-missed cinematic experience.
Set list includes: "Red Rain," "Sledgehammer," "Don’t GIve Up," "Big Time," "In Your Eyes," "Solsbury Hill" and "Biko."
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
Matinee screening Aug 24 (only) All Ages Show, Under-19s welcome.
Evening shows introduced by Bond expert Murray Gillespie
Released in North America in May 1963 - 50 years ago - the very first James Bond movie was an adaptation of Ian Fleming’s sixth Bond novel..Set for the most part in Jamaica, the story involves the assassination of a British MI6 officer. Bond’s investigation draws him ever closer to the mysterious Dr No. Not just the first but one of the best Bond films, this establishes the key ingredients which have made the series so popular for so long.
Candida Brady’s documentary looks at the growing global crisis of trash, highlighting how human health and the environment are threatened by the pollution from burning and discarding waste. Visually and emotionally the film is both horrific and beautiful: an interplay of human stories and ecological disruption. But it ends on a message of hope: showing how the risk to our survival can be averted through sustainable pathways that provide economic solutions while protecting our air, water and food resources
"Crucial viewing for realists and alarmists both." 5 stars! Joe Neumeier, NY Daily News
Set on the outskirts of Bradford in Northern England, the second feature from Clio Barnard (The Arbor) follows two young lads, Arbor (Conner Chapman) and Swifty (Shaun Thomas), and their dealings with a local scrap dealer. Boldly cinematic and featuring astonishing performances from the two leads, The Selfish Giant cements Barnard’s reputation as a visionary filmmaker.
"Devastating in its simplicity and honesty, The Selfish Giant is a colossus of feeling." Inkoo Kang, Village Voice
"Boldly, broodingly cinematic… jaggedly moving." Guy Lodge, Variety
"A film of such power and beauty that there will be no escaping it." David Thomson, New Republic
8 players with 703 years between them compete in the World over 80s Table Tennis Championships in Inner Mongolia. Terry (81) having been given a week to live, gets in sight of winning gold. Inge (89) has used table tennis to train her way out of the dementia ward she committed herself to. Australian legend Dorothy deLow is 100, and finds herself a mega celebrity in this rarefied world and Texan Lisa Modlich, a new-comer at 85 years old, is determined to do whatever it takes to win her first gold.
"It is about ageing, mortality, friendship, ambition and love. The stories stay with you for hours, weeks, after the credits have rolled. But perhaps its most powerful achievement is to leave us with a more humane conception of sport, and of life itself."
Matthew Syed - The Times
"What a heart-warmer… ’Inspirational’ barely covers it." Anthony Quinn, The Independent
"An unabashed crowdpleaser bouncing between sweetly satirical and sincerely moving." Total Film
Kasper Holten, ROH Director of Opera, presents a mesmerizing new production of Mozart’s sublime tragicomedy. The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. When he commits murder, he unleashes vengeance from beyond the grave.
When MI6 gets a chance to get their hands on a Lektor decoder, Bond is sent to Turkey to seduce the beautiful Tatiana (Daniela Bianchi), and bring back the machine. With the help of Kerim Bey (Pedro Armendariz), Bond escapes on the Orient Express, but might not make it off alive. Sean Connery, Daniel Craig and Timothy Dalton have all cited From Russia With Love as their favourite Bond film.
"Highly immoral in every imaginable way; it is neither uplifting, instructive nor life-enhancing. Neither is it great film-making. But it sure is fun." Richard Roud, The Guardian (1963)
It’s the camping trip from hell! Produced by Edgar Wright, the latest from Down Terrace and Kill List director Ben Wheatley is another pitch black comedy on English manners and psychopathology, the missing link between Mike Leigh and Hammer Horror. Chris and Tina depart on what is supposed to be a romantic caravan trip (or "erotic odyssey" as Tina prefers to think of it). Alas, litterbugs, obnoxious hikers and condescending tourists interrupt their idyll at every turn, reminding us of Sartre’s famous truism, "hell is other people".
"This sardonic depiction of Britain, as a land where a thin veneer of strained politesse and fussy specificity of tastes masks a throbbing heart of darkness, makes for Ben Wheatley’s best film yet." Jesse Cataldo, Slant
"A black comic state of the nation address." Kim Newman, Empire
"Dark, gruesome, blithely amoral and thoroughly entertaining." Sheila O’Malley, RogerEbert.com
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
In a reboot of the series, Casino Royale opens with Bond (Daniel Craig) gaining his 00 status, by killing two enemy agents, and earning his license to kill. Bond must win a high stakes poker game against terrorist financer Le Chiffre, to bankrupt him so that he will be murdered by his bankers.
The Bank of England has detected an unauthorized leakage of gold from the country, and Bond (Connery) is sent to investigate. The suspect is one Auric Goldfinger, the richest man in the country - who is hatching a scheme to irradiate Fort Knox. Bond must foil his plots, while avoiding the deadly bowler-hatted Korean, Oddjob.
"A dazzling object lesson in the principle that nothing succeeds like excess." Penelope Gilliatt
Xenia Onatopp and Colonel Ourumov hijack a special helicopter that is immune to electromagnetic pulse. The pair then go to a Soviet bunker that is the control base for the Goldeneye satellite weapons - but a new Bond - Pierce Brosnan - is on the case.
Emilio Largo, the Number 2 at SPECTRE, has stolen two nuclear warheads. He threatens to destroy a city in the United States and England unless a ransom of $100 million in diamonds is paid. 007 heads out to the Bahamas to stop him.
"It’s a bird! It’s a plane! It’s a Super-Bond!" Hollywood Reporter
Earlier this year, London’s Royal Academy of Arts mounted the first ever retrospective devoted to the portraiture of Edouard Manet. Spanning this enigmatic and, at times, controversial artist’s entire career Manet: Portraying Life brought together works from across Europe, Asia and the USA. Documentarian Phil Grabsky was granted exclusive access to explore the exhibition with the kind of intensive scrutiny (and learned insight) most art-lovers can only dream of.
"Once again the film proves that seeing an exhibition through a camera (especially an HD one) is far better than not seeing it at all." Roberta Smith, New York Times