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USA, France

Duration: 181 mins
Country of Origin: USA,France, 2014
Series:
Art on Film

Showtimes

Dec 26 02:00 pm
Dec 27 04:10 pm
Dec 28 06:20 pm
Dec 31 12:00 pm
Jan 03 12:00 pm

Welcome to London’s famous National Gallery, as seen by America’s foremost observational filmmaker, Fred Wiseman (La Danse; At Berkeley). Wiseman gives us a guided tour of masterpieces by Turner, Rembrandt, Vermeer, Caravaggio and Da Vinci, but also shows what’s going on behind the scenes at one of the world’s premier art institutions.

"A great, great film. Wiseman’s technique is simple, refined, and blissfully pure. The real joy of his film is that it never needs to strain for effect; it sits back. It’s like being lulled with intelligence." Tim Robey, The Telegraph (UK)

"One of the greatest [films] I have seen all year… Magnificent… Wiseman’s touch is deft but light here, and the experience of watching National Gallery is pleasurable and immersive because he’s a wonderful storyteller. It is also unexpectedly moving." Manohla Dargis, The New York Times

"One of Wiseman’s richest and most thought-provoking films." Budd Wilkins, Slant

France, Poland, Denmark

Duration: 80 mins
Country of Origin: France,Poland,Denmark, 2013
Series:
Best of 2014

Showtimes

Dec 30 02:00 pm

Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.

"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian

"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader

"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire