Search Films by Country

France

Duration: 83 mins
Country of Origin: France, 2014
Series:
Women in Film and Television Festival

Nathalie is a young Parisian woman who passionately enjoys life. She likes her job, adores hanging out with her colleagues, and is about to move in with the man she loves. But then, in a matter of a few minutes, everything changes. Marie Denarnaud convincingly captures Nathalie’s transformative experience. This is a powerful and thought-provoking film.

Preceded by the short: Through the Pane

Italy, Canada, France

Duration: 90 mins
Country of Origin: Italy,Canada,France, 2014
Series:
Vancity Theatre Screening

Showtimes

Mar 27 06:30 pm
Mar 28 06:30 pm
Mar 29 05:20 pm
Mar 31 06:30 pm
Apr 01 08:50 pm
Apr 02 06:30 pm
Apr 03 04:30 pm
Apr 04 04:30 pm
Apr 05 07:30 pm

The charismatic Giuseppe Marinoni has been making some of the most desirable bicycle frames in Canada for decades. A competitive cyclist in Italy in his youth, he decides, at age 75, to attempt a World Record for distance cycled in one hour for his age group. Giuseppe’s determination and perseverance lead him back to his native Italy for his training and, ultimately, his attempt at the record. This is a film not only for the spandex-and-helmet crowd but for anyone who believes that a man’s reach should exceed his grasp.

France, Poland, Denmark

Ida
Duration: 80 mins
Country of Origin: France,Poland,Denmark, 2013
Series:
Vancity Theatre Screening

Showtimes

Mar 09 01:00 pm
Mar 12 01:00 pm

Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.

"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." — Peter Bradshaw, The Guardian

"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson." — JR Jones, Chicago Reader

"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." — Oli Lyttleton, Indiewire