Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.
Sung in French with English subtitles
Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.
Powerful music, a gripping story and a tragic end: Puccini’s ever-popular Tosca performed with a fabulous cast. Among the star singers in this revival are Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel. Jonathan Kent’s detailed production draws to the full on the historical backdrop of Rome in 1800, an atmospheric backdrop to the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia.
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
Kasper Holten, ROH Director of Opera, presents a mesmerizing new production of Mozart’s sublime tragicomedy. The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. When he commits murder, he unleashes vengeance from beyond the grave.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
Johannes Vermeer is a fascinating painter whose life and works are explored here in amazing detail. Filmed in London’s National Gallery, New York’s Met and other galleries in the USA and the Netherlands, this stunning film delves into a breath-taking collection of Vermeer’s finest pieces and delivers a detailed biography of the artist, his life and times.
"Grabsky’s film is comprehensive, smart and highly informative."—The Art Newspaper
"A treat for the eyes"—Globe and Mail
"Stunning paintings in high-definition glory on the big screen"—This is London
Bringing the pinnacle of English theatre to cinema audiences around the world, Globe on Screen presents brand new productions of Shakespeare’s plays presented in the famous Globe theatre in London, recreating the space and audience experience the Bard would have envisaged.
Shakespeare’s teasing, glittering, hilarious and amazingly inventive play showcases some of his most dazzling dramatic poetry with its seriousness only fleetingly glimpsed beneath the dreamlike surface.
"The Globe at its crowdpleasing best ... Hilarious and hearty."—Time Out London
From its mesmerising first moments to the last fulfilment of the witches’ prophecy, Shakespeare’s gripping account of the profoundest engagement with the forces of evil enthrals the imagination.
"A cracking, at times terrifying, production."—Daily Telegraph
Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France.
"Jamie Parker makes a fantastic Henry V."—The Independent
"Bold and enthralling."—The Times
Peter Gabriel has always been at the forefront of innovative ways to meld his music with film, video and stage craft (Robert Lepage is a frequent collaborator). Filmed at London’s O2 in October 2012, this film captures the stunning Back to Front live show — primarily showcasing the best selling album So — but also contains interviews with the man himself and all the touring band to give the viewer an intimate portrait of Peter and a not-to-be-missed cinematic experience.
Set list includes: "Red Rain," "Sledgehammer," "Don’t GIve Up," "Big Time," "In Your Eyes," "Solsbury Hill" and "Biko."
Jesse Eisenberg take 2: here he’s timid office worker Simon James, a non-person to most, including the lovely Hannah (Mia Wasikowska), a co-worker who is also the apple of his eye. Enter charismatic young hotshot James Simon (Eisenberg again). No one seems to notice he’s the spitting image of Simon, and though at first he feigns a certain friendliness to his near-namesake, it’s not long before the new man has begun to take over his job, his apartment, his girl, his entire life… Richard Aoyade’s Dostoevsky adaptation riffs on Kafka, Welles and Gilliam to chillingly hilarious effect.
"As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014."—Andrew O’Hehir, Salon.com
"Daring, hilarious and wickedly clever."—The Playist (Indiewire)
The feature debut of writer-director Anthony Minghella (The English Patient; The Talented Mr Ripley) is a film warmth, tenderness and comedy. After her husband, Jamie (Alan Rickman), dies, Nina (Juliet Stevenson is consumed by grief. So much so that Jamie comes back to her as a ghost…
Introduced by Murray Battle, director of Indpendent Production and Presentation at BC’s Knowledge Network.
Set on the outskirts of Bradford in Northern England, the second feature from Clio Barnard (The Arbor) follows two young lads, Arbor (Conner Chapman) and Swifty (Shaun Thomas), and their dealings with a local scrap dealer. Boldly cinematic and featuring astonishing performances from the two leads, The Selfish Giant cements Barnard’s reputation as a visionary filmmaker.
"Devastating in its simplicity and honesty, The Selfish Giant is a colossus of feeling." Inkoo Kang, Village Voice
"Boldly, broodingly cinematic… jaggedly moving." Guy Lodge, Variety
"A film of such power and beauty that there will be no escaping it." David Thomson, New Republic
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
Andrei Serban’s staging of Puccini’s final opera is a glorious pageant of rich colour, dance and drama. Turandot is a tale of disguised identities, riddles, ritual executions and powerful, triumphant love.
David Lean’s sweeping, four-hour desert epic demands to be seen on the big screen. The late, great Peter O’Toole landed the role of his lifetime as the British cartographer who united the Arab tribes to fight the Turks in WW1. Screening in a restored DCP version.
"A miracle… The first film I saw that made me want to be a moviemaker." Steven Spielberg
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.
The first Western Rock concert staged behind the Iron Curtain, this momentous performance drew 80,000 fans. The set includes favourite hits like "Bohemian Rhapsody," "Crazy Little Thing Called Love," "I Want To Break Free" and "We Are The Champions."
Re-mastered in high definition and superb 5.1 surround sound.
Woody goes to Wimbledon (well, nearly) in his first foray to the British Isles—a torrid suspense movie which adds a downpour or two to A Place in the Sun. Jonathan Rhys Meyers is the tennis pro torn between the socially superior Emily Mortimer and sexy (but penurous) Scarlett Johansson.
"Allen’s best since Crimes and Misdemeanors ..."—Roger Ebert