Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
The Bank of England has detected an unauthorized leakage of gold from the country, and Bond (Connery) is sent to investigate. The suspect is one Auric Goldfinger, the richest man in the country - who is hatching a scheme to irradiate Fort Knox. Bond must foil his plots, while avoiding the deadly bowler-hatted Korean, Oddjob.
"A dazzling object lesson in the principle that nothing succeeds like excess." Penelope Gilliatt
Xenia Onatopp and Colonel Ourumov hijack a special helicopter that is immune to electromagnetic pulse. The pair then go to a Soviet bunker that is the control base for the Goldeneye satellite weapons - but a new Bond - Pierce Brosnan - is on the case.
Johannes Vermeer is a fascinating painter whose life and works are explored here in amazing detail. Filmed in London’s National Gallery, New York’s Met and other galleries in the USA and the Netherlands, this stunning film delves into a breath-taking collection of Vermeer’s finest pieces and delivers a detailed biography of the artist, his life and times.
"Grabsky’s film is comprehensive, smart and highly informative."—The Art Newspaper
"A treat for the eyes"—Globe and Mail
"Stunning paintings in high-definition glory on the big screen"—This is London
Emilio Largo, the Number 2 at SPECTRE, has stolen two nuclear warheads. He threatens to destroy a city in the United States and England unless a ransom of $100 million in diamonds is paid. 007 heads out to the Bahamas to stop him.
"It’s a bird! It’s a plane! It’s a Super-Bond!" Hollywood Reporter
Bringing the pinnacle of English theatre to cinema audiences around the world, Globe on Screen presents brand new productions of Shakespeare’s plays presented in the famous Globe theatre in London, recreating the space and audience experience the Bard would have envisaged.
Shakespeare’s teasing, glittering, hilarious and amazingly inventive play showcases some of his most dazzling dramatic poetry with its seriousness only fleetingly glimpsed beneath the dreamlike surface.
"The Globe at its crowdpleasing best ... Hilarious and hearty."—Time Out London
Enter Timothy Dalton, a leaner, meaner 007. Bond is assigned to protect Georgi Koskov, an ex-KGB officer who is defecting to the British. Koskov is to escape during the intermission at the Bratislava concert hall, and must be protected from a KGB sniper. Bond sets up across the street, but decides against assassinating the sniper…
"Grips like wet rope" Brian Case, Time Out
From its mesmerising first moments to the last fulfilment of the witches’ prophecy, Shakespeare’s gripping account of the profoundest engagement with the forces of evil enthrals the imagination.
"A cracking, at times terrifying, production."—Daily Telegraph
Ernst Stavro Blofeld is hijacking American and Russian space shuttles, in an attempt to start a war between the two nations. Bond is sent to Japan to investigate, with the help of Tiger Tanaka, the head of station in Tokyo. Armed with over 100 trained ninjas, Bond infiltrates Blofeld’s volcano lair.
Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France.
"Jamie Parker makes a fantastic Henry V."—The Independent
"Bold and enthralling."—The Times
Matinee show Sun Sept 1 (only) All Ages Show, under 19s welcome
One-timer George Lazenby had the good fortune to star in one of the strongest all-round Bond movies. Director Peter Hunt ensures the action is tip top, but also finds emotional reserves the super spy usually keeps well hidden. With Diana Rigg as his lover, Tracy, and Telly Savalas as Blofeld.
Sean Connery is back for a fast paced hunt through a diamond smuggling pipeline. MI6 arrests small time smuggler Peter Franks, and Bond takes his place, meeting courier Tiffany Case. He follow the trail of the diamonds, as everyone who touches them gets killed. The end of the pipeline is Blofeld, with another plan for world domination.
Roger Moore shows the right stuff in this slightly more realistic adventure. A ship containing an Automatic Targeting Attack Communicator (ATAC), which can control ballistic missile attacks, is sunk. Bond is sent to retrieve the ATAC before the Russians can.
Matinee show Aug 25 (only) All Ages Show, under-19s welcome.
Evening show Aug 29 introduced by film scholar Michael van den Bos.
Roger Moore’s pick of his own Bond movies is a slick, spectacular, always fun concoction. When villain Karl Stromberg (Curt Jurgens) hijacks British and Soviet submarines, Bond is paired with Russian agent Anya Amasova (Barbarach Bach) to get to the bottom of his evil plan.
"Exceptional… Moore gives his best performance in the series… Film is a real treat - a well-acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Danny Peary, Guide for the Film Fanatic.
Filmed at London’s O2 in October 2012, the film captures the stunning Back to Front live show - primarily showcasing the best selling album So - but also contains interviews with the man himself and all the touring band to give the viewer an intimate portrait of Peter and a not-to-be-missed cinematic experience.
Set list includes: Red Rain, Sledgehammer, Don’t GIve Up, Big Time, In Your Eyes, Solsbury Hill and Biko.
007 turned 50 with rare panache: directed by Sam Mendes, this is a contender for one of the top Bonds ever. It’s not just the more probing, psychological script, but the nuanced, inspired performances by Judi Dench, Javier Bardem and Daniel Craig of course – and stunning cinematography by Roger Deakins. This is Bond resurrected, redeemed and reinvigorated, ready to face a new half century.
Jesse Eisenberg take 2: here he’s timid office worker Simon James, a non-person to most, including the lovely Hannah (Mia Wasikowska), a co-worker who is also the apple of his eye. Enter charismatic young hotshot James Simon (Eisenberg again). No one seems to notice he’s the spitting image of Simon, and though at first he feigns a certain friendliness to his near-namesake, it’s not long before the new man has begun to take over his job, his apartment, his girl, his entire life… Richard Aoyade’s Dostoevsky adaptation riffs on Kafka, Welles and Gilliam to chillingly hilarious effect.
"As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014." Andrew O’Hehir, Salon.com
"Daring, hilarious and wickedly clever." The Playist (Indiewire)
Probably inspired by the success of Star Wars, James Bond went into outer space in Moonraker, one of the most popular of the series. It’s got amazing aerial stunts, some of designer Adam’s most inspired sets, a creepy villain in Michel Lonsdale’s Hugo Drax and Richard Kiel is back as the giant, metal-toothed henchman Jaws.
"Irresistibly entertaining." Frank Rich, Time
"A minor masterpiece." James Monaco, The Connoisseur’s Guide to the Movies
"One of the most buoyant Bond films of all." Vincent Canby, New York Times
The first Western Rock concert staged behind the Iron Curtain, this momentous performance drew 80,000 fans. The set includes favourite hits like "Bohemian Rhapsody," "Crazy Little Thing Called Love," "I Want To Break Free" and "We Are The Champions."
Re-mastered in high definition and superb 5.1 surround sound.
Woody goes to Wimbledon (well, nearly) in his first foray to the British Isles—a torrid suspense movie which adds a downpour or two to A Place in the Sun. Jonathan Rhys Meyers is the tennis pro torn between the socially superior Emily Mortimer and sexy (but penurous) Scarlett Johansson.
"Allen’s best since Crimes and Misdemeanors ..."—Roger Ebert