Margarita, With a Straw
Doors at 6pm, Film at 7pm
A young woman with cerebral palsy lives with her family in Delhi. Her efforts towards romance and self-expression are frustrated until she receives a scholarship to study creative writing and moves to Manhattan. There she falls in love with a fiery young activist and embarks on a journey of sexual and self discovery. When her new relationship upsets her parents, and dramatic events occur, she is challenged to meet new responsibilities while remaining true to herself.
Kalki Koechlin delivers a powerful performance in this inspirational story of love, independence, and determination.
Preceded by the short film: Skin (US, 11 min)
Maryam is accepted into a university but can’t afford the fees. Her mother finds her a job as a maid in a five star hotel, where she herself works. Mother and daughter navigate the mundane politics and pettiness of their fellow workers until a big Bollywood star checks in. When his Rolex goes missing the hotel administration must interrogate the staff. As the most recent person hired, Maryam is a prime suspect. Funny and tragic in turn, the broad range of complex female characters working at the hotel result in a film that is filled with warmth, depth and desperation.
The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
"Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus. The director combines elements of film noir and the restraint of Iranian New Wave cinema with the subdued depictions of a bored youth culture found in early Jim Jarmusch ... The comparisons go on and on, but the result is wholly original." —Eric Kohn, Indiewire
"A wildly inventive Iranian vampire movie that grabs you by the throat with its dark, moody style, pulsating soundtrack and offbeat love story." —David Lewis, San Francisco Chronicle
Nominated for the Academy Award for Best Animated Film, this is a contemporary story imbued with the rich, tangy flavor of Celtic mysticism. Ben is a lousy big brother to six-year-old Saoirse – he’s resentful that she can’t (or won’t) speak, and can’t forgive that his mum died during childbirth. Their dad (voiced by Brendan Gleason) hasn’t gotten over it either, but still their life together on the lonely island where he’s a lighthouse keeper seems infinitely preferable to the conventional upbringing their gran has in mind for them, living with her in Dublin. What none of them understands is how fundamentally Saoirse is connected both to her mother, and to the sea… Dazzling kaleidoscopic imagery and a soulful approach make Song of the Sea a magical experience, recommended for all ages.
"A quite delightful piece of magical animation ... a bewitching, moving and often enchanting film." — Mark Adams, Hollywood Reporter
"Song of the Sea is a wonder to behold. This visually stunning animation masterwork, steeped in Irish myth, folklore and legend, so adroitly mixes the magical and the everyday that to watch it is to be wholly immersed in an enchanted world." — Kenneth Turan, LA Times
"If I had to recommend the best children’s film out there for all ages, this one, and The Tale of Princess Kaguya, would easily top the charts." — Peter Rainer, Christian Science Monitor
An Israeli woman seeking to finalize a divorce (gett) from her estranged husband finds herself effectively put on trial by her country’s religious marriage laws, in this powerhouse courtroom drama from sibling directors Shlomi and Ronit Elkabetz. Winner of the Israeli Film Academy Ophir Award for Best Picture and propelled by the craft of Ronit Elkabetz (Late Marriage; The Band’s Visit), one of Israeli cinema’s most acclaimed actresses, Gett: The Trial of VIvian Amsalem is an uncompromising, heart-rending portrait of a woman’s struggle to overcome an unmoving patriarchy and live a life of her own design.
“Expertly written, brilliantly acted…The beautifully modulated script, ripe with moments of liberating humor, builds to a crescendo of indignation, allowing Elkabetz several cathartic outbursts, but they’re no more riveting than the actress’ silences.” Jay Weissberg, Variety
"The action quivers with tension, impatience, comic heat, and, beneath it all, an irrepressible rage." Anthony Lane, The New Yorker
"Hypnotic… Gripping cinema from start to finish." Manohla Dargis, New York Times
Pasolini was a Marxist and an atheist, but above all he was a poet, and his film of the life of Christ gives us the feeling that we are there, with Jesus, cinema-vrite style. This is also the most contemplative film about Christ.
Guest Michael Audain is chairman of Polygon Homes, Chair of the Audain Art Museum and the Audain Foundation. He is also the first Honorary Chairman of the Vancouver Art Gallery, a past Chair of the National Gallery of Canada, the Vancouver Art Gallery, and the Vancouver Art Gallery Foundation.
"Banned and heavily censored throughout the world, here is a film that surpasses its reputation as a shotgun blast to the senses. Cannibal Holocaust presents the ‘found footage’ of four documentary filmmakers who experience brutal death at the hands of a savage South American tribe of flesh-eaters. The footage is so intense so graphic and so unflinching in its realism that the director and producer of Cannibal Holocaust were arrested on its original release and the film was seized.
Predating The Blair Witch Project in its use of ‘found footage’, Cannibal Holocaust also served as a key inspiration for Eli Roth’s The Green Inferno. Be forewarned: This is the one that goes ALL THE WAY!"
- Grindhouse Releasing
"From legendary Italian horror master Lucio Fulci comes the ultimate classic of supernatural terror. A remote and cursed hotel, built over one of the seven gateways, becomes a yawning malevolent abyss that begins devouring both the bodies and the souls of all who enter in a graphic frenzy of gory crucifictions, chunkblowing chain-whippings, eyeball impalements, sulphuric acid meltdowns, flesh-eating tarantulas, throat-shredding demon dogs and ravenous bloodthirsty zombies. The Beyond is a towering achievement in hair-raising, mind-bending cinematic terror!"
Italy, Canada, France
The charismatic Giuseppe Marinoni has been making some of the most desirable bicycle frames in Canada for decades. A competitive cyclist in Italy in his youth, he decides, at age 75, to attempt a World Record for distance cycled in one hour for his age group. Giuseppe’s determination and perseverance lead him back to his native Italy for his training and, ultimately, his attempt at the record. This is a film not only for the spandex-and-helmet crowd but for anyone who believes that a man’s reach should exceed his grasp.