November 7, 2008, the Danish (Bahamas-registered) cargo vessel CEC Future was boarded by Somali pirates. For 70 days the international crew was held captive at gunpoint while the pirates and the Danish owners negotiated.
This evening Vancity Theatre presents two films inspired by this story, one a documentary (Stolen Seas), the other a dramatic feature (A Hijacking) written and directed by Tobias Lindholm, whose last film was The Hunt.
Assembled from three years’ worth of visits to the dangerous "hot zone" off the coast of Somalia, Payne’s riveting film gives us both the wider context that explains the piracy from all sides, and takes right inside the actual hijacking, incorporating footage shot by the Somalis during the incident.
"Riveting…a dense, sometimes dangerous 90-minute immersion in a world where lawlessness applies to all sides." Peter Debruge, Variety
"A documentary of such ambitious scope you might need a remote control and a notebook to keep up with it." Omer M Mozaffar, Chicago Sun-Times
The Golden Lion winner at last year’s Venice Film Festival, this is a controversial and intense drama about a tough, brutal loan shark redeemed by the unqualified love of a woman claiming to be his long-lost mother. Violent and provocative, Pieta is nothing if not extreme, a movie reveling in almost absurdist dichotomies of good and evil. But if you can stomach the challenging first hour, the pay off tells us something unexpectedly poetic and moving about the relative value of money and compassion in today’s capitalist society.
"A master provocateur playing out his own neuroses and obsessions on the big screen…Like Lars Von Trier, his films don’t always work. But when they do … well, when they do Kim is capable of creating work that disturbs and troubles and finds beauty in unexpected places. This is one of those films." Todd Brown, Twitch
"The worst major festival winner since the Palme d’Or for Amour." Christoph Huber, Cinema Scope
"Pieta," a curiously engaging and wickedly twisted tale of crime and punishment on multiple levels, displays its theatrical minimalism like a dour badge of honor. " Eric Kohn, Indiewire
Argentina, Spain, Brazil
The 12-year-old son of political dissidents fighting the brutal military junta in 1970s Argentina, Juan goes to school under an assumed name and gets his first crush on a girl. But when his parents suddenly need to pack up and run his life is changed forever.
"Most coming-of-age movies don’t open with the prepubescent protagonist’s mom and dad getting into a cartoon gunfight in the street—then again, there are lots of unusual touches in Argentine filmmaker Benjamin Ávila’s feature. Blessed with old-school pedigree (producer Luis Puenzo made the Oscar-winner The Official Story) This ’70s-set story of a boy (Teo Gutiérrez Romero) and his exiled revolutionary parents returning home on the sly follows a well-trod path of viewing history through a child’s eyes. But the way the director throws in offbeat elements—animation, a Moonrise Kingdom–ish interlude in the woods, surreal dream sequences—without diluting the Dirty War drama is impressive." David Fear, Time Out New York
"A charming, involving first feature, Clandestine Childhood muscles its familiar coming-of-age material into something more vibrant and urgent than the usual. Through sharp editing and director Benjamín Ávila’s moment-making brio, this ’70s period piece charts a young boy’s attempts to carve out something like a childhood despite being the son of wanted revolutionaries in the Argentina of General Jorge Rafael Videla, whose brutal government "disappeared" millions just like them." Alan Scherstuhl, Village Voice
By turns moving and funny, Ignacio Ferreras’ animated tale of two elderly men who become friends at a care facility for the aged is based on Paco Roca’s multiple award-winning graphic novel of the same name. Combining an honestly come by poignancy with bursts of caustic humour, this is an extraordinarily involving work for adults that earns it laughs even as it generates a profound sympathy for the unforgettable Emilio and Miguel.
"It’s funny, it’s sad, it’s sweet, it’s heartbreaking. It’s brilliant."
Peter Bradshaw, The Guardian
"One of the most accomplished Spanish films, from any genre, of recent years." Neil Young, The Hollywood Reporter
"Wrinkles, an exceptional comic book, an outstanding film"
Gregorio Belinchón, El Pais
Vancouver’s Funerary Call performs a new, specially commissioned live score for this mind-blowing 1922 cult classic. Grave robbing, torture, possessed nuns and a satanic Sabbath are just a few of the ingredients that make up Benjamin Christensen’s witches’ brew of superstition, sorcery, surrealism and enlightenment.
"A unique film for its boldness in dealing with its taboo subject, for its amazing visual inventiveness, and also for its complex structure." Fernando Martin Pena, Defining Moments in Movies
"A truly unique work that still holds the power to unnerve even in today’s jaded era." Jyotsna Kapur, 1001 Movies You Must See Before You Die
"An amazing experience. The film is overflowing with dark fairytale imagery, incredible makeup effects (especially Christensen himself in the role of a leering Lucifer) and shocking portrayals of torture that still make viewers cringe over 90 years later." Gregory Burkart, Fearnet.com