Valorized with great skill and insight by John Vaillant in his Governor General’s Award–winning book The Golden Spruce, Grant Hadwin’s journey from logging scout to eco-terrorist now becomes a powerful non-fiction film. Artfully reconstructing a life in the wilderness, Sasha Snow reminds us how much is at stake here, in our own backyard, and give a fair-minded account of a highly contentious individual.
GB, Qatar, Jordan, United Arab Emirates
A kind of reverse angle on Lawrence of Arabia, this 1916 desert adventure epic takes the perspective of a young Bedouin boy (Theeb, or "Wolf") who tags along when his older brother is compelled to guide a British army officer through dangerous terrain to the next oasis.
"A classic adventure film of the best kind." Variety
"Feed me!" Levi Stubbs from the Four Tops provides the vocal chords for Audrey, a personable plant with vampiric tendencies in this irrepressibly dark but gleefully funny musical comedy. Steve Martin has a show-stopping turn as a sadistic dentist, but even he is upstaged by Bill Murray’s masochistic patient - while Rick Moranis and Ellen Greene are unexpectedly, genuinely, touching as the lovers caught up in mayhem. Showing here in both the darker, Director’s Cut (late show, 19+ only) and the original PG 13 theatrical release (Saturday matinee).
In what could be construed as a cry for help, John Travolta made it his mission to bring Scientology leader L Ron Hubbard’s sci-fi novel to the screen. He succeeded only too well. The movie was a big budget disaster. Travolta stars as a 9 foot tall alien (a Psychlos) lording it over the humans in a Rasta wig and KISS boots. Fortunately Vancouver’s own Barry Pepper is on hand to win the world back for mankind.
Copresented with Northwest Comedy, this screening will be shown in Hecklevision: allowing you, the audience, to text your running commentary, barbs, put downs and snark up there on the screen.
A furrball of a comic book movie, Catwoman was originally mooted as a spinoff for Michelle Pfeiffer after 1993’s Batman Returns. A decade, several actresses, and 28 screenwriters later, Catwoman emerged as an entirely new conception, a meek graphic designer, Patience Phillips, working at a large cosmetics company run by Lambert Wilson and Sharon Stone. Their latest product line is anti-aging cream - yep, that’s what this movie is about. As Den of Geek put it, this is a "weird mish-mash of The Crow and The Devil Wears Prada", with PG-13 friendly leather s/m trimmings. Miaow!
“We’ve come this evening to bring you some joy, happiness, inspiration, and some pos-i-tive vi-brations,” Mavis Staples tells concertgoers at the opening of this irresistible portrait of the irrepressible gospel/soul legend – a vow the movie delivers aplenty. Guided by her father, Pops, The Staples Singers married gospel and delta blues in the 50s; sang Freedom songs for the civil rights movement in the 60s; and topped the Billboard charts with “Respect Yourself” and “I’ll Take You There” in the 1970s. Interviewees include Bob Dylan and Jeff Tweedy but it’s Mavis’s huge voice that does the real talking. You’ll have a blast.
When a drifter discovers a very special pair of sunglasses, it gives him a whole new perspective on life. See, these are a kind of x-ray specs. They reveal the true nature of the world we live in: the power elite is in fact an alien race, feeding off our apathy through the promotion of rampant consumerism. Far-fetched? Tell that to Donald Trump…
Millions know their voices, but no one knows their names. Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century.
Described by Rolling Stone as "the most intimate rock doc ever" this is about as complete and insightful a portrait of Kurt Cobain as we are likely to see. Granted access to the family’s home movies, director Brett Morgan (The Kid Stays in the Picture) goes from the ground up, but never shies away from probing questions or difficult emotional terrain. It’s a must-see.