Argentina, Spain, Brazil
The 12-year-old son of political dissidents fighting the brutal military junta in 1970s Argentina, Juan goes to school under an assumed name and gets his first crush on a girl. But when his parents suddenly need to pack up and run his life is changed forever.
"Most coming-of-age movies don’t open with the prepubescent protagonist’s mom and dad getting into a cartoon gunfight in the street—then again, there are lots of unusual touches in Argentine filmmaker Benjamin Ávila’s feature. Blessed with old-school pedigree (producer Luis Puenzo made the Oscar-winner The Official Story) This ’70s-set story of a boy (Teo Gutiérrez Romero) and his exiled revolutionary parents returning home on the sly follows a well-trod path of viewing history through a child’s eyes. But the way the director throws in offbeat elements—animation, a Moonrise Kingdom–ish interlude in the woods, surreal dream sequences—without diluting the Dirty War drama is impressive." David Fear, Time Out New York
"A charming, involving first feature, Clandestine Childhood muscles its familiar coming-of-age material into something more vibrant and urgent than the usual. Through sharp editing and director Benjamín Ávila’s moment-making brio, this ’70s period piece charts a young boy’s attempts to carve out something like a childhood despite being the son of wanted revolutionaries in the Argentina of General Jorge Rafael Videla, whose brutal government "disappeared" millions just like them." Alan Scherstuhl, Village Voice
Part Hitchcockian mystery thriller, part quirky new-wave comedy, this free-wheeling Quebecois audience-pleaser riffs on our brave new digitally interconnected world with nimble wit and an underlying seriousness. A coat-check girl follows a misplaced key into a turpid conspiracy and finds romance - and political engagmnent - en route.
"A genre mashup that keeps audiences amused from beginning to end." Boyd van Hoeij, Variety
Join us for a special screening of a new Vancouver-made documentary highlighting a new breed of ethical entrepreneurs, capitalists with a conscience who are reframing the debate about profit and loss. The film will be followed by a panel discussion featuring Brett Wilson (Dragon’s Den), Joel Bakan (writer, The Corporation), Mark Brand (Save on Meat), RBC Director of Sustainability Sandra Odendahl and moderated by Sharad Khare. Tickets ($18) include post show reception.
A Canadian-made “porno chic” movie? It never happened! So historians say. But tonight’s screening proves otherwise as the never-released and unknown sexually-explicit [or: ‘X-rated’] horror-spoof Sexcula—-made entirely in British Columbia back in ’73—-screens in a World-Premiere of its original, unplayed 16mm answer-print. Produced with the help of Canadian film tax credits (that’s right—-taxpayers backed a porn movie—only in Canada!), Sexcula is one of the oddest entries in the colourful catalog of “Canuxploitation.”. Special guests to be announced.
Presenting the true "behind the scenes" story of the rescue mission mythologized in last year’s Oscar-winner Argo - this time with due recognition of the pivotal role played by Canadian ambassador to Iran, Ken Taylor.
"An intelligent, complex and tension-filled story that breathes life into historical events that are fast fading from our collective memory.
In doing so, the co-directors give Taylor (the diplomat) and many others their due and give Canadians at large a reason to feel rightly proud." Bruce DeMara, Toronto Star
Last September Neil Young spoke for many when he likened Fort McMurray to Hiroshima, "a wasteland". Local inhabitants were outraged, and at least one radio station banned Young from its playlist. Vancouver filmmaker Charles Wilkinson (Peace Out) treads a middle-ground with Oil Sands Karaoke, a portrait of the tar sands capital which includes both sobering vistas of massive environmental upheaval and an affectionate, non-judgmental look at the folks who live and work there, mostly when they’re letting their hair down at Bailey’s karaoke bar.
"Surprisingly sensitive… poignant, and beautifully shot." Marsha Lederman, Globe & Mail
A rebellious teenager (Tatiana Maslany, Grown Up Movie Star) forced to repeat her last year of high school is caught between adolescence and adulthood — and between two very different male admirers — in this charming and vibrant debut feature from writer-director Kate Melville.
“One of the smartest movies on youth I have seen since “Freaks & Geeks.” Jason Whyte, efilmcritic
“Smartly written and directed by Kate Melville, Picture Day is a well-executed coming-of-age drama that distinguishes itself with its strong sense of its characters and their emotional universe.” Adam Cook, Filmmaker Magazine
“Engaging, funny and evokes all the beautiful awkwardness and confidence of being a teenager … Kate Melville has tapped into something very funny, real, and uniquely female … Tatiana Maslany absolutely steals the film as Claire … One of the best teen films this country’s ever produced.” Katarina Gligorijevic, Toronto Film Scene
A compelling, provocative portrait of the inspiring, controversial whale activist Paul Watson, and his relationship in two environmental movements West Coasters know very well: Greenpeace, which he left,and Sea Shepherd, which he founded.
Director Trish Dolman will introduce the film via skype. Filmmaker Kevin Eastwood will be in attendance for this special screening, along with Sea Shepherd cofounder Ron Precious and Paul Watson for a Q&A via skype.
"Compelling… haunting… captivating." Variety
"[A] thoroughly thought-provoking and emotionally poignant portrait of a Canadian outlaw." 4/5 Katherine Monk, Vancouver Sun
A love story unlike any you have seen before, the latest from gay provocateur Bruce La Bruce (No Skin Off My Ass) is at once his most mainstream, accessible movie, and arguably his most transgressive. After all, we’re not usually treated to the sight of an 18 year old male nurse hopping into bed with an octogenarian…
« Magnificent » – Le Monde
« Beautiful » – Libération
« Audacious » – Le Parisien
« Poignant » – L’Humanité
« Luminous » – Métro
« Tender and sensual » – 20 minutes
« A beautiful story » – Télérama
« Powerful » – Les Inrockuptibles
« Delicious » – Ciné Télé OBS
« A beautiful movie » – Rolling Stone
« Romantic and innocent » – Europe
Are animals sentient beings, or are they property? Photographer Jo-Anne McArthur has made it her life’s work to challenge the widespread willful ignorance that allows animal abuse to carry on unchecked. For more than a decade she has documented animals held in captivity to supply our food, clothing, scientific research, or simply our entertainment. Her photos are sometimes heartbreaking, but also often unexpectedly beautiful, always soulful, and inspiring. The same could be said of Liz Marshall’s film, which gives a sense of the horrors humans inflict on animals, but also the immense spiritual bond which many of us naturally feel for other living beings.
"A superb example of committed fimmaking." 4 stars. Susan Cole, Now magazine
Yes, your parents almost certainly did have a sex life. But don’t worry kids, more than likely you put a stop to it! This smart, sassy Canadian comedy scoots through half a dozen relationships buckling under the strain of reconciling child rearing and sexual satisfaction. Parents of all shapes and sizes will surely relate.
Olympia Dukakis gives an brilliant, barnstorming performance as a foul-mouthed lesbian, Stella, who isn’t about to let her lover of 31 years, Dot (Brenda Fricker), be carted off to an old folks’ home without a fight. Her plan? A daring rescue, followed by flight to Canada and marriage - an elopement. Ryan Doucette is the hitchhiker who helps them sneak over the border - the Brad Pitt to their septuagenarian Thelma and Louise.
Summer war games between the neighbourhood kids turn deadly serious when jealousy and betrayal enter the mix, in this alternately hilarious and horrifying black comedy that mixes equal parts Lord of the Flies and Roald Dahl.
"Sharp, funny and edge-of-your-seat chilling, this darkly provocative actioner, starring a startlingly stellar all-kid ensemble cast, turns a neighbourhood woods game of Capture the Flag into a high-stakes round of no-holds-barred jungle warfare – with the rules about to be broken. The fantasy-tinged film nails the ferocious intensity of children’s games (the imaginary world feels real in the moment) while it plays with cinema conventions (coming-of-age stories, war tales, etc). An after-school special you won’t want to miss." 4 stars Globe & Mail
"I Declare War is everthing The Hunger Games attempts to be, but better - it says more with less, goes farther while staying smaller, and finds reality in a more fantastical scenario… A Lord Of The Flies for a new generation, I Declare War deserves to be seen by adults and needs to be seen by kids. We don’t often get action films of any kind that have this much to say, much less films that are this delicately balanced between mainstream appeal and realistic intensity. Smart, touching, and exciting, I Declare War is sure to be one of your favorites of this year or next." Renn Brown, CHUD
Introduced by UBC Film professor Ernest Mathijs, author of the first book length study of the movie, a rare chance to see arguably the best Canadian horror movie of the new millennium in 35mm. Emily Perkins and Katherine Isabelle star.
School’s out for summer, and son of a preacher man Vincent Furnier (better known as the rock n roll icon Alice Cooper) would like to remind you that there’s more to life than grades, grad and grind. Like sex, drugs and grand guignol, for example.
In the land of the midnight sun, 14-year-old Tomas returns to the people and culture of an Inuk father he never knew. He and his mother, Anna, arrive in the small village of Igloolik in the heart of Nunavut following the mysterious death of his father. The second feature from the collective which made the acclaimed Before Tomorrow (2008).
"Experiences and milestones achieved amid laughter in the midnight sun punctuate Uvanga, which is bolstered by natural performances from local actors that draw us in while sharing the secrets of a place both strange and beautiful in its isolation." 3 stars (out of 4) — Linda Bernard, The Star