Adapted from the myth that served as the basis for Wagner’s Ring cycle(though not an adaptation of the operas themselves), Lang’s two part, five-hour epic is a monumental fantasy film on a par with his subsequent Metropolis. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proven an inspiration for nearly every fantasy cycle that has emerged on-screen since – from Star Wars to The Lord of the Rings.

This edition is mastered in HD from the extensive 35mm restoration conducted by the Friedrich-Wilhelm-Murnau-Stiftung, completed in 2012, and featuring a recent recording of the original 1924 score. Screening in two parts with a 40 minute intermission.

"It’s too-faint praise to claim thatDie Nibelungen is The Lord of the Rings of its time (J.R.R. Tolkien was apparently inspired by the Nibelungenlied, too), but that gives you some sense of all the scope, innovation, rousing razzle-dazzle, human emotion writ large, and cinematic virtuosity on proud display here. It’s a huge, action-packed spectacle to rival those concocted by DeMille and Griffith, but with access to the bold, harsh, glacially-gleaming, tragically doomed finality of Northern-European myth. Once it’s over, you’ll be exhausted, emotionally drained, and already looking forward to the time you can experience the whole intensely involving, transporting, and devastating dream/nightmare once more." Christopher McQuain, DVD Talk

Their family names alone evoke horror: Himmler, Frank, Goering, Hoess. Hitler’s Children is a film about the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that permanently associates them with one of the greatest crimes in history. What is it like for them to have grown up with a name that immediately raises images of murder and genocide?

"Quiet, simple and soaked in sorrow." Jeannette Catsoulis, New York Times

"Hitler’s Children was a film that had almost everything. It informed, it surprised, it made me think. Is killing just one or two people more acceptable than killing seven or eight? Where are the boundaries of love and forgiveness? Are there any, even?" John Crace, The Guardian

In this hit documentary, Italian journalists/filmmakers Ragazzi and Hofer wonder if those roads leading to Rome don’t also look like escape routes. There is an opportunity to move to Berlin - where rents are a third of the price, there’s less unemployment, and less homophobia too. Also Berlusconi doesn’t live there. Even so, Luca is loathe to leave. So they hop into a vintage FIAT 500 and set off to take stock of "the real Italy", with a pilgrimage to visit George Clooney’s Lake Como villa on the side.

"Effervescent." John Anderson, Variety

*** (3 stars out of 4) Rick Groen, Globe & Mail

Set in Yokohama in 1963, the latest animated feature from Studio Ghibli is a poignant teen love story, graceful, understated but full of feeling. Written by Hayao Miyazaki and directed by his son Goro, the movie tells the story of a lonely high school girl who becomes involved in the fight to save a delipidated boys’ club house.

"With its beautiful visuals and songs, Poppy Hill finds a deserving place among its Studio Ghibli peers."

- Variety

"A beautifully artful, wistfully nostalgic coming of age romance!"

- Twitch

This portrait of deaf-blind Korean poet and essayist Young-chan is one of the most life-affirming films you will see - it’s a film about the communication of the senses, and the magical symbiosis of a loving marriage.

"Planet of Snail is simple, direct and magical. The warm, intimate story of a singular couple, it won the top prize at the prestigious International Documentary Film Festival Amsterdam, and it will win you over as well if you give it the chance." Kenneth Turan, LA Times

"A love story of uncommon loveliness and simplicity." Andrew O’Hehir, Salon.com

"A perfect date movie." Joshua Rothkopf, Time Out New York

In rural Mexico, when a young boy’s parents are killed, he is raised by a farm worker and the town’s barman, who instills a desire of vengeance in him, and as an adult he romances a young woman who is going to marry a rich man to save her father from financial ruin. This 1941 Mexican film classic became an enormous hit and features Jorge Negrete as the first cinematic singing Mariachi. This performance made Negrete an international Latin film star and launched the appearance of singing mariachis in films.

The latest from 4 Months, 3 Weeks & 2 Days director Mungiu is a slow burning but utterly transfixing exorcism drama based on a news story from 2005. A novice nun in an Orthodox monastery in Romania, Voichita welcomes an old friend from their days in the orphanage - but she is taken aback when Alina tries to persuade to come away to Germany. Meanwhile the monastery’s stern priest becomes convinced Alina is a temptress possessed by the Devil.

"A quintessentially praiseworthy festival film: weighty in intent, unfamiliar enough in setting, rigorously masterful in execution… But what is remarkable about Beyond the Hills and the unexpected interrogations it awakens is the lingering sense of doubt it leaves you with. Not merely as to the virtues of organized religion—that would be too simple—but just as much the facile condemnation of it… It is a work that forces you into the not entirely pleasant yet oddly rewarding territory of moral uncertainty."—Joumane Chahine, Film Comment

"If you long for the bleak intelligence of an Ingmar Bergman film, where humankind is deeply flawed and God is indifferently silent and the landscape is cloaked in perpetual winter, then Beyond the Hills promises to be your cup of despair." 3 stars Rick Groen, Globe & Mail

"Riveting to watch and fascinating to think about afterwards." Philip French, The Observer

When Claudiu Crulic, a young Romanian in Poland, was arrested for a crime he didn’t commit, he became a pawn in a Kafkaesque miscarriage of justice and went on a hunger strike to protest his treatment in jail. Anca Damian’s documentary is by turns chilling and heartbreaking, and also ironic, with black humour forcing through.

Crulic himself “narrates” the film posthumously, his words voiced by Vlad Ivanov, star of such Romanian New Wave titles as Police, Adjective and 4 Months, 3 Weeks and 2 Days—but what makes this extraordinary documentary even more compelling is its strong visual style: Damian uses handdrawn, cutout, and collage animation techniques to create a strikingly memorable film

"Technically a documentary, this brilliant medley of animation and cutouts, with slivers of live action tossed in, is creative interpretation at its most sublime. Crulic has a distinctly Eastern European dry humor, manifest in the drawings and in the rapid, highly detailed voiceovers (mostly in Romanian, with a few observational points made in English)…. Telling a tragic true story with almost lighthearted animation techniques is a brilliant choice that pays off." Howard Feinstein, Filmmaker

"Lean, astute… the variety of animation techniques - hand-drawn, cutout, stop-motion, and collage - indelibly convey the bureaucratic horrors the young man faced." Melissa Anderson, Village Voice

"Visually stunning… Magnificent." Anja Savic, Vancouver Weekly

The Golden Lion winner at last year’s Venice Film Festival, this is a controversial and intense drama about a tough, brutal loan shark redeemed by the unqualified love of a woman claiming to be his long-lost mother. Violent and provocative, Pieta is nothing if not extreme, a movie reveling in almost absurdist dichotomies of good and evil. But if you can stomach the challenging first hour, the pay off tells us something unexpectedly poetic and moving about the relative value of money and compassion in today’s capitalist society.

"A master provocateur playing out his own neuroses and obsessions on the big screen…Like Lars Von Trier, his films don’t always work. But when they do … well, when they do Kim is capable of creating work that disturbs and troubles and finds beauty in unexpected places. This is one of those films." Todd Brown, Twitch

"The worst major festival winner since the Palme d’Or for Amour." Christoph Huber, Cinema Scope

The 12-year-old son of political dissidents fighting the brutal military junta in 1970s Argentina, Juan goes to school under an assumed name and gets his first crush on a girl. But when his parents suddenly need to pack up and run his life is changed forever.

"Most coming-of-age movies don’t open with the prepubescent protagonist’s mom and dad getting into a cartoon gunfight in the street—then again, there are lots of unusual touches in Argentine filmmaker Benjamin Ávila’s feature. Blessed with old-school pedigree (producer Luis Puenzo made the Oscar-winner The Official Story) This ’70s-set story of a boy (Teo Gutiérrez Romero) and his exiled revolutionary parents returning home on the sly follows a well-trod path of viewing history through a child’s eyes. But the way the director throws in offbeat elements—animation, a Moonrise Kingdom–ish interlude in the woods, surreal dream sequences—without diluting the Dirty War drama is impressive." David Fear, Time Out New York

"A charming, involving first feature, Clandestine Childhood muscles its familiar coming-of-age material into something more vibrant and urgent than the usual. Through sharp editing and director Benjamín Ávila’s moment-making brio, this ’70s period piece charts a young boy’s attempts to carve out something like a childhood despite being the son of wanted revolutionaries in the Argentina of General Jorge Rafael Videla, whose brutal government "disappeared" millions just like them." Alan Scherstuhl, Village Voice

When doctors diagnosed 19-year-old rock star Jason Becker with Lou Gehrig’s Disease, they said he would never make music again and that he wouldn’t live to see his 25th birthday. 22 years later, without the ability to move or to speak, Jason is alive and making music with his eyes.

Jason Becker: Not Dead Yet is a feature-length documentary film that tells the incredible story of a guitar legend who refuses to give up on his dream of being a musician despite the most incredible odds. It is a story of dreams, love, and the strength of the human spirit.

"This heartfelt documentary is also, more subtly, a tribute to the squadron of caregivers that has enabled Mr. Becker not only to survive for an extraordinarily long time but also to continue to compose music, using virtually the only part of him that still moves, his eyes." Neil Genzlinger, New York Times

"Inspiring heartbreaker of a documentary." Joshua Rothkopf, New York Times