Try going a day without plastic. In this touching and often flat-out-funny film, we follow “everyman” Jeb Berrier as he embarks on a global tour to unravel the complexities of our plastic world. What starts as a film about plastic bags evolves into a wholesale investigation into plastic’s effects on our oceans, environment, and bodies. We see how our crazy-for-plastic world has finally caught up to us… and what we can do about it.
Like 50 Feet From Stardom this is the story of unsung heroes, the session musicians who made the 60s swing. Guaranteed, you will never hear pop from that era the same way again. Touching on everyone from the Beach Boys to Elvis, Sinatra to Sonny & Cher, this is an astonishing glimpse behind the scenes at the hey day of American pop. "Wonderful, touching and hilarious." Elvis Costello
"A treasure trove of witness-at-creation anecdotes and enduringly potent ’60s pop classics, The Wrecking Crew is a well-nigh irresistible treat for aficionados of music from the era when acts like the Beach Boys, the Association and the Monkees were topping the charts. Pic celebrates a loose-knit group of largely unknown (except by industry insiders) session musicians, many of whom supplied the defining licks and backbeats — and in some cases, actually played instruments for band members — on legendary recordings." Joe Leydon, Variety
1942 was the year everything went wrong for Orson Welles. He couldn’t fight for The Magnificent Ambersons because he was in Brazil at the behest of Nelson Rockefeller, working on a pan-American propaganda piece, an anthology film mixing documentary and fiction to be called "It’s All True". That film was never finished, and Welles’ Hollywood career never recovered - but Bill Krohn’s reconstruction explains why it was such an important project, and recovers more footage than anyone could have imagined.
Welles and Joseph Cotten penned the screenplay (adapted from an Eric Ambler spy story), and while the Great Man didn’t take a directing credit - bowing to his friend and collaborator Norman Foster - the expressionist noir stylings are very much in line with what you would expect from the man who made The Lady from Shanghai, Mr Arkadin, and Touch of Evil. Almost inevitably, the film was butchered in post production, first by RKO (who cut out 20 minutes) and then by the censors. All the same it’s enormous fun, a B movie thriller with sly wit, invention and panache to spare.
Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith (1969-2003). By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in — Portland, New York City, Los Angeles — Heaven Adores You presents a visual journey and an earnest review of the singer’s prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.
When astronauts broke out of the earth’s atmosphere and were able to look back for the first time and take in the view of our world, the entire world, in one look, it marked a profound philosophical shift. Marrying breathtaking NASA cinematography from space with interviews with astronauts, environmentalists, and philosophoers, Planetary is a meditation on where we come from, who we think we are, and where we might be headed.
One of the strangest and most twisted films of the silent era. Cheated and cuckolded, a brilliant scientist (played by Lon Chaney, "the man of a thousand faces") takes refuge behind the make up of a circus clown, where his shame can at least inspire laughter in others. He becomes famous, but his hapless love for a bareback rider sends the movie spinning towards revenge tragedy. This first feature produced by the famous studio MGM, He Who Gets Slapped blends naturalism and expressionism with high melodrama - all accentuated in the Alloy Orchestra’s extraordinary live score.
“A picture which defies one to write about it without indulging in superlatives … so beautifully told, so flawlessly directed that we imagine it will be held up as a model by all producers.” NY Times, 1924
Simpsons scribe Rob Cohen distills the essence of Canada like sap from a maple in this lighthearted odyssey across our great nation. He gets a little help from the likes of Seth Rogen, Mike Myers, Catherine O’Hara, Rush, Michael J Fox, Cobie Smulders and William Shatner (to name just a few).
With Orson Welles, there is always the nagging feeling of "what might have been?". Schubert left us just the one Unfinished Symphony. But Schubert only need pen and ink to compose, a filmmaker needs so much more - and Welles left us with myriad incomplete films and projects, including several more stabs at Shakespeare, his long quest to make a movie of Don Quixote, and his film about the "new Hollywood", The Other Side of the Wind. What we are left with are tantalizing fragments, shards of brilliance…