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(Turandot)
The Royal Opera House presents...

Andrei Serban’s staging of Puccini’s final opera is a glorious pageant of rich colour, dance and drama. Turandot is a tale of disguised identities, riddles, ritual executions and powerful, triumphant love.

007 Reloaded: Bond vs Bond

Matinee show Sun Sept 1 (only) All Ages Show, under 19s welcome

One-timer George Lazenby had the good fortune to star in one of the strongest all-round Bond movies. Director Peter Hunt ensures the action is tip top, but also finds emotional reserves the super spy usually keeps well hidden. With Diana Rigg as his lover, Tracy, and Telly Savalas as Blofeld.

007 Reloaded: Bond vs Bond

Sean Connery is back for a fast paced hunt through a diamond smuggling pipeline. MI6 arrests small time smuggler Peter Franks, and Bond takes his place, meeting courier Tiffany Case. He follow the trail of the diamonds, as everyone who touches them gets killed. The end of the pipeline is Blofeld, with another plan for world domination.

Vancity Theatre Screening

Jesse Eisenberg take 2: here he’s timid office worker Simon James, a non-person to most, including the lovely Hannah (Mia Wasikowska), a co-worker who is also the apple of his eye. Enter charismatic young hotshot James Simon (Eisenberg again). No one seems to notice he’s the spitting image of Simon, and though at first he feigns a certain friendliness to his near-namesake, it’s not long before the new man has begun to take over his job, his apartment, his girl, his entire life… Richard Aoyade’s Dostoevsky adaptation riffs on Kafka, Welles and Gilliam to chillingly hilarious effect.

"As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014." Andrew O’Hehir, Salon.com

"Daring, hilarious and wickedly clever." The Playist (Indiewire)

007 Reloaded: Bond vs Bond

Roger Moore shows the right stuff in this slightly more realistic adventure. A ship containing an Automatic Targeting Attack Communicator (ATAC), which can control ballistic missile attacks, is sunk. Bond is sent to retrieve the ATAC before the Russians can.

Jig

"Irish step dancing receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times

"Irish step dancing […] receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times

"Amusing, heartbreaking and mind-boggling." The Boston Herald"

"Glorious! Spellbound meets Lord of the Dance." Easy Living

007 Reloaded: Bond vs Bond

Matinee show Aug 25 (only) All Ages Show, under-19s welcome.
Evening show Aug 29 introduced by film scholar Michael van den Bos.

Roger Moore’s pick of his own Bond movies is a slick, spectacular, always fun concoction. When villain Karl Stromberg (Curt Jurgens) hijacks British and Soviet submarines, Bond is paired with Russian agent Anya Amasova (Barbarach Bach) to get to the bottom of his evil plan.

"Exceptional… Moore gives his best performance in the series… Film is a real treat - a well-acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Danny Peary, Guide for the Film Fanatic.

Cinema Salon

The feature debut of writer-director Anthony Minghella (The English Patient; The Talented Mr Ripley) is a film warmth, tenderness and comedy. After her husband, Jamie (Alan Rickman), dies, Nina (Juliet Stevenson is consumed by grief. So much so that Jamie comes back to her as a ghost…

Introduced by Murray Battle, director of Indpendent Production and Presentation at BC’s Knowledge Network.

007 Reloaded: Bond vs Bond

007 turned 50 with rare panache: directed by Sam Mendes, this is a contender for one of the top Bonds ever. It’s not just the more probing, psychological script, but the nuanced, inspired performances by Judi Dench, Javier Bardem and Daniel Craig of course – and stunning cinematography by Roger Deakins. This is Bond resurrected, redeemed and reinvigorated, ready to face a new half century.

Shakespeare’s Globe on Screen

From its mesmerising first moments to the last fulfilment of the witches’ prophecy, Shakespeare’s gripping account of the profoundest engagement with the forces of evil enthrals the imagination.

"A cracking, at times terrifying, production."Daily Telegraph

Shakespeare’s Globe on Screen

Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France.

"Jamie Parker makes a fantastic Henry V."—The Independent

"Bold and enthralling."—The Times

007 Reloaded: Bond vs Bond

Probably inspired by the success of Star Wars, James Bond went into outer space in Moonraker, one of the most popular of the series. It’s got amazing aerial stunts, some of designer Adam’s most inspired sets, a creepy villain in Michel Lonsdale’s Hugo Drax and Richard Kiel is back as the giant, metal-toothed henchman Jaws.

"Irresistibly entertaining." Frank Rich, Time

"A minor masterpiece." James Monaco, The Connoisseur’s Guide to the Movies

"One of the most buoyant Bond films of all." Vincent Canby, New York Times

Ger, Germany

Vancity Theatre Screening

Heavyweight German filmmaker von Trotta turns her attention to one of the pre-eminent thinkers of the twentieth century, Hannah Arendt, and in particular to the crucial time in 1961 when she reported on the trial of Nazi Adolf Eichmann for the New Yorker. It was Eichmann’s pathetic disavowals of the Final Solution policy he helped frame that inspired Arendt to coin her famous phrase, "the banality of evil."

"Trotta has made an extremely vivid cinematic essay, thrilling in its every minute, deeply moving in its seriousness and suitably unsettling." Elke Schmitter, Der Spiegel

"A thrilling lesson in courage." Deborah Young, Hollywood Reporter

"The best movie this critic has ever seen about the life and times of a writer." Brandon Harris, Filmmaker

Vancity Theatre Screening

Heavyweight German filmmaker von Trotta turns her attention to one of the pre-eminent thinkers of the twentieth century, Hannah Arendt, and in particular to the crucial time in 1961 when she reported on the trial of Nazi Adolf Eichmann for the New Yorker. It was Eichmann’s pathetic disavowals of the Final Solution policy he helped frame that inspired Arendt to coin her famous phrase, "the banality of evil."

"Trotta has made an extremely vivid cinematic essay, thrilling in its every minute, deeply moving in its seriousness and suitably unsettling." Elke Schmitter, Der Spiegel

"A thrilling lesson in courage." Deborah Young, Hollywood Reporter

"The best movie this critic has ever seen about the life and times of a writer." Brandon Harris, Filmmaker

Germany

(Das Leben der Anderen)
Mongrel Media 20th Anniversary

In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.

"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Time

"A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional." Claudia Puig, USA Today

"The Lives of Others is a supremely intelligent, unfailingly honest look at a shadowy period in recent German history." AO Scott, New York Times

Vancity Theatre Screening

Few composers inspire such extremes of love and revulsion as Richard Wagner, and few classical music documentaries go the extremes of this astounding German-made feature, which includes stylized, modern-dress reenactments of key moments in Wagner’s tumultuous life and digital animated graphics alongside more traditional expert testimony.

SPARK FX

Adapted from the myth that served as the basis for Wagner’s Ring cycle(though not an adaptation of the operas themselves), Lang’s two part, five-hour epic is a monumental fantasy film on a par with his subsequent Metropolis. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proven an inspiration for nearly every fantasy cycle that has emerged on-screen since – from Star Wars to The Lord of the Rings.

This edition is mastered in HD from the extensive 35mm restoration conducted by the Friedrich-Wilhelm-Murnau-Stiftung, completed in 2012, and featuring a recent recording of the original 1924 score. Screening in two parts with a 40 minute intermission.

"It’s too-faint praise to claim thatDie Nibelungen is The Lord of the Rings of its time (J.R.R. Tolkien was apparently inspired by the Nibelungenlied, too), but that gives you some sense of all the scope, innovation, rousing razzle-dazzle, human emotion writ large, and cinematic virtuosity on proud display here. It’s a huge, action-packed spectacle to rival those concocted by DeMille and Griffith, but with access to the bold, harsh, glacially-gleaming, tragically doomed finality of Northern-European myth. Once it’s over, you’ll be exhausted, emotionally drained, and already looking forward to the time you can experience the whole intensely involving, transporting, and devastating dream/nightmare once more." Christopher McQuain, DVD Talk

(Herz des Himmels, Herz der Erde)
After Effects: Guatemala and El Salvador

The location of the world’s largest—possibly toxic—gold-mine pit, Guatemala is also the homeland of the Maya and their decidedly holistic cosmology. Frauke Sandig and Eric Black’s kaleidoscopically beautiful documentary follows the daily and ceremonial lives of six articulate young Maya as they struggle to maintain their way of life in the face of C21 capitalism.

"Of course one cannot simply reverse European history and the creation of the “Self”, which is also tied to liberation from the forces of nature. But one can empathize with a philosophy that does not separate the individual from nature. This different relationship to nature is better described with pictures than with words. Heart of Sky, Heart of Earth does exactly this, with clouds that glow from within, rivers with power one can sense, or mountains, which exude an inner peace. The camerawork creates settings that inspire fascination in a hitherto unknown world."

Peter Gutting, kino-zeit

"It is an exquisitely, achingly beautiful film – wonderfully conceived and sensitively filmed. I particularly appreciated the references to ancestral dreams and memories, sequences that ring truer than any film I’ve ever seen on Maya spirituality… The sequences on the war were particularly poignant. One of the communities I lived in for 6 months was completely wiped out—I still don’t know if anyone survived. It is my sincerest hope that some lived to tell their stories like the wonderful people in this film. What strikes me is the resilience of the Maya in the face of powerful and concerted efforts to destroy or alter it. I was profoundly affected by this film and will carry many of its images with me to the end of my days."

Allen J. Christenson, Author of Popul Vuh: The Sacred Book of the Maya

After Effects: Guatemala and El Salvador

Guatemala. The war ended long ago. Though the people want to forget it, the violence continues, and it has spread throughout the society like cancer. Each day, journalists wait to report on the next murder victim, and a social worker helps the relatives of women who have been killed.

The global hunger for cheap resources has been another cause of violence, and a war over bananas has taken on a life of its own. The society suffers from the aftermath of the 36-year civil war. Mass graves are found in the mountains, former rebels mourn their comrades, and a war criminal has nightmares about all the things he’s done. Peace continues to elude Guatemala.

Germany, Switzerland

Vancity Theatre Screening

Arguably the most popular building site in the world, the Sagrada Familia cathedral in Barcelona is still a work in progress, 125 years after the first stones were laid. Designed by the controversial Catalan genius Antonio Gaudi, the Sagrada is a testament to Faith… Faith in God, in the natural forms that so inspired the architect, and also in man, for Gaudi always knew this work would have to be completed long after his life-time.

"This film is more than a documentary, it tells the story using beautiful and quiet images of the transformation of ideas, talks of human endeavour for perfection and in so doing, illustrates that the essential meaning of this edifice lies in its creation process and not only in its completion.

This creative process is illustrated in varying perspectives from inside the incomplete church as well as the complex structure of the exterior parts of the church.

The film gives cause for self-reflection on how the past and present are related, portraying people and destinies involved in the construction of the church and ultimately proves that something incomplete also has its own significance."—Jury citation, Erasmus Euro Media Awards

"Both exhaustive and astounding in its detective-like exploration of the history of the impossibly ornate Catalonian house of worship."—Jackson Scarlett, 7x7SF

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