On a hot summer’s night in Istanbul; Ece (Nehir Erdoğan) pays a visit to Cenk (İlker Kaleli) and once buried feelings are suddenly reignited. Moments later they notice a thief, a young boy, who escapes into the darkness. The evening takes a turn for the worse following the sudden appearance of yet another thief…
Ana Lily Amirpour
The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
"Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus. The director combines elements of film noir and the restraint of Iranian New Wave cinema with the subdued depictions of a bored youth culture found in early Jim Jarmusch… The comparisons go on and on, but the result is wholly original." Eric Kohn, Indiewire
"A wildly inventive Iranian vampire movie that grabs you by the throat with its dark, moody style, pulsating soundtrack and offbeat love story." David Lewis, San Francisco Chronicle
Burak Cem Arlıel
The documentary Turkish Passport tells the story of the diplomats posted to Turkish embassies and consulates in several European countries who saved numerous Jews during the Second World War.
Ali Aydın’s elegantly composed cinematic fete deservedly won him the “Lion of the Future” award at the 69th Venice Film Festival. Basri spends his life in self-imposed isolation following the disappearance of his only son and the subsequent death of his wife, his hope has failed to dwindle. For almost two decades, he has penned and sent monthly petitions to local authorities, much to their annoyance, to uncover the truth about his child.
"Unpretentious and satisfyingly complete… [Aydin] couldn’t have found a better vessel than Kesal, known for his collaborations as both actor and co-scripter with Nuri Bilge Ceylan… Kesal’s Basri is the kind of nondescript man no one notices - whether glimpsed on the street or in a cafe, few would spend time wondering about his backstory. Making this poignant figure a source of sympathy and depth with a minimum of information is a significant achievement for both [actor] and director." Jay Weissberg, Hollywood Reporter
“In this 2014 sequel to the award-winning You’ve Been Trumped, director
Anthony Baxter once again follows American billionaire Donald Trump and a cast of other greedy characters who want to turn some of the Earth’s most precious places into golf courses and playgrounds for the super rich.”
This event is $10 and includes a panel discussion/Q&A and a dinner buffet/beverages.
1960 Academy Award Winner and winner of the Palme d’Or at the 1959 Cannes Film Festival, Marcel Camus’s Black Orpheus retells the Greek myth of Orpheus and Eurydice against the madness of Carnival in Rio de Janeiro. With its magnificent color photography and lively soundtrack, this film brought the infectious bossa nova beat to the United States.
"A riotous, rapturous explosion of sound and color, Black Orpheus is less about Orpheus’s doomed love for Eurydice than about Camus’s love for cinema at its most gestural and kinetic." Ann Hornaday, Washington Post
Two documentary short features. My Child (82 mins) is about very courageous and inspiring group of mothers and fathers in Turkey who are parents of lesbian, gay, bisexual, trans-gender individuals. They have not only gone through the difficult path of accepting their children for who they are but also have taken the next step to share their experiences with other LGBT families and the public. Taşkafa (66 min) is a feature documentary film about memory and the most necessary forms of belonging, both to a place and to history, through a search for the role played in the city by Istanbul’s street dogs and their relationship to its human populations
Globe artistic director Mark Rylance and Stephen Fry star in this critically acclaimed and award-winning production of Shakespeare’s comedy of melancholia. An all-male cast replicate the performance norms of Shakespeare’s time. "Pure comic delight!"
Tickets $15 ($13 students/seniors)
"Sensational… Pure comic delight!"
Presenting one of the most popular romances of recent times in a less than wholesome new light, this is the Valentine’s Day show for anyone who can’t get date, doesn’t want one, or has partnered up with someone as cynical, bitter and sardonic as themselves. Whether you love The Notebook, hate it, hate that you love it, or tell anyone who will listen that you’ve never seen it, come vent your "frustrations" at the saccharine love story that set the bar for romance at an unattainable height and unleashed Gosling fever upon the universe with a no-holds-barred text takedown. Bring your drinks into the theatre, leave your phone on, flex your thumbs, stretch your wit, and heckle until your sides split.
Download the iOS MuVChat app to your iphone or send texts through your regular texting service.
Bruno de Almeida
Documentary about the Portuguese singer Camané and the process of creating one of fado’s key works, revealing a rigorous search that allows him to achieve masterful interpretations. Featuring music by José Mário Branco, Raul Ferrão, Frutuoso França, Sérgio Godinho, Alfredo Marceneiro, Alain Oulman.
Paola Di Florio
Yogananda was the Hindu Swami who brought yoga and meditation to the West in the 1920s. Paramahansa Yogananda authored the spiritual classic “Autobiography of a Yogi,” which has sold millions of copies worldwide and is a go-to book for seekers, philosophers and yoga enthusiasts today. This unconventional documentary has won critical plaudits everywhere it has screened.
"Fittingly enlightening, Awake: The Life of Yogananda is a vivid, elegantly assembled portrait of the savvy guru with the cherubic face and penetrating gaze who brought meditation to the West." Michael Rechtschaffen, LA Times
"Gentle sitar music, languorous camerawork and soothing narration… This could be a good movie to do yoga by." The New York Times
In Turkish auteur Reha Erdem’s genre-defying film Singing Women a group of distressed women struggle with their tribulations, united by extraordinary reserves of energy, courage, hope and faith. As the women transform their tragedy with songs of rebellion and life, they also infect the frustrated, never grown-up child Adem with the joys of being human. The film follows them throughout their inspiring, humanistic journeys into the different dimensions of existence.
Turkey’s 2014 Oscar Submission for Best Foreign Language Film. centers on two friends, Muzaffer (Kıvanç Tatlıtuğ) and Rüştü (Mert Fırat), both young aspiring poets in 1940s Turkey. The arrival of Suzan (Belçim Bilgin), the beautiful and affluent new girl in town, prompts them to wage a bet. Each will pen a poem and submit it blindly for the girl to make her choice. As the friends both start falling for Suzan, they must also endure the problems of disease, poverty and compulsory work in the mines at the time of the Second World War. Based on a true story.
"A sumptuously mounted and well-acted period drama… The idea that love and poetry feed off of each other is illustrated beautifully." Boyd van Hoeij, Hollywood Reporter
"With its lively pace… likable performers and lush picture-postcard look, The Butterfly’s Dream is to poetry what Titanic was to nautical disasters." Dennis Harvey, Variety
"Irresistibly lyrical." Indiewire
Richard Eyre’s produciton of Verdi’s masterpiece has been one of the most successful opera stagings in the long and celebrated history of the Royal Opera House. We present the original, definitive incarnation of that production, starring the incomparable Renee Fleming as the ill-fated courtesan Violetta, oppose Joseph Calleja as Alfredo and Thomas Hapson as his unyielding father.
When tenor Paul Potts performed Puccini’s Nessun Dorma on the first episode of TV show Britain’s Got Talent in 2007 it caused a sensation. 115 million YouTube hits later, the South Wales phone salesman’s story has inspired this warm, funny, very British feel-good movie, a curtain-opener for our 2015 Royal Opera House series, which starts in March. "Irresistible" Hollywood Reporter
"Irresistible." David Rooney, Hollywood Reporter
"A sweet, funny, heartfelt film." Annlee Ellingson, LA Times
"Hits all the right notes." Anthony Kaufman, Screen International
Shakespeare’s notorious battle of the sexes gives us one of theatre’s great screwball double-acts in the shape of Katherina and Petruchio – a couple hell-bent on confusing and outwitting each other right up to the play’s controversial conclusion. Director Toby Frow gives us “a riotous mixture of verbal dexterity and slapstick” in an exhilarating production that delighted audiences at the Globe. Katherina is played by the Olivier Award-winning Samantha Spiro
"A laugh out loud production." Time Out
Thomas Allen Harris
A brief history of African American photography in the company of filmmaker Thomas Allen Harris. "A family memoir, a tribute to unsung artists and a lyrical, at times, heartbroken, meditation on imagery and identity. Harris marshals an impressive collection of scholars, artists and photojournalists to help us understand what we see… He is a wise and passionate guide to an inexhaustibly fascinating subject."
AO Scott, The New York Times
"A sweeping narrative that traces from the 19th century to the 21st how African-Americans presented themselves in their own photos."
David Gonzalez, The New York Times online
"An extraordinary new documentary by filmmaker Thomas Allen Harris, is at-once a deep, rich dive into the history of African American photography and - transcending the subject at hand - a master class in visual literacy."
Mia Tramz, Time Magazine
Inspired by reports from the first English colonies in the West Indies and imbued with a spirit of magic and the supernatural, The Tempest is Shakespeare’s late great masterpiece of forgiveness, generosity and enlightenment. Double Olivier Award-winner and renowned stage and screen actor Roger Allam returns to the Globe as Prospero.
"Spellbinding." The Telegraph
"Spellbinding." The Telegraph
“Jeremy Herrin’s production, with beautiful Jacobean costumes and genuinely enchanting music by Stephen Warbeck, captures all the wonder of this play.” Time Out
Meet "the happiest sound in jazz" - and maybe the brightest mentor, too. Clark Terry was Dizzy Gillespie’s favourite trumpet player, but he’s also an inspirational teacher - the antithesis of the character played by JK Simmons in Whiplash. At 93, Terry is still teaching, taking blind 23-year-old piano prodigy Justin Kauflin under his arm, just as he did with Quincy Jones and Miles Davis before him.
"Consider it this year’s “Rocky” of documentaries: a heartfelt, uplifting tale that celebrates the joy of life and the triumphs of succeeding against all odds. The film stands as a loving tribute to the affable 93-year-old Terry, who performed in the bands of both Count Basie and Duke Ellington and seems to have influenced just about every jazz giant on the planet… One need not be a jazz aficionado to enjoy this film. All that’s required is a smile." David Lewis, San Francisco Chronicle
“Keep On Keepin’ On is ultimately an examination of the pursuit of greatness. It is a grueling and demanding endeavor, for sure, but also, for Mr. Terry and anyone lucky enough to enter his orbit, a source of unending joy." AO Scott, New York Times
"As joyful as a jumping jazz riff, Keep on Keepin’ On is an inspiring story of devotion, dedication and multi-generational friendship." Linda Bernard, Toronto Star
Set in a conservative 1970s Turkish town, Whisper If I Forget tells the captivating story of Hanife (Işıl Yücesoy), a young taciturn nurse with a penchant for poetry, and her unruly, polar opposite sister Hatice (Farah Zeynep Abdullah), an aspiring chanteuse. Their lives are changed forever with the arrival of Tarık (Mehmet Günsür), the easy-on-the-eyes son of the newly appointed district governor.