The French invented the term "film noir" and this adaptation of a slim, forceful novel by Georges Simenon certainly boasts idenfiable noir characteristics: the femme fatale who lures an all-too willing husband away from his marriage bed; the crime of passion and miscarriage of justice that ensue, all unfolding in a slippery mosaic of ambiguous flashbacks. As the title suggests, the dominant colour is blue, not black,and Amalric’s terrific movie shifts between carnal abandon and clinical claustrophobia.
"An elegant psychological freak-out about adultery and other madness, [a] dark, delectable, shivery tale." Manohla Dargis, The New York Times
"The Blue Room is a story about sexual desire as an overwhelming force, incapable of being ignored or mistaken, and about the ambiguity of almost everything else: memory, language, actions and motives." Stuart Klawans, The Nation
" A great little film… It has a headlong rhythm, skittering between timeframes with the skill of a pianist nailing Prokofiev…. Everything’s told in shards, and Amalric does very well to create a sense of emotional continuum amid all the procedural detail. His own performance is fantastic, jittery and disheveled.” Tim Robey, The Daily Telegraph