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Pascale Obolo

Black History Month
Director: Pascale Obolo

An exuberant and inspiring ambassador for the Caribbean, Calypso Rose is the uncontested and much decorated diva of Calypso music. With more than 800 recorded songs, she continues to be a pioneer and champion of women’s rights, as she travels the world making music.Promotional partners: Consul Generals of Jamaica and Barbados. Live Calypso performance by renowned steel drum artist Kenrick Headley, to follow the screening.

“An intimate portrait about the “Grande Dame” of Calypso… Reveals her personal story, her groundbreaking musical achievements, her commitment to defend women´s rights, her faith, her worries and fears and above all her strong love of life and people.” Bijan Tehrani, Cinema Without Borders

Fritz Ofner

After Effects: Guatemala and El Salvador
Director: Fritz Ofner

Guatemala. The war ended long ago. Though the people want to forget it, the violence continues, and it has spread throughout the society like cancer. Each day, journalists wait to report on the next murder victim, and a social worker helps the relatives of women who have been killed.

The global hunger for cheap resources has been another cause of violence, and a war over bananas has taken on a life of its own. The society suffers from the aftermath of the 36-year civil war. Mass graves are found in the mountains, former rebels mourn their comrades, and a war criminal has nightmares about all the things he’s done. Peace continues to elude Guatemala.

Joshua Oppenheimer

Vancity Theatre Screening
Director: Joshua Oppenheimer

Probably the most radical and powerful film you will experience this year, The Act of Killing is a searing expose of political amnesia and impunity in Indonesia, where the gangsters and thugs behind the murders of millions are celebrated as champions of free enterprise. It is also a surreal, provocative exploration of the psyches of these men - killers who proudly re-enact their atrocities for the camera, willing collaborators in their own cinematic bonfire of the vanities.

"I have not seen a film as surreal, and frightening in at least a decade… Unprecedented in the history of cinema." Werner Herzog

Vancity Theatre Screening
Director: Joshua Oppenheimer

Probably the most radical and powerful film you will experience this year, The Act of Killing is a searing expose of political amnesia and impunity in Indonesia, where the gangsters and thugs behind the murders of millions are celebrated as champions of free enterprise. It is also a surreal, provocative exploration of the psyches of these men - killers who proudly re-enact their atrocities for the camera, willing collaborators in their own cinematic bonfire of the vanities.

Vancity Theatre Screening
Director: Joshua Oppenheimer

Probably the most radical and powerful film you will experience this year, The Act of Killing is a searing expose of political amnesia and impunity in Indonesia, where the gangsters and thugs behind the murders of millions are celebrated as champions of free enterprise. It is also a surreal, provocative exploration of the psyches of these men - killers who proudly re-enact their atrocities for the camera, willing collaborators in their own cinematic bonfire of the vanities.

Jean-Nicolas Orhon

The Best of Hot Docs
Director: Jean-Nicolas Orhon

One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding.

"3/4: The film challenges the ingrained prejudice that leads many urban governments to withhold basic services from squatters and force them into apartment blocks." Globe and Mail

"A celebration of the perseverance and creativity of some of the poorest people in the world." Pretty Clever Films

Patricia Ortega

Women in Film Festival
Director: Patricia Ortega

Jason Osdre

Black History Month
Director: Jason Osdre

The racial fault lines running deep through the American psyche are painfully exposed in Jason Osder’s riveting account of the stand off in 1985 between the Philadelphia Police Department and the black liberation group MOVE, which resulted in the death of 11 victims. "The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen

"The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen

"The brilliantly edited tapestry of actions and reactions exposes a pattern of prejudice and fear capable of infinitely repeating itself." Ronnie Scheib, Variety

"Quietly terrifying." Stuart Klawans, The Nation

Michelle Ouellet

Women in Film Festival
Director: Michelle Ouellet

György Pàlfi

Vancity Theatre Screening
Director: György Pàlfi

Maybe the ultimate in "movie-ness", Gyorgy Palfi’s romance is 100% recycled, a love story assiduously compiled from hundreds of movie clips, featuring a who’s who of cinema greats, from Marilyn Monroe to Jackie Chan, Marlene Dietrich to Marcello Mastroianni, all recast as the emblematic Man and Woman. Hungarian visionary Palfi spent three years in the editing room crafting this unique mash up - a copyright nightmare that will likely never be available for home viewing.

"An odds-on candidate for the greatest movie ever made." New York Film Festival

"An odds-on candidate for the greatest movie ever made." New York Film Festival

"Final Cut might be the greatest film about film ever made… [It] might be the most romantic film ever made as well… The first film in forever that has elicited such wonderment in this jaded cineaste." Joshua Chaplinsky, Twitch

Pratibha Parmar

Black History Month
Director: Pratibha Parmar

"Activism is the rent I pay for living on the planet." So says Alice Walker. One of the key writers of our times, Walker was born in a shack in the cotton fields of Georgia and became the first black woman to win a Pulitzer Prize, for her groundbreaking novel, The Color Purple. Promotional Partner - Vancouver Writers Festival

"If Pratibha Parmar’s documentary on the life’s work of Alice Walker is the director’s invitation to exalt with connected, layered complexity the artist, the activist, the woman, the person of colour as cultural icon, - then the parting words of Alice Walker invoke a simpler message of connectedness to her own art, her beauty and her truth. In Walker’s words:’Earth was meant for joy. And as an artist, connect with that joy. And you will be forever fed by it.’” Jana Sante, Indiewire

Vincent Patar

Director: Vincent Patar

When Celestine - a mouse - persuades Ernest (a bear) not to eat her it’s the beginning of a beautiful friendship. He’s a busker by trade. She’s also something of a bohemian, and soon they’re inseparable. - much to the consternation of family, rodents and other animals.

"A delightfully old-fashioned kid’s flick with a meaningful message… The screenplay by bestselling French novelist Daniel Pennac keeps things on a believable plain (for a fairy tale), and it’s easy enough to invest in the plights of the duo… Ernest et Célestine gradually becomes a cautionary fable where friendship tries to stand the test of bigotry and intolerance…" Jordan Mintzer, Hollywood Reporter

"A delightful melding of visual style and narrative pirouettes, Ernest And Célestine is a just-about-perfect hand drawn animated feature. The unlikely but eventually rock solid alliance between gruff bear Ernest and artistically inclined orphan mouse Célestine is loaded with charm and adventure." Lisa Nesselson, Screen Daily

In French with English subtitiles

Lesley Ann Patten

IBFF 2013 Vancouver (International Buddhist Film Festival)
Director: Lesley Ann Patten

From the World Cup to the remote Buddhist kingdom of Bhutan, three students are on a quest. The catch is…the teacher. Soccer-obsessed, charismatic filmmaker, and citizen of the world, Khyentse Norbu may be one of the most eminent Tibetan Buddhist teachers, but it’s a job description he slyly seems to reject at every turn.

"Provocative and surprisingly fast-moving." Ken Eisner, Georgia Straight

Pawel Pawelikowski

Ida
Vancity Theatre Screening
Director: Pawel Pawelikowski

Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.

"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian

"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader

"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire

Ida
Vancity Theatre Screening
Director: Pawel Pawelikowski

Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.

"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian

"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader

"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire

Thymaya Payne

Vancity Theatre Screening
Director: Thymaya Payne

November 7, 2008, the Danish (Bahamas-registered) cargo vessel CEC Future was boarded by Somali pirates. For 70 days the international crew was held captive at gunpoint while the pirates and the Danish owners negotiated.

This evening Vancity Theatre presents two films inspired by this story, one a documentary (Stolen Seas), the other a dramatic feature (A Hijacking) written and directed by Tobias Lindholm, whose last film was The Hunt.

Assembled from three years’ worth of visits to the dangerous "hot zone" off the coast of Somalia, Payne’s riveting film gives us both the wider context that explains the piracy from all sides, and takes right inside the actual hijacking, incorporating footage shot by the Somalis during the incident.

"Riveting…a dense, sometimes dangerous 90-minute immersion in a world where lawlessness applies to all sides." Peter Debruge, Variety

"A documentary of such ambitious scope you might need a remote control and a notebook to keep up with it." Omer M Mozaffar, Chicago Sun-Times

Bent-Jorgen Perlmutt

Vancity Theatre Screening
Director: Bent-Jorgen Perlmutt

Both a tribute to one of the twentieth century’s most extravagant and influential personalities, and simultaneously a chronicle of the impact of fashion in the 1950s, 60s and 70s, this portrait of the irrepressible editor of Vogue and Harper’s Bazaar is an eye-opener, just like its subject.

Frank Perry

Vancity Theatre Screening
Director: Frank Perry

Author Robert K Elder asked 35 filmmakers to champion a movie that they love, but which had either been overlooked or reviled by critics and audiences. The result, ’The Best Film You’ve Never Seen’ is fascinating both for what it reveals about the directors he talked to and for their insights into some seriously neglected films. Case in point: Frank Perry’s The Swimmer, starring Burt Lancaster as a man who decides to swim his way home across Connecticut, one backyard swimming pool at a time. Selected by Alex Proyas (Dark CIty), this is seriously strange movie, but one that stands the test of time.

"As do few movies, The Swimmer stays in the memory like an echo that never quite disappears." Vincent Canby, New York TImes

"Enigmatic, poetic, disturbing." Kim Newman, Empire

"Burt Lancaster is superb in his finest performance." Roger Ebert, Chicago Sun Times

Elio Petri

(Indagine su un cittadino al di sopra di ogni sospetto)
Italian Film Festival
Director: Elio Petri

The provocative Italian filmmaker Elio Petri’s most internationally acclaimed work is this remarkable, visceral, Oscar-winning thriller. It’s the Kafkaesque tale of a Roman police inspector (a commanding Gian Maria Volonté) investigating a heinous crime—which he himself committed. .

"A provocative political thriller that is as troubling today as when it came out in the 1970s." Kenneth Turan, LA Times

"The movie survives beautifully both as an elegant thriller and as a study of the twisted infantilism that shapes the fanatic heart." Ella Taylor, LA Weekly

"Its portrait of a loner and his lusts comes up frighteningly fresh, and the whole conceit would collapse without the muscular, rousing presence of Gian Maria Volonté in the central role. He, as much as Petri, hauls the movie into the realms of Kafka." Antony Lane, New Yorker

Christian Petzold

Vancity Theatre Screening
Director: Christian Petzold

A new female doctor arrives at a provincial hospital in what is still East Germany. Barbara (Petzold’s regular star, Nina Hoss) is a transfer from Berlin, and immediately strikes her colleagues as distant and aloof. But there are reasons, as they suspect. Her small apartment is regularly searched, meanwhile her preference for cycling to and from work seems designed to make it more difficult for the Stasi to keep an eye on her…

"It’s one terrific film, as smart, thoughtful and emotionally involving as just about anything that’s out there." Kenneth Turan, LA Times

"Petzold handles personal, formal, and political concerns in such perfect balance, it’s difficult, and not especially desirable, to separate one from the next. The movie is dense but never feels it, assembled with easy mastery and engrossing throughout." Sam Adams, AV Club

"Barbara is a film about the old Germany from one of the best directors working in the new: Christian Petzold. For more than a decade Mr. Petzold has been making his mark on the international cinema scene with smart, tense films that resemble psychological thrillers, but are distinguished by their strange story turns, moral thorns, visual beauty and filmmaking intelligence." Manohla Dargis, New York Times

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