Anna Rose Holmer
On the surface The Fits is a simple story about an 11-year-old girl joining a local dance group, but this mesmerising film is truly about bodies, movement, individualism and the group. The title puns on physical fitness, fitting in (Toni’s brother boxes in the gym next door to the rehearsal space, and Toni works out there too), and the unexplained physical spasms that befall several of the dancers.
"They’re going to be carrying ravished film students out of the theaters on stretchers," wrote Terrence Rafferty in the New Yorker when this astonishing Soviet-made portrait of Castro’s Cuba was rediscovered in the mid 1990s. Featuring some of the jaw-dropping camerawork ever filmed (and decades before the invention of the Steadicam), the movie is a euphoric celebration of Cuba, the Revolution, and (most potently) revolutionary cinema.
35mm print courtesy Milestone Films
Award-winning doc auteur Kevin McMahon travels across the globe to unpack what scientists have discovered about humanity’s impact on the planet. Consulting some of the world’s most prominent thinkers, including physicists, astronauts, anthropologists and geologists, Spaceship Earth is a beautiful, poetic film that offers insight and inspiration into how to change the hearts and minds of every person on this planet.
To celebrate our new Monochrome Mondays summer series, come enjoy a very special evening of rock n roll and rhythm & blues courtesy of the Man in Black, the Big O, Roy Orbison. Orbison would have turned 80 this year, had he lived (he died from a heart attack in 1988 at the age of 52). A year before he passed, he starred in this tribute special, accompanied by an enviable roster of peers and admirers, including Elvis Costello, Bruce Springsteen, Tom Waits, kd lang, and Bonnie Raitt.
The great Margherita Buy stars as a film director trying to deal with simultaneous crises — one on the movie set and one involving her mother’s health — in Italian master Nanni Moretti’s smart and funny humanist take on the ties that bind. "Warm, witty and seductive - tremendously smart and enjoyable. Moretti’s best film in years." (The Guardian)
A rare chance to check out the first feature by blockbuster filmmaker Christopher Nolan (Interstellar; The Dark Knight), made on a shoestring and shot in 16mm black and white a couple of years before Memento propelled him to Hollywood fame. When a blocked writer takes to following strangers through the streets of London, a story shapes up over which he has no control…
The most heart-warming sports underdog movie of the year also happens to be a true story: how a poor mining community in Wales came together to sponsor a race horse, Dream Alliance, only to find themselves with a champion on their hands…. "Unforgettable." Daily Telegraph. Winner: Audience Award, Sundance Film Festival
95% Fresh, Rotten Tomatoes
In this candid, compelling, often very funny interview conducted by fellow filmmakers Noah Baumbach and Jake Paltrow, Brian De Palma talks us through his long rollercoaster career, and talks illuminatingly about the nexus of cinephilia, voyeurism, politics, Hitchcock and Hollywood that have produced such a flamboyantly personal yet commercial body of work. "A cinephile’s nirvana." The Guardian
3-ticket pack available for De Palma series
Three tales about three women called Lucía. One takes place during the
independence war against Spain, the second during the Machado dictatorship, and the third one is after Castro’s revolution. Considered among Cuban critics as one of the great achievements of Cuban cinema.
These three tales about three Lucías set in three separate periods that were essential to the formation, consolidation and splendour of Cuban national conscience—1895, 1932 and the early years of the Revolution reflect the parallel maturing process of Cuban women.
Robi is a lonely guy who is passionate about photography and torn between the love he feels for his “uncle” Salomón, who is ill with AIDS and to whom he owes his gratitude, and the love he feels for Galaxia, who decides to leave for France
In adapting journalist Stevie Cameron’s book On The Farm, producer Rupert Harvey, screenwriter Dennis Foon and director Rachel Talalay have elected to keep the focus predominantly on the women: the addicts and sex workers of the Downtown Eastside; the activists who offer refuge to that community; and a lone female cop who believes the missing women deserve serious investigation. Eschewing sensationalism and relegating Pickton himself to a bit-part, the film is inevitably, and rightly, a demanding watch, but its sympathies are clear to see, alongside an uncompromising indictment of the callous sexism, exploitation and social neglect that allowed Pickton’s crimes to go undetected for so long. This preview ahead of its CBC broadcast will be followed by a panel discussion.
From cave paintings to virtual reality, Beware of Images embarks on a fascinating journey through the history of mediated representation. Fast-paced and entertaining, this animated documentary aims to inform, while encouraging the audience to examine our relationship with past, present and future media technologies.
Director Sergio Toporek will be present for a Q&A session following both screenings.
In this elegant, witty courtroom drama, the outcome of the trial gradually slips into the background as Christian Vincent instead focuses on the courtship between the presiding judge (Fabrice Luchini, from Gemma Bovery and Cycling with Moliere) and one of the reserve jurists (Sidse Babett Knudsen from The Duke of Burgundy and TV’s Borgen). Witty, subtle and ultimately poignant, this is like an especially polished episode of The Good Wife, augmented with a certain savoir faire.
Movies for Mommies screenings are modified for the enjoyment of moms and their infants. Screenings take place in low light with lower volume levels.
The late Andrzej Zulawski’s final film is an ominous and manic exploration of desire. Witold who has just failed the bar, and his companion Fuchs, who has recently quit his fashion job, are staying at a guesthouse run by the intermittently paralytic Madame Woytis. Upon discovering a sparrow hanged in the woods near the house, Witold’s reality mutates into a whirlwind of tension, histrionics, foreboding omens, and surrealistic logic as he becomes obsessed with Madame Woytis’s daughter Lena. Best Director, Locarno Film Festival 2015