Search Films by Director

Ricardo Calil

Copacabana Social Club
Director: Ricardo Calil

In the theater: applause and screams. On stage: young Chico Buarque, Caetano Veloso, Gilberto Gil, Roberto Carlos, Edu Lobo. Songs: "Roda Viva," "Ponteio," "Alegria, Alegria," "Domingo no Parque." It was a contest, but everybody won. This vivid record offers an invitation to relive the finale of the III Festival da Record, an event that forever changed the course of Musica Popular Brasileira.

Greg 'Freddy' Camalier

Vancity Theatre Screening
Director: Greg 'Freddy' Camalier

Located on the banks of the Tennessee River, Muscle Shoals, Alabama is the unlikely breeding ground for some of the most creative and defiant music in American history. With nothing but grit and great ears, producer Rick Hall turned a tiny studio into the heart and soul of 60s R&B, recording such classic songs as "I’ll Take You There," "Brown Sugar," "When a Man Loves a Woman," "I Never Loved A Man the Way That I Loved You," "Mustang Sally,” "Tell Mama" and "Freebird".

"Propelled in equal measure by its gorgeous music and rich anecdotes, it’s joyous, uplifting – and as funky as the music at its heart." David Gritten, Daily Telegraph

"A terrific film… a must see for even the most casual of music fans.. a stunning, soulful achievement." Jason Gorber, Twitch

"Will appeal to just about everyone." Katherine Monk, Canada.com

Martin Campbell

007 Reloaded: Bond vs Bond
Director: Martin Campbell

Xenia Onatopp and Colonel Ourumov hijack a special helicopter that is immune to electromagnetic pulse. The pair then go to a Soviet bunker that is the control base for the Goldeneye satellite weapons - but a new Bond - Pierce Brosnan - is on the case.

007 Reloaded: Bond vs Bond
Director: Martin Campbell

In a reboot of the series, Casino Royale opens with Bond (Daniel Craig) gaining his 00 status, by killing two enemy agents, and earning his license to kill. Bond must win a high stakes poker game against terrorist financer Le Chiffre, to bankrupt him so that he will be murdered by his bankers.

Neil Cantwell

IBFF 2013 Vancouver (International Buddhist Film Festival)
Director: Neil Cantwell

A mysterious and engaging journey through sound, song, story, ritual, performance, nature, tradition and Japanese Buddhism… A fearless merging of medieval and modern, beautifully filmed with a variety of cinematic techniques on location in Japan. “Kanzeon” is another way of saying Kannon (Chinese: Kuanyin), the embodiment of compassion, and can also be written in Japanese as “to see sounds.”

"Stunning to look at… mesmerising musical sequences”

Frances Morgan, Sight and Sound

"A stunning new British documentary.”

Jasper Sharp, Midnight Eye

John Carpenter

SPARK FX
Director: John Carpenter

Filmed in BC, John Carpenter’s 1982 horror classic is a bone fide Antarctic chiller. American antarctic researchers come across a burned out Norwegian base - and the buried UFO which may be linked to the carnage.

"The Thing is one of [Carpenter’s] greatest moments, creating a terrifying atmosphere of claustrophobia, suspense and paranoia. And Kurt Russell is as good as he’s ever been, wearing one of the best beards in movie history." Total Film

Shane Carruth

Vancity Theatre Screening
Director: Shane Carruth

A mythic, mysterious and sensuous romantic thriller, this long-anticipated second feature confirms writer-director Carruth (the award-winning Primer) as one of the most strikingly original voices in American cinema. After a vicious robbery, a man and woman are drawn together, unknowingly entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to find a place of safety and to create something from the loose fragments of their wrecked lives.

"Having the movie wash over me was one of the transcendent experiences of my moviegoing life… It’s utterly perplexing, and heart-stoppingly beautiful, quite literally overwhelming." Sam Adams, The Onion AV Club

“Bold, impassioned, ecstatically beautiful…in a class by itself at the 2013 Sundance Film Festival.” Scott Foundas, Village Voice

"Upstream Colors certainly is something to see if you’re into brilliant technique, expressive editing, oblique storytelling, obscuritanist speculative fiction or discovering a significant new actress." Todd McCarthy, Hollywood Reporter

Vancity Theatre Screening
Director: Shane Carruth

A mythic, mysterious and sensuous romantic thriller, this long-anticipated second feature confirms writer-director Carruth (the award-winning Primer) as one of the most strikingly original voices in American cinema. After a vicious robbery, a man and woman are drawn together, unknowingly entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to find a place of safety and to create something from the loose fragments of their wrecked lives.

"Having the movie wash over me was one of the transcendent experiences of my moviegoing life… It’s utterly perplexing, and heart-stoppingly beautiful, quite literally overwhelming." Sam Adams, The Onion AV Club

“Bold, impassioned, ecstatically beautiful…in a class by itself at the 2013 Sundance Film Festival.” Scott Foundas, Village Voice

"Upstream Colors certainly is something to see if you’re into brilliant technique, expressive editing, oblique storytelling, obscuritanist speculative fiction or discovering a significant new actress." Todd McCarthy, Hollywood Reporter

Brian M Cassidy

DOCside
Director: Brian M Cassidy

If you think Amour was too sentimental, then this extraordinary documentary from Brian Cassidy and Melanie Shatzky (Frances) is just what you crave: the filmmakers spent years visiting a nursing home, charting the progress of senility, dementia, and of course death among the residents. All this narrated with bleak, wrily philosophical humor by one of their number. The film is not journalistic, but poetic, a "dirge", in the words of the filmmakers - and one you will not forget in a hurry.

"The Patron Saints was the single best film I saw during the festival run of Putty Hill." - Matt Porterfield

"Mainly, this observational realism serves the filmmakers exceedingly well, creating a humane, almost elegiac atmosphere, with occasional flashes of black humour, all of it heightened by a soundtrack of choral music that culminates in Arvo Part’s ethereal version of My Heart’s in the Highlands." Kate Taylor, Globe & Mail

"Bleak, moving, expressionistic." NOW magazine

David Chase

Vancity Theatre Screening
Director: David Chase

Our tribute to the late, great James Gandolfini consists of two recent feature films, both released at the tail end of last year, neither of which found the audience they deserved. The first feature written and directed by Sopranos creator David Chase, Not Fade Away is an overtly autobiographical piece about a young man (newcomer John Magaro) trying to make it in rock n roll in the 1960s. Gandolfini has a relatively small yet crucial role, as the young man’s conservative father, dismayed by his boy’s directionless. It’s a part that could have been clichéd, but Gandolfini invests his scenes with such expert comic timing and emotion, he transcends any such traps. Reminiscent of Barry Levinson’s Diner, Not Fade Away is a personal movie in the best sense, true and honest and lived in, and Gandolfini has much to do with that.

"A warm, funny, poignant scrapbook." Hollywood Reporter

"A gritty, graceful salute to rock and roll." Rolling Stone

Benjamin Christensen

Witches
Director: Benjamin Christensen

Vancouver’s Funerary Call performs a new, specially commissioned live score for this mind-blowing 1922 cult classic. Grave robbing, torture, possessed nuns and a satanic Sabbath are just a few of the ingredients that make up Benjamin Christensen’s witches’ brew of superstition, sorcery, surrealism and enlightenment.

"A unique film for its boldness in dealing with its taboo subject, for its amazing visual inventiveness, and also for its complex structure." Fernando Martin Pena, Defining Moments in Movies

"A truly unique work that still holds the power to unnerve even in today’s jaded era." Jyotsna Kapur, 1001 Movies You Must See Before You Die

"An amazing experience. The film is overflowing with dark fairytale imagery, incredible makeup effects (especially Christensen himself in the role of a leering Lucifer) and shocking portrayals of torture that still make viewers cringe over 90 years later." Gregory Burkart, Fearnet.com

Saraswati Clere

Director: Saraswati Clere

The untold story of how the ancient male practice of yoga has been revolutionized by a dynamic generation of female teachers and students. Yogawoman reveals how yoga has utterly transformed the lives of thousands of over-stimulated, overscheduled, and multitasking modern women, and how they in turn have "feminised" yoga itself.

Ethan Coen

Coenpalooza!
Director: Ethan Coen

New Year’s Eve, 1958. What brings mailroom boy Norville Barnes to the very edge of suicide? An enormous stroke of luck seems to be the correct answer. When CEO and founder Warring Hudsucker (Charles Durning takes a dive from his office window), corporate honcho Sidney J Mussburger (Paul Newman) seizes the moment and sizes up Norville for an astronomical promotion.

"Criminally overlooked and sinfully wonderful Coen brothers comedy." Scott Weinberg, efilmcritic

Coenpalooza!
Director: Ethan Coen

Some film only get better the more you see them - and this may be the best time Hollywood has given us in the last 20 years. It’s a whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back…

Coenpalooza!
Director: Ethan Coen

Career criminal H.I. McDonnaugh (Nic Cage) marries police woman Ed (Holly Hunter), but sadly her womb is a barren place. Hi resolves to make off with one of the quintuplets born to local furniture tycoon Nathan Arizona - after all, how many babies does he need, really?

Coenpalooza!
Director: Ethan Coen

What’s the rumpus? The Coens’ riff on Dashiell Hammett is one of their most flavourful achievements, an intricate, complex and compelling study of integrity among thieves set in the ethically compromised world of civic politics in the Prohibition era.

"A superb, languid fantasia on the theme of the gangster film that repays endless viewing." David Thomson, Have You Seen…?

"Maybe the greatest motion picture of the last 20 years." Jim Emerson, Scanners (2007)

"Elegantly profound, it’s a meditation on what doing the right thing might mean, with a spookily good, career-best performance from Byrne." Tim Robey, Daily Telegraph

Coenpalooza!
Director: Ethan Coen

A curtain-raiser for tomorrow’s Coen Bros marathon: the brothers’ first movie, a delectably twisted film noir set in modern day (well, mid 80s) Texas, where Marty (Hedaya) doesn’t much care for the fact that his wife Abby (McDormand) is playing around behind his back. This is one of the great debut films, bursting with malicious wit and style, with an unforgettable performance from character actor M Emmett Walsh as a private dick with a very personal notion of ethics.

"It’s the boys’ most immediately gratifying movie: The goods are delivered in a hearse." Wesley Morris, San Francisco Examiner

"A tight, beautifully ugly neo-noir classic." Kim Morgan, Portland Oregonian

"As black, sinful and nasty as a weekful of Hitchcocks, this is as fresh and intoxicating now as it was back then. In a word: deadly." Ian Nathan, Empire

Coenpalooza!
Director: Ethan Coen

“I gotta tell you, the life of the mind… There’s no roadmap for that territory… And exploring it can be painful.” John Turturro gives what may be the definitive portrait of a blocked - but still unbearably pompous - writer in this insider satire on Hollywood culture.

Joel Coen

Coenpalooza!
Director: Joel Coen

New Year’s Eve, 1958. What brings mailroom boy Norville Barnes to the very edge of suicide? An enormous stroke of luck seems to be the correct answer. When CEO and founder Warring Hudsucker (Charles Durning takes a dive from his office window), corporate honcho Sidney J Mussburger (Paul Newman) seizes the moment and sizes up Norville for an astronomical promotion.

"Criminally overlooked and sinfully wonderful Coen brothers comedy." Scott Weinberg, efilmcritic

Coenpalooza!
Director: Joel Coen

Some film only get better the more you see them - and this may be the best time Hollywood has given us in the last 20 years. It’s a whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back…

Pages