Search Films by Director

Ricardo Calil

Copacabana Social Club
Director: Ricardo Calil

In the theater: applause and screams. On stage: young Chico Buarque, Caetano Veloso, Gilberto Gil, Roberto Carlos, Edu Lobo. Songs: "Roda Viva," "Ponteio," "Alegria, Alegria," "Domingo no Parque." It was a contest, but everybody won. This vivid record offers an invitation to relive the finale of the III Festival da Record, an event that forever changed the course of Musica Popular Brasileira.

Greg 'Freddy' Camalier

Vancity Theatre Screening
Director: Greg 'Freddy' Camalier

Located on the banks of the Tennessee River, Muscle Shoals, Alabama is the unlikely breeding ground for some of the most creative and defiant music in American history. With nothing but grit and great ears, producer Rick Hall turned a tiny studio into the heart and soul of 60s R&B, recording such classic songs as "I’ll Take You There," "Brown Sugar," "When a Man Loves a Woman," "I Never Loved A Man the Way That I Loved You," "Mustang Sally,” "Tell Mama" and "Freebird".

"Propelled in equal measure by its gorgeous music and rich anecdotes, it’s joyous, uplifting – and as funky as the music at its heart." David Gritten, Daily Telegraph

"A terrific film… a must see for even the most casual of music fans.. a stunning, soulful achievement." Jason Gorber, Twitch

"Will appeal to just about everyone." Katherine Monk, Canada.com

Juan José Campanella

(El secreto de sus ojos)
Mongrel Media 20th Anniversary
Director: Juan José Campanella

A multi-layered and poignant thriller interweaving the personal lives of a state prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years.

Winner: Academy Award, Best Foreign Language Film

"The wonder is that the film balances its many genres, from the thorns of murder to the bloom of romance to the thickets of politics, with such easy grace. 4/4" Rick Groen, Globe and Mail

This beautiful film, directed with subtlety and grace by Juan José Campanella, really is about moving from fear to love." Joe Morgenstern, Wall Street Journal

"Secret is bound to linger in the memory for years." Betsy Sharkey, LA Times

Martin Campbell

007 Reloaded: Bond vs Bond
Director: Martin Campbell

Xenia Onatopp and Colonel Ourumov hijack a special helicopter that is immune to electromagnetic pulse. The pair then go to a Soviet bunker that is the control base for the Goldeneye satellite weapons - but a new Bond - Pierce Brosnan - is on the case.

007 Reloaded: Bond vs Bond
Director: Martin Campbell

In a reboot of the series, Casino Royale opens with Bond (Daniel Craig) gaining his 00 status, by killing two enemy agents, and earning his license to kill. Bond must win a high stakes poker game against terrorist financer Le Chiffre, to bankrupt him so that he will be murdered by his bankers.

Laurent Cantet

Vancity Theatre Screening
Director: Laurent Cantet

For his first North American movie the acclaimed French filmmaker Laurent Cantet (The Class; Time Out) came to Canada to film Joyce Carol Oates’ novel about a girl gang in the 1950s. Inspired by their leader, "Legs", the gang fights back against disciplinarian school masters, abusive employers, predatory males and neglectful parents - eventually establishing their own quasi-"collective". "A frequently thrilling evocation of teen lives." Empire

"A frequently thrilling evocation of teen lives. Proof that The Class and Time Out were no pan flashes. 4/5" Angie Errigo, Empire

"Impressively directed and superbly written, this is a riveting and emotionally engaging drama with some thought-provoking ideas and terrific performances from its young cast of unknowns. Highly recommended." Matt Turner, View

"As beautiful as it is surprising, Cantet’s Foxfire girls appear like the ancestors of Pussy Riot." Les Inrockuptibles

Neil Cantwell

IBFF 2013 Vancouver (International Buddhist Film Festival)
Director: Neil Cantwell

A mysterious and engaging journey through sound, song, story, ritual, performance, nature, tradition and Japanese Buddhism… A fearless merging of medieval and modern, beautifully filmed with a variety of cinematic techniques on location in Japan. “Kanzeon” is another way of saying Kannon (Chinese: Kuanyin), the embodiment of compassion, and can also be written in Japanese as “to see sounds.”

"Stunning to look at… mesmerising musical sequences”

Frances Morgan, Sight and Sound

"A stunning new British documentary.”

Jasper Sharp, Midnight Eye

John Carpenter

SPARK FX
Director: John Carpenter

Filmed in BC, John Carpenter’s 1982 horror classic is a bone fide Antarctic chiller. American antarctic researchers come across a burned out Norwegian base - and the buried UFO which may be linked to the carnage.

"The Thing is one of [Carpenter’s] greatest moments, creating a terrifying atmosphere of claustrophobia, suspense and paranoia. And Kurt Russell is as good as he’s ever been, wearing one of the best beards in movie history." Total Film

Shane Carruth

Vancity Theatre Screening
Director: Shane Carruth

A mythic, mysterious and sensuous romantic thriller, this long-anticipated second feature confirms writer-director Carruth (the award-winning Primer) as one of the most strikingly original voices in American cinema. After a vicious robbery, a man and woman are drawn together, unknowingly entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to find a place of safety and to create something from the loose fragments of their wrecked lives.

"Having the movie wash over me was one of the transcendent experiences of my moviegoing life… It’s utterly perplexing, and heart-stoppingly beautiful, quite literally overwhelming." Sam Adams, The Onion AV Club

“Bold, impassioned, ecstatically beautiful…in a class by itself at the 2013 Sundance Film Festival.” Scott Foundas, Village Voice

"Upstream Colors certainly is something to see if you’re into brilliant technique, expressive editing, oblique storytelling, obscuritanist speculative fiction or discovering a significant new actress." Todd McCarthy, Hollywood Reporter

Vancity Theatre Screening
Director: Shane Carruth

A mythic, mysterious and sensuous romantic thriller, this long-anticipated second feature confirms writer-director Carruth (the award-winning Primer) as one of the most strikingly original voices in American cinema. After a vicious robbery, a man and woman are drawn together, unknowingly entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to find a place of safety and to create something from the loose fragments of their wrecked lives.

"Having the movie wash over me was one of the transcendent experiences of my moviegoing life… It’s utterly perplexing, and heart-stoppingly beautiful, quite literally overwhelming." Sam Adams, The Onion AV Club

“Bold, impassioned, ecstatically beautiful…in a class by itself at the 2013 Sundance Film Festival.” Scott Foundas, Village Voice

"Upstream Colors certainly is something to see if you’re into brilliant technique, expressive editing, oblique storytelling, obscuritanist speculative fiction or discovering a significant new actress." Todd McCarthy, Hollywood Reporter

Brian M Cassidy

DOCside
Director: Brian M Cassidy

If you think Amour was too sentimental, then this extraordinary documentary from Brian Cassidy and Melanie Shatzky (Frances) is just what you crave: the filmmakers spent years visiting a nursing home, charting the progress of senility, dementia, and of course death among the residents. All this narrated with bleak, wrily philosophical humor by one of their number. The film is not journalistic, but poetic, a "dirge", in the words of the filmmakers - and one you will not forget in a hurry.

"The Patron Saints was the single best film I saw during the festival run of Putty Hill." - Matt Porterfield

"Mainly, this observational realism serves the filmmakers exceedingly well, creating a humane, almost elegiac atmosphere, with occasional flashes of black humour, all of it heightened by a soundtrack of choral music that culminates in Arvo Part’s ethereal version of My Heart’s in the Highlands." Kate Taylor, Globe & Mail

"Bleak, moving, expressionistic." NOW magazine

Evans Chan

Hong Kong Spirit Films
Director: Evans Chan

Framed around the Swedish sojourn (1904-1908) of Kang Youwei (Liu Kai Chi), who famously revived the Confucian utopia Datong: The Great Society, the film traces the struggle of Kang, his daughter Tung Pih (Lindzay Chan), and his disciple Liang Qichao (Ben Yeung) to modernize China’s imperial monarchy.

"Exciting, inventive, bold, post-modern!" Ann Hui, filmmaker

Chang Jung-Chi

Community Events
Director: Chang Jung-Chi

Touch of the Light is a heart-warming tale of two young adult’s struggle to find a place in society. While from different upbringing, the two protagonists spot similarities in their troubles and found comfort in the company of another who understands. Like pillars of light, countless triumphs of camaraderie, hope and unyielding passion for their dreams pierce through the cruel choking atmosphere of modern elitist materialism throughout this 110 minute sensual masterpiece.

David Chase

Vancity Theatre Screening
Director: David Chase

Our tribute to the late, great James Gandolfini consists of two recent feature films, both released at the tail end of last year, neither of which found the audience they deserved. The first feature written and directed by Sopranos creator David Chase, Not Fade Away is an overtly autobiographical piece about a young man (newcomer John Magaro) trying to make it in rock n roll in the 1960s. Gandolfini has a relatively small yet crucial role, as the young man’s conservative father, dismayed by his boy’s directionless. It’s a part that could have been clichéd, but Gandolfini invests his scenes with such expert comic timing and emotion, he transcends any such traps. Reminiscent of Barry Levinson’s Diner, Not Fade Away is a personal movie in the best sense, true and honest and lived in, and Gandolfini has much to do with that.

"A warm, funny, poignant scrapbook." Hollywood Reporter

"A gritty, graceful salute to rock and roll." Rolling Stone

Chen Yu-Hsun

Community Events
Director: Chen Yu-Hsun

Stephen Chow, Derek Kwok

Vancity Theatre Screening
Director: Stephen Chow, Derek Kwok

Kung Fu Hustle director Stephen Chow may be the CGI era’s closest ancestor to such subversive cartoon greats as Tex Avery and Chuck Jonze. Here the Hong Kong superstar remains behind the camera, but the mixture of gob-smacking slapstick and breathtaking fantasy is unmistakeably his own, turning the oft-told tale of ancient demon hunters into the kind of rollicking adventure Hollywood can only marvel at.

"Truly magical…[Chow] is like the Quentin Tarantino of kung fu, going back through the history of the Hong Kong genre and tapping everyone from the Shaw Brothers to his contemporaries (Jackie Chan, Jet Li) for inspiration. The result is a wonderfully entertaining work which manages to be both easily approachable for the non-subtitle set as well as true to its roots in ancient Chinese customs and beliefs." Bill Gibron, Pop Matters

"Rarely is it that a CGI-heavy spectacle such as this could be called both entertaining and inspiring in the same breath, but such is the unexpectedly special magic of Journey to the West." Kenji Fujishima, Slant

Benjamin Christensen

Witches
Director: Benjamin Christensen

Vancouver’s Funerary Call performs a new, specially commissioned live score for this mind-blowing 1922 cult classic. Grave robbing, torture, possessed nuns and a satanic Sabbath are just a few of the ingredients that make up Benjamin Christensen’s witches’ brew of superstition, sorcery, surrealism and enlightenment.

"A unique film for its boldness in dealing with its taboo subject, for its amazing visual inventiveness, and also for its complex structure." Fernando Martin Pena, Defining Moments in Movies

"A truly unique work that still holds the power to unnerve even in today’s jaded era." Jyotsna Kapur, 1001 Movies You Must See Before You Die

"An amazing experience. The film is overflowing with dark fairytale imagery, incredible makeup effects (especially Christensen himself in the role of a leering Lucifer) and shocking portrayals of torture that still make viewers cringe over 90 years later." Gregory Burkart, Fearnet.com

Isabelle Clark and Daniel Costelle

Vancity Theatre Screening
Director: Isabelle Clark and Daniel Costelle

It was the "War to End All Wars", a global conflict with obscure causes and no great gains that claimed the lives of nearly 20 million soldiers and civilians. This monumental documentary uses expertly colorized archival footage to bring WWI to life with unprecedented immediacy and impact. Unfolding in five 52-minute episodes, packaged here in double bills, Apocalypse is a landmark commemoration of a vast man-made catastrophe.

Producer Josette D Normandeau will join us to introduce these special screenings, and participate in two panel discussions over the weekend.

Tickets are available for programs of two episodes back to back at our standard prices, or as a $21 ticket pack for all 5 episodes. Panel discussions are free on a first-come, first-served basis.

Friday June 13

6.30 Apocalypse FURY + Apocalypse FEAR 

Sat 14

1.30 Apocalypse FURY + Apocalypse FEAR followed by 1 hr break

4.30 Apocalypse HELL + Apocalypse RAGE

7.00-8.30 Panel: Cinema, War, Commemoration, Memory and the Archive

8.45 Apocalypse DELIVERANCE

Sun 15

5.00 Apocalypse HELL + RAGE

7.00 Panel: History Now: New Media and the Ever Present Past

8.30 Apocalypse DELIVERANCE

Saraswati Clere

Director: Saraswati Clere

The untold story of how the ancient male practice of yoga has been revolutionized by a dynamic generation of female teachers and students. Yogawoman reveals how yoga has utterly transformed the lives of thousands of over-stimulated, overscheduled, and multitasking modern women, and how they in turn have "feminised" yoga itself.

Ethan Coen

Coenpalooza!
Director: Ethan Coen

New Year’s Eve, 1958. What brings mailroom boy Norville Barnes to the very edge of suicide? An enormous stroke of luck seems to be the correct answer. When CEO and founder Warring Hudsucker (Charles Durning takes a dive from his office window), corporate honcho Sidney J Mussburger (Paul Newman) seizes the moment and sizes up Norville for an astronomical promotion.

"Criminally overlooked and sinfully wonderful Coen brothers comedy." Scott Weinberg, efilmcritic

Pages