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Amber Fares

Duration: 80 mins
Country of Origin: Palestine,USA,Canada, 2015
Series:
Best of Hot Docs 2015
Director: Amber Fares

Showtimes

Jun 13 06:30 pm

Bold and fearless, the first all-female car-racing team in the Middle East is burning rubber and tearing up track all over Palestine as they defy the odds and shatter stereotypes of Arab women.

Dick Fontaine

Duration: 78 mins
Country of Origin: UK,USA, 2014
Series:
Vancity Theatre Screening
Director: Dick Fontaine

Showtimes

Jun 17 08:45 pm

In 1948 Sonny Rollins left high school and went on to make his first album as a saxophonist. In 1959, he had the jazz world at his feet and he quit the scene. In 2010, the greatest living saxophone player put on an exhilarating production to mark his 80th birthday at the Beacon Theater with some of the world’s most extraordinary musicians, including Ornette Coleman, Roy Haynes and Jim Hall. Sonny Rollins Beyond the Notes uses his 80th birthday concert to look into the man and his music.

Norman Foster

Duration: 68 mins
Country of Origin: USA, 1942
Series:
WELLES 100
Director: Norman Foster

Welles and Joseph Cotten penned the screenplay (adapted from an Eric Ambler spy story), and while the Great Man didn’t take a directing credit - bowing to his friend and collaborator Norman Foster - the expressionist noir stylings are very much in line with what you would expect from the man who made The Lady from Shanghai, Mr Arkadin, and Touch of Evil. Almost inevitably, the film was butchered in post production, first by RKO (who cut out 20 minutes) and then by the censors. All the same it’s enormous fun, a B movie thriller with sly wit, invention and panache to spare.

Duration: 87 mins
Country of Origin: USA, 1993
Series:
WELLES 100
Director: Norman Foster

1942 was the year everything went wrong for Orson Welles. He couldn’t fight for The Magnificent Ambersons because he was in Brazil at the behest of Nelson Rockefeller, working on a pan-American propaganda piece, an anthology film mixing documentary and fiction to be called "It’s All True". That film was never finished, and Welles’ Hollywood career never recovered - but Bill Krohn’s reconstruction explains why it was such an important project, and recovers more footage than anyone could have imagined.