Search Films by Director

Kris Kaczor

The Best of Hot Docs
Director: Kris Kaczor

While campaigning to have plastic bottles banned in her Massachusetts hometown, an irrepressible 84-year-old is confronted by an array of adversaries, including local merchants, silver-tongued pundits and the International Bottled Water Association. Undaunted, this courageous senior proves to be the consummate activist.

"The stuff great films are made of… Haunting." Huffington Post

Phil Keatley

Vancity Theatre Screening
Director: Phil Keatley

The latest in our irregular series of archival shows throws a well-earned spotlight on the late Phil Keatley, whose long career at the CBC ranged from the 1950s to the 70s. Keatley is probably best known for his work as a producer on The Beachcombers, but here we look back further, to three black and white dramas he produced in BC between 1958 and 1967.

Maureen Kelleher

Vancity Theatre Screening
Director: Maureen Kelleher

Two women from opposite sides of Hitler’s Third Reich meet in Toronto, years after the Second World War–Mania, orphaned by the regime, and Johanna, possibly the Nazi guard who protected her. Weaving together their stories, this powerful documentary intimately explores their war experiences and witnesses their reunion more than half a century later.

Irvin Kershner

007 Reloaded: Bond vs Bond
Director: Irvin Kershner

Released just a few months after Octopussy, this Thunderball remake was produced by a rival team who managed to entice Sean Connery back into his most famous role (hence the ironic title). Notable for superior super villains Max von Sydow, Klaus Maria Brandauer and Barbara Carrera.

"The classiest of all the Bonds." Jay Scott, Globe & Mail

Kim Ki-duk

Vancity Theatre Screening
Director: Kim Ki-duk

The Golden Lion winner at last year’s Venice Film Festival, this is a controversial and intense drama about a tough, brutal loan shark redeemed by the unqualified love of a woman claiming to be his long-lost mother. Violent and provocative, Pieta is nothing if not extreme, a movie reveling in almost absurdist dichotomies of good and evil. But if you can stomach the challenging first hour, the pay off tells us something unexpectedly poetic and moving about the relative value of money and compassion in today’s capitalist society.

"A master provocateur playing out his own neuroses and obsessions on the big screen…Like Lars Von Trier, his films don’t always work. But when they do … well, when they do Kim is capable of creating work that disturbs and troubles and finds beauty in unexpected places. This is one of those films." Todd Brown, Twitch

"The worst major festival winner since the Palme d’Or for Amour." Christoph Huber, Cinema Scope

"Pieta," a curiously engaging and wickedly twisted tale of crime and punishment on multiple levels, displays its theatrical minimalism like a dour badge of honor. " Eric Kohn, Indiewire

Abbas Kiarostami

Vancity Theatre Screening
Director: Abbas Kiarostami

The latest from master director Abbas Kiarostami (Certified Copy; Close Up; A Taste of Cherry) is a strange, seductive and beguiling love story set in modern Tokyo. Akiko is a beautiful student who moonlights as a prostitute, unbeknownst to her boyfriend. A liaison with an elderly academic brings all manner of complication to all their lives…

"Every shot — everything you see, and everything you don’t — imparts a disturbing and thrilling sense of discovery." AO Scott, New York Times

"A sly, teasing riff on the heart’s irrational stirrings… You emerge elated and slightly dazed…. But the movie’s sense of immutable desire resonates well after the lights have come up." Scott Foundas, Village Voice

Lisa Klein

Vancity Theatre Screening
Director: Lisa Klein

Special Panel Discussion will follow the screening with Director Doug Blush (via skype) and in person, Heather Stewart, MDABC Speakers Bureau and Chris Gorman, President of the BC Psychiatric Association Executive and host of radio show about mental health called Beautiful Minds

Eschewing medical explanations and expert opinions, “Of Two Minds” examines the experience of bipolar disorder through firsthand testimony from three people coping with it in varying ways. Following these individuals over a three-year period, helmers Doug Blush and Lisa Klein create three intertwined narratives with additional interwoven strands, tracing fascinating processes of adaptation.

"Intelligent, compassionate." Variety

Gabe Klinger

Vancity Theatre Screening
Director: Gabe Klinger

On the occasion of the release of Richard Linklater’s most adventurous and rewarding work - Boyhood - check out this wonderful conversation piece between the independent-minded Austinite and the even more marginalized James Benning, an experimental artist who some rank as the finest filmmaker in America today.

Double Play is the kind of film to make cinephiles grateful, if only to preserve for the ages the ruminations of two artists whose shared project has been nothing less than the excavation of the American spirit itself."—Ann Hornaday, Washington Post

"Like Linklater’s movies, including BoyhoodDouble Play is loaded with thought-provoking dialogue, including meditations on time, relationships and the challenges of staying true to one’s artistic muse."—Rob Nelson, Star Tribune

Helene Klodawsky

Music Mondays
Director: Helene Klodawsky

Musicians these days have to tour to survive. That fact of life just became more problematic for SMZ violinist Jessica Moss and singer/guitarist Efrim Menuck with the arrival of baby Ezra. Their solution? Bring him along. Director Helene Klodawsky (Malls R Us) came too.

"It’s an immediate and engaging work that lets us share the weary rewards of doing what you love - even if you’re not sure you can make a living at it. 4 stars." Norm Wilner, NOW magazine

Brian Knappenberger

Vancity Theatre Screening
Director: Brian Knappenberger

How did Aaron Swartz differ from Steve Jobs, Bill Gates and Mark Zuckerberg? Like them, he was a prodigy, a genius who instinctively understood the potential of digital communication. He was barely in his teens when he devised a program that anticipated Wikipedia. At 15 he was attending congressional hearings and speaking at conferences. At 19 he co-founded Reddit. But how was he different? Unlike other internet pioneers, he wasn’t interested in making money. He just wanted to make the world a better place.

Last year, at 26, Aaron killed himself. This is his story.

"As engrossing as it is important. 4 stars."NOW magazine

"Spellbinding."Variety

"Engrossing, illuminating."Austin Chronicle

Jacob Kornbluth

Vancity Theatre Screening
Director: Jacob Kornbluth

It’s no secret: the rich are getting richer and the rest of us are working harder, longer hours for less reward (that is, if we’re lucky enough to be in work). Economist Robert Reich (President’s Clinton’s Secretary of Labor) explains why the free market is a misnomer, how late capitalism has jumped the tracks, and what we should do about it in this passionate, lucid and compelling state of the nation address.

"Smart, funny and articulate, Robert Reich is the university professor we all wish we’d had. He’s so accessible and entertaining he takes a subject that sounds soporific and makes it come alive like you wouldn’t believe in ’Inequality for All.’" Kenneth Turan, LA Times

"An often essential primer." Sam Adams, Time Out New York

Lucy Kostelanetz

Music Mondays
Director: Lucy Kostelanetz

The rock/funk band Miller, Miller, Miller and Sloan hoped to make it big in 1980s New York City music scene. They had talent, a unique sound, and fans—everything but a record deal. This "where are they now?" documentary is a kind of rock n roll 7 Up, funny, rueful, and full of piercing insight.

"By the time the film ends you’ll be hoping for a reunion." Unseen Films

Ted Kotcheff

Director: Ted Kotcheff

In 60s Australia, John Grant (Gary Bond), is an Education Department bonded teacher at a tiny outback school. Making his way to Sydney for the holidays, John takes the train but stops overnight in Bundayabba.

Drawn into the ’Yabba’s’ culture of drinking and gambling, he becomes embroiled in the locals’ insular and threatening world.

""Wake in Fright" is a film made in Australia in 1971 and almost lost forever. It’s not dated. It is powerful, genuinely shocking and rather amazing. It comes billed as a "horror film" and contains a great deal of horror, but all of the horror is human and brutally realistic."

- Roger Ebert, Chicago Sun-Times

"Combining elements of Heart of Darkness, After Hours, and Groundhog Day, Ted Kotcheff’s brutally brilliant Outback thriller follows the moral degradation, or perhaps redemption, of a snooty schoolteacher (Gary Bond) traveling from the backwater where he’s assigned to Sydney for his Christmas vacation. But along the way he gets stranded in "the city," Bundanyabba, where he loses his money in a backroom game of chance and must rely on the contemptuous hospitality of the local yokels […]Kotcheff’s masterpiece (he later did First Blood), it orchestrates landscape, music, demonic faces, and lots of blood, sweat, and vomit into a stark bacchanalia of men having fun." Peter Keough, Boston Phoenix

Matthew Kowalchuk

Vancity Theatre Screening
Director: Matthew Kowalchuk

Morris Panych’s black comedy gets a slick and stylish cinematic treatment in this homegrown gem, one of the standout BC films from last year’s VIFF. Lawrence (Ben Cotten) would seem to have it all—he’s successful, charming, lucky, and relentlessly optimistic. Which only makes the much smarter, much less successful Holloman (David Arnold) hate him all the more!

“Dark, twisted, and really very funny ... a multi-dimensional screamer. One of the events top flicks.”—The Province

Stanley Kubrick

Vancity Theatre Screening
Director: Stanley Kubrick

Stanley Kubrick made the definitive WWI movie in 1958: a rigorous, trenchant commentary on the class inequities that allowed officers on both sides to treat their troops as nothing more than cannon fodder. Kirk Douglas is Colonel Dax who sees the waste and senselessness at first hand.

"Arguably the best film about the first world war, and still has a reasonable claim to being Stanley Kubrick’s best film." Peter Bradshaw, The Guardian

"Arguably the best film about the first world war, and still has a reasonable claim to being Stanley Kubrick’s best film." Peter Bradshaw, The Guardian

SPARK FX
Director: Stanley Kubrick

Based on Arthur C Clarke’s short story ‘The Sentinel’, 2001: A Space Odyssey redefined the sci-fi genre. With its radical structure (a single cut elides 4 million years), scant dialogue and oblique narrative this was the first movie to emulate the philosophical seriousness of writers like Clarke and Philip K Dick, and the first to see that special effects could become an integral component in the art-form.

Emir Kusturica

The Beautiful Game
Director: Emir Kusturica

The Sex Pistol of footballers," is how renowned director Emir Kusturica (Time of the Gypsies; Underground; Black Cat White Cat) describes Diego Maradona: sporting hero, people’s champion, fallen idol and inspiration to millions - as well as arch villain to England fans.