Adapted from the myth that served as the basis for Wagner’s Ring cycle(though not an adaptation of the operas themselves), Lang’s two part, five-hour epic is a monumental fantasy film on a par with his subsequent Metropolis. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proven an inspiration for nearly every fantasy cycle that has emerged on-screen since – from Star Wars to The Lord of the Rings.
This edition is mastered in HD from the extensive 35mm restoration conducted by the Friedrich-Wilhelm-Murnau-Stiftung, completed in 2012, and featuring a recent recording of the original 1924 score. Screening in two parts with a 40 minute intermission.
"It’s too-faint praise to claim thatDie Nibelungen is The Lord of the Rings of its time (J.R.R. Tolkien was apparently inspired by the Nibelungenlied, too), but that gives you some sense of all the scope, innovation, rousing razzle-dazzle, human emotion writ large, and cinematic virtuosity on proud display here. It’s a huge, action-packed spectacle to rival those concocted by DeMille and Griffith, but with access to the bold, harsh, glacially-gleaming, tragically doomed finality of Northern-European myth. Once it’s over, you’ll be exhausted, emotionally drained, and already looking forward to the time you can experience the whole intensely involving, transporting, and devastating dream/nightmare once more." Christopher McQuain, DVD Talk
Summer war games between the neighbourhood kids turn deadly serious when jealousy and betrayal enter the mix, in this alternately hilarious and horrifying black comedy that mixes equal parts Lord of the Flies and Roald Dahl.
"Sharp, funny and edge-of-your-seat chilling, this darkly provocative actioner, starring a startlingly stellar all-kid ensemble cast, turns a neighbourhood woods game of Capture the Flag into a high-stakes round of no-holds-barred jungle warfare – with the rules about to be broken. The fantasy-tinged film nails the ferocious intensity of children’s games (the imaginary world feels real in the moment) while it plays with cinema conventions (coming-of-age stories, war tales, etc). An after-school special you won’t want to miss." 4 stars Globe & Mail
"I Declare War is everthing The Hunger Games attempts to be, but better - it says more with less, goes farther while staying smaller, and finds reality in a more fantastical scenario… A Lord Of The Flies for a new generation, I Declare War deserves to be seen by adults and needs to be seen by kids. We don’t often get action films of any kind that have this much to say, much less films that are this delicately balanced between mainstream appeal and realistic intensity. Smart, touching, and exciting, I Declare War is sure to be one of your favorites of this year or next." Renn Brown, CHUD
Business is booming at the Suicide Shop - a discreet boutique for the terminally-inclined. Then, disaster: Madame Tuvanche gets a surprise bundle of joy – a new baby boy so relentlessly cheerful he threatens to ruin the family business. The first animated film from celebrated live action director Patrice Leconte (Ridicule; The Man on the Train) turns out to be a whimsical black comedy worthy of Tim Burton himself, and a musical to boot.
"A mordantly macabre musical." Lisa Nesselson, Screen
The writer of VIFF-favourite The Hunt fashions a lean, taut, morally ambiguous Scandinavian thriller out of the facts of the hijacking of a Danish-owned cargo boat by Somali pirates (the very incident captured in the documentary Stolen Seas).
96% Fresh Rotten Tomatoes
"No mainstream American thriller could ever be made about this subject that resisted simple-minded narrative clichés the way "A Hijacking" does, or that refused to depict its characters as either heroes or villains." Andrew O’Hehir, Salon
"A nail-biter of a thriller." Geoff Pevere, Globe & Mail
The first in a double bill featuring two of the most highly acclaimed US features of the year, Before Midnight is Richard Linklater’s bittersweet study of a love affair languishing in middle-age - his follow up to generational touchstones Before Sunrise and Before Sunset.
“Before Midnight is a wonderful paradox: a movie passionately committed to the ideal of imperfection that is itself very close to perfect." AO Scott, New York Times
Lisa Immordina Vreeland
Both a tribute to one of the twentieth century’s most extravagant and influential personalities, and simultaneously a chronicle of the impact of fashion in the 1950s, 60s and 70s, this portrait of the irrepressible editor of Vogue and Harper’s Bazaar is an eye-opener, just like its subject.