“There’s no way to escape the image on the screen, nor deny its truth. We blew it at Altamont; Gimme Shelter lets us watch ourselves blowing it, and makes us understand how and why. It’s a lot harder than it looks to make a film as good as this one.” — Rolling Stone, 1970
A girl’s best friend is her dog in this exuberantly odd political parable from Hungary. When a new law places onerous taxes on the owners of mutts, the streets of Budapest start to fill up with abandoned dogs - including Hagen, beloved pet of 13-year-old Lili. While the child defies her father and the odds to try to track down her dog, Hagen suffers a series of grueling adventures involving various ill-intentioned individuals. "Fierce and beautiful." — The New York Times
“A fierce and beautiful Hungarian parable about a girl, her dog, and the uprising that’s sparked after they are separated ... When the dogs break free and run through the streets in White God, demolishing barriers and biting the hands that have hit them, the movie takes a leap into bold political metaphor, offering up a memorable image of the great unwashed gone (literally) barking mad.” — Manhola Dargis, The New York Times
“White God confirms Mundruczó’s position as one of Europe’s most exciting, unpredictable and technically competent directors. In a world where so many filmmakers seem to rework the same material over and over, he is a true wild card — a filmmaker with ‘un certain regard’ if ever there was one.” — Nick Roddick, Sight & Sound
“Thrillingly strange ... tense, stunningly staged set-pieces recall the uncanny power of Hitchcock’s The Birds [...] A risky shift toward the poetically aberrant that would not work if Mundruczo’s storytelling weren’t so rousing and emotionally purposeful — not to mention morally challenging, as man and dog are accorded equally flawed, vengeful psychologies in the film’s universe.” — Guy Lodge, Variety
Populated by gorgeous misfits and propelled by effervescent pop songs, this jubilant indie musical from Belle & Sebastian lynchpin Stuart Murdoch depicts a critical juncture for three young Glaswegians when it seems they’ve no other option than starting a band. Affectionate nods to the French New Wave, A Hard Day’s Night and Bill Forsyth’s Scottish fables abound as Murdoch offers us a minor key fairy tale about how music may just salvage an otherwise dreary Glasgow summer.
"Murdoch spins poetic, kitchen-sink tales of bad sex and messy break-ups and hopeless romantics in search of true love. On God Help the Girl, his directing debut, he has fashioned his songs into a narrative daisy-chain and hung them around his heroine’s neck. That it’s pretty and fragile is surely half the point… It’s warm and generous… Even non-believers will acknowledge the film’s utter sincerity. It may be indulgent, but it means what it says." Xan Brooks, Guardian