Search Films by Director

Frauke Sandig

(Herz des Himmels, Herz der Erde)
After Effects: Guatemala and El Salvador
Director: Frauke Sandig

The location of the world’s largest—possibly toxic—gold-mine pit, Guatemala is also the homeland of the Maya and their decidedly holistic cosmology. Frauke Sandig and Eric Black’s kaleidoscopically beautiful documentary follows the daily and ceremonial lives of six articulate young Maya as they struggle to maintain their way of life in the face of C21 capitalism.

"Of course one cannot simply reverse European history and the creation of the “Self”, which is also tied to liberation from the forces of nature. But one can empathize with a philosophy that does not separate the individual from nature. This different relationship to nature is better described with pictures than with words. Heart of Sky, Heart of Earth does exactly this, with clouds that glow from within, rivers with power one can sense, or mountains, which exude an inner peace. The camerawork creates settings that inspire fascination in a hitherto unknown world."

Peter Gutting, kino-zeit

"It is an exquisitely, achingly beautiful film – wonderfully conceived and sensitively filmed. I particularly appreciated the references to ancestral dreams and memories, sequences that ring truer than any film I’ve ever seen on Maya spirituality… The sequences on the war were particularly poignant. One of the communities I lived in for 6 months was completely wiped out—I still don’t know if anyone survived. It is my sincerest hope that some lived to tell their stories like the wonderful people in this film. What strikes me is the resilience of the Maya in the face of powerful and concerted efforts to destroy or alter it. I was profoundly affected by this film and will carry many of its images with me to the end of my days."

Allen J. Christenson, Author of Popul Vuh: The Sacred Book of the Maya

Mark Sawers

Vancity Theatre Screening
Director: Mark Sawers

This wildly funny and original Vancouver satire focusses on a corrupt local politician with a strange neural complaint: he believes he’s the subject of a reality TV show (even though no one else can see the cameraman who dogs his every move).

“"Movies about movies" are tricky ground, but there are very few missteps here. The humor is pitch black, and had me laughing constantly.” —Zack Mosely, Quiet Earth

Julian Schnabel

Vancity Theatre Screening
Director: Julian Schnabel

In honour of the late Lou Reed - another chance to see Julian Schnabel’s film of his transcendent Berlin cycle of songs, complete wth Sharon Jones and Antony Hegarty on backing vocals.

Yi Seung-jun

DOCside
Director: Yi Seung-jun

This portrait of deaf-blind Korean poet and essayist Young-chan is one of the most life-affirming films you will see - it’s a film about the communication of the senses, and the magical symbiosis of a loving marriage.

"Planet of Snail is simple, direct and magical. The warm, intimate story of a singular couple, it won the top prize at the prestigious International Documentary Film Festival Amsterdam, and it will win you over as well if you give it the chance." Kenneth Turan, LA Times

"A love story of uncommon loveliness and simplicity." Andrew O’Hehir, Salon.com

"A perfect date movie." Joshua Rothkopf, Time Out New York

Martha Shane, Lana Wilson

Vancity Theatre Screening
Director: Martha Shane, Lana Wilson

After Tiller intimately explores the highly controversial subject of third-trimester abortions in the wake of the 2009 assassination of practitioner Dr. George Tiller. The procedure is now performed by only four doctors in the United States, all former colleagues of Dr. Tiller, who risk their lives every day in the name of their unwavering commitment toward their patients. An informative, thought-provoking, and compassionate look at an incendiary topic.

Melanie Shatzky

DOCside
Director: Melanie Shatzky

If you think Amour was too sentimental, then this extraordinary documentary from Brian Cassidy and Melanie Shatzky (Frances) is just what you crave: the filmmakers spent years visiting a nursing home, charting the progress of senility, dementia, and of course death among the residents. All this narrated with bleak, wrily philosophical humor by one of their number. The film is not journalistic, but poetic, a "dirge", in the words of the filmmakers - and one you will not forget in a hurry.

"The Patron Saints was the single best film I saw during the festival run of Putty Hill." - Matt Porterfield

"Mainly, this observational realism serves the filmmakers exceedingly well, creating a humane, almost elegiac atmosphere, with occasional flashes of black humour, all of it heightened by a soundtrack of choral music that culminates in Arvo Part’s ethereal version of My Heart’s in the Highlands." Kate Taylor, Globe & Mail

"Bleak, moving, expressionistic." NOW magazine

Andrew Sherbourne

After Effects: Guatemala and El Salvador
Director: Andrew Sherbourne

Imagine gold "as far as the eye can see". All you have to do is rip it out of the ground. But one man’s nirvana is another’s hell. Gold Fever witnesses the arrival of Goldcorp Inc to a remote Guatemalan village. 500 years after the conquistadors, and still reeling from decades of US-backed repression, Diodora, Crisanta and Gregoria are caught in the cross-hairs of another global frenzy for gold. Together with their community, they resist the threat to their ancestral lands in the face of grave consequences.

“Beautifully-made. Sobering and tragic, but ultimately empowering.”

The Yes Men

“Tests Guatemalan society’s willingness to confront what might be today’s biggest challenge: overcoming the social unrest caused by the massive extraction of natural resources.”

Uli Stelzner, Muestra de Cine Internacional Memoria Verdad Justicia

Tsering Rhitar Sherpa

IBFF 2013 Vancouver (International Buddhist Film Festival)
Director: Tsering Rhitar Sherpa

In a remote nunnery a revered abbess dies. Prayers and rituals must be performed but the nunnery has no money. A nun, Karma, must journey to find the man who may owe a debt. Filmed in the remote Himalayan region of Mustang, we follow Karma to Katmandu where she discovers that things are not what she thought.

Cate Shortland

Vancity Theatre Screening
Director: Cate Shortland

Left to fend for themselves after their SS officer father and mother, staunch Nazi believers, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey that exposes them to the reality and consequences of their parents’ actions. Led by the eldest sibling, 14-year old Lore (striking newcomer Saskia Rosendahl), they set out on a journey across a devastated country to reach their grandmother in the north.

"A lyrical, deeply affecting study into a rarely seen legacy of the Holocaust." - Megan Lehmann, The Hollywood Reporter

"Intense and emotional. Saskia Rosendahl is mesmerizing." - Kenneth Turan, Los Angeles Times

"Shortland’s brilliant new film is an unsettling coming-of-age story that renders its judgement on Germany’s crimes and strange aftermath of the war." - George Robinson, The Jewish Week

Bill Siegel

Vancity Theatre Screening
Director: Bill Siegel

Heroes don’t come more gold-plated than Muhammad Ali. But if you’re too young to remember the 1960s then you may be shocked to discover how controversial the heavyweight champion was in his heyday. Indeed, he was a constant thorn in the side of the establishment, and a hate figure for much of the mainstream media.

"The best Muhammad Ali doc I’ve ever seen and - dare I say - I’ve seen ’em all.” Dave Zirin, The Nation

"A wholly illuminating look at Muhammad Ali in all his complexity, providing a surprisingly fresh and vivid portrait of a man who played rope-a-dope with history, religion and sport." Kevin Jagernauth, The Playlist

"Bill Siegel’s audacious documentary puts new heat and focus on what an extraordinary figure Muhammad Ali was outside the boxing ring. No film has probed this deeply into the fallout from his name change or his complex bond with Malcolm X and the Nation of Islam. And the saga of Ali’s refusal to be drafted during Vietnam becomes a profile in courage — a tale of shocking vilification and faith lost and found. A-" Owen Gleiberman, Entertainment Weekly

Bryan Single

Vancity Theatre Screening
Director: Bryan Single

Filmed inside the war zone of northern Uganda over a period of three years, this is the story of a group of former child soldiers as they undergo trauma therapy and emotional healing while in a rehabilitation centre. Having been abducted from their homes and forced to become fighters by the Lord’s Resistance Army - a quasi religious militia led by self-proclaimed prophet and war criminal Joseph Kony - the children struggle to confront years of brutal abuse.

Dave Stewart

Vancity Theatre Screening
Director: Dave Stewart

The inimitable Stevie Nicks has entranced millions of fans worldwide with her poetic lyrics, sultry singing and featherand-lace style. In 2010 Nicks embarked on the recording of a new solo album, In Your Dreams, produced by former Eurythmics mastermind Dave Stewart. With cameras in tow, documentarian Stewart and diva Nicks set up shop in her home studio and reveal their collaborative creative process.

Peter Strickland

Vancity Theatre Screening
Director: Peter Strickland

"Don’t be afraid. A new world of sound awaits you…" This dense, resonant experimental thriller casts Toby Jones as a genius sound-mixer, a Brit invited to work on the post-production of an Italian horror movie in the late 1970s (something by Dario Argento, perhaps?). Almost from the first this unusual assignment comes with disturbing undertones of mystery and menace - as if the bloody supernatural thriller we hear being constructed (but almost never see) is spilling out into the sound studio…

"Utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs. It is seriously weird and seriously good." Peter Bradshaw, The Guardian

"A delicately detailed immersion into the world of Z-grade Italian horror cinema that ultimately may or may not be a horror film itself, Peter Strickland’s “Berberian Sound Studio” is a tense, teasing triumph." Guy Lodge, Variety

"The creepiness builds with symphonic precision until reality truly is indistinguishable from fantasy." 4 stars. Keith Uhlich, Time Out New York