Their family names alone evoke horror: Himmler, Frank, Goering, Hoess. Hitler’s Children is a film about the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that permanently associates them with one of the greatest crimes in history. What is it like for them to have grown up with a name that immediately raises images of murder and genocide?
"Quiet, simple and soaked in sorrow." Jeannette Catsoulis, New York Times
"Hitler’s Children was a film that had almost everything. It informed, it surprised, it made me think. Is killing just one or two people more acceptable than killing seven or eight? Where are the boundaries of love and forgiveness? Are there any, even?" John Crace, The Guardian
ağla Zencirci, Guillaume Giovanetti
SPECIAL PREVIEW PRESENTATION - A young filmmaker returns to China from study abroad, speaking French on the phone. He journeys from the bustling metropolis of Shanghai to a remote monastery on Tian-Mu Mountain where he’s reunited with his mother after a tragic fire. A subtle, intimate and mysterious study in contrasts that touches on family, loss, guilt and creativity. Here is a China in transition, with confusion and alienation along with the steady beat of Buddhist chants.
In 1945, 95% of the Jews in Poland were murdered during the Holocaust. In 2013, a Jewish museum is erected, a monument not just to the past, but to a New Poland. We Are Here is an important documentary looking at the complex and fragile Polish-Jewish relationship through the eyes of five Jews living in Poland today.
Why is the history of American humour so inextricably tied to Jewish identity? What was it about the Jewish experience that made them so funny? And what’s different now? These are the questions - some of them - that Canadian documentarian Alan Zweig pursues with a roster of fellow Jewish comedians, young and old.