Millions know their voices, but no one knows their names. Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century.
"You may never hear the Rolling Stones’s Gimme Shelter the same way again after hearing Jagger’s and Clayton’s separate accounts of the recording of the song." Liam Lacey, Globe and Mail
"This generous, fascinating documentary about the careers of backup singers, most of them African-American women, seeks to rewrite the history of pop music by focusing attention on voices at once marginal and vital." AO Scott, New York Times
"Just about everything in this movie is right. And anybody who gives a rip about unsung heroines of popular music and giving credit when credit’s overdue had better come up with a good excuse not to see it." Michael Phillips, Chicago Tribune
The title of this archival doc comes from the opening of "Jumpin Jack Flash": "I was born in a crossfire hurricane ..." What follows is a whirlwind history of the rockiest band to celebrate a golden anniversary.
"Riotously entertaining."—Neil Smith, Total Film
The Doors Live At The Bowl ’68, is widely held as the band’s best performance ever captured on film. And now for the first time, fans can watch the complete version in digitally re–mastered glory with 5.1 surround sound as the entire concert has been carefully restored from the original camera negatives to include the lost performances of "Hello I Love You," "Texas Radio and the Big Beat" and "Spanish Caravan."
"Though not nearly as famous as Monterey Pop (1968), Woodstock (1970), or Gimme Shelter (1970), Festival is an equally fascinating artifact of the turbulent ’60s music scene."—Stuart Galbraith IV, DVD Talk
"Marvellously entertaining."—Roger Ebert
Jonathan Demme returns to his favourite subject - Neil Young - for their third collaboration in six years. This is an intimate and intense account of Young returning to his homeland and performing a couple of blistering shows at Massey Hall in the spring of 2011.
"Shooting a couple of rapturously received gigs performed by a band-less Young at Toronto’s historic Massey Hall in May, 2011, Demme not only had his camera crew get up the singer’s nose (literally), he affixed small stationary cameras inside a piano, on the microphone stand and elsewhere to capture his subject’s every grimace, gliss of sweat and fleck of spittle….At film’s end, one is left in awe at the richness of Young’s oeuvre (which admittedly sometimes makes Bob Dylan’s seem like tidings of great joy), his stamina and his questing spirit." James Adams, Globe and Mail
"A feast for Neil Young lovers and initiates alike." Peter Rainier, Christian Sience Monitor
Peter Gabriel has always been at the forefront of innovative ways to meld his music with film, video and stage craft (Robert Lepage is a frequent collaborator). Filmed at London’s O2 in October 2012, this film captures the stunning Back to Front live show — primarily showcasing the best selling album So — but also contains interviews with the man himself and all the touring band to give the viewer an intimate portrait of Peter and a not-to-be-missed cinematic experience.
Set list includes: "Red Rain," "Sledgehammer," "Don’t GIve Up," "Big Time," "In Your Eyes," "Solsbury Hill" and "Biko."
The first Western Rock concert staged behind the Iron Curtain, this momentous performance drew 80,000 fans. The set includes favourite hits like "Bohemian Rhapsody," "Crazy Little Thing Called Love," "I Want To Break Free" and "We Are The Champions."
Re-mastered in high definition and superb 5.1 surround sound.
One of the most acclaimed — and revelatory — music documentaries in the last few years, this Academy Award-winning film investigates, the life, work and mysterious disappearance of the 70s singer-songwriter Rodriguez. Screening in tribute to director Malik Bendjelloul, who committed suicide earlier this year.
"A hugely appealing documentary about fans, faith and an enigmatic Age of Aquarius musician who burned bright and hopeful before disappearing."—Manohla Dargis, New York Times
"All you really have to know about this surprising and emotive music doc is that you should see it."—Trevor Johnston, Time Out
Universally acclaimed as one of the best concert films ever made, Stop Making Sense documents the groundbreaking Talking Heads at their peak and was directed by Jonathan Demme. "A dose of happiness from beginning to end. Stop Making Sense is close to perfection."—Pauline Kael, New Yorker Magazine
One of the most exciting concert films ever."—David Ansen, Newsweek
"The overwelming impression throughout Stop Making Sense is of enormous energy, of life being lived at a joyous high."—Roger Ebert
School’s out for summer, and son of a preacher man Vincent Furnier (better known as the rock n roll icon Alice Cooper) would like to remind you that there’s more to life than grades, grad and grind. Like sex, drugs and grand guignol, for example.
Musicians these days have to tour to survive. That fact of life just became more problematic for SMZ violinist Jessica Moss and singer/guitarist Efrim Menuck with the arrival of baby Ezra. Their solution? Bring him along. Director Helene Klodawsky (Malls R Us) came too.
"It’s an immediate and engaging work that lets us share the weary rewards of doing what you love - even if you’re not sure you can make a living at it. 4 stars." Norm Wilner, NOW magazine
The rock/funk band Miller, Miller, Miller and Sloan hoped to make it big in 1980s New York City music scene. They had talent, a unique sound, and fans—everything but a record deal. This "where are they now?" documentary is a kind of rock n roll 7 Up, funny, rueful, and full of piercing insight.
"By the time the film ends you’ll be hoping for a reunion." Unseen Films