Inspired by the true story of a Japanese office worker who travelled from Tokyo to wintery North Dakota to dig up the loot buried by Steve Buscemi at the end of Fargo, this piquant gem is a funny but poignant portrait of madness and obsession. It also opens up an intriguing dialogue between the Zellner Brothers’ brand of humane comedy and the Coens’ quirky original.
"Inspirational and devastating." — Eric Kohn, Indiewire
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
One of the strangest and most twisted films of the silent era. Cheated and cuckolded, a brilliant scientist (played by Lon Chaney, "the man of a thousand faces") takes refuge behind the make up of a circus clown, where his shame can at least inspire laughter in others. He becomes famous, but his hapless love for a bareback rider sends the movie spinning towards revenge tragedy. This first feature produced by the famous studio MGM, He Who Gets Slapped blends naturalism and expressionism with high melodrama - all accentuated in the Alloy Orchestra’s extraordinary live score.
“A picture which defies one to write about it without indulging in superlatives … so beautifully told, so flawlessly directed that we imagine it will be held up as a model by all producers.” NY Times, 1924
A charming comic drama inspired by the true story of a high school English teacher who drove across Spain in 1966 to meet his idol John Lennon in hopes of clarifying some lyrics he couldn’t quite understand. On the way, he picks up two runaway teenagers — a pregnant girl fleeing a convent, and a boy escaping his dictatorial father.
“This small gem offers a lovely evocation of Spain as well as a touching tribute to an unforgettable moment in time when the Beatles seemed to offer brand new possibilities, the idea that strawberry fields might indeed go on forever.” — Stephen Farber, Hollywood Reporter
Bert Bush was a fixture in Vancouver’s film & video scene for over 45 years. He supervised printing for Trans Canada Films before opening his own post-production firm, Bush Edit House, at the foot of Lonsdale in 1971. Bert cut film & video, rented equipment and mentored young filmmakers until his death in 2006. When archivists were invited to investigate his legacy, they found nearly 100 films of all kinds — mixing BC tourism titles (A Date with BC, A Place To Be) with cautionary tales of alcohol abuse (Voices) & heart disease (Heartbeat), a ’how-to’ film about placing a long-distance call without operator assistance (DDD- Direct Distance Dialing) and rare examples of locally-produced 50’s & 60’s TV ads. Curated by Colin Preston and Christine Hagemoen.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
The charismatic Giuseppe Marinoni has been making some of the most desirable bicycle frames in Canada for decades. A competitive cyclist in Italy in his youth, he decides, at age 75, to attempt a World Record for distance cycled in one hour for his age group. Giuseppe’s determination and perseverance lead him back to his native Italy for his training and, ultimately, his attempt at the record. This is a film not only for the spandex-and-helmet crowd but for anyone who believes that a man’s reach should exceed his grasp.
The fifth film from 25-year-old Dolan invites extreme reactions: it’s the story of a deeply troubled teen, his tumultuous relationship with his single mom (Anne Dorval), and the timid part time teacher who agrees to tutor him (Suzanne Clement). It’s a pulsing, live-wire movie, kicking and screaming to make itself heard.
The entire Indian continent sets its annual clock by the coming of the monsoon season. The rains bring life to barren fields, stave off drought and starvation, bring the economy back to life… But they also bring disaster, death and destruction. Gunnarsson traces the trajectory of the season from the southeastern state of Kerala, where the monsoons first hit land, across the continent to Assam in the northwest. In a word: elemental.
"Awe-inspiring sights... unforgettable vistas." — Deborah Young, Hollywood Reporter
Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
Considered as one of the greatest American films, One Flew Over the Cuckoo’s Nest swept the top five major Academy Awards of its year. Based on the 1962 novel of the same name by Ken Kesey and set in a mental institution, it deals with a very 1970s issue: the struggle of the individual against the establishment. In two towering performances the battle of the wills is fought by minor criminal Murphy (Jack Nicholson) and domineering Nurse Ratched (Louise Fletcher), the cold and efficient matron of McMurphy’s ward. Introduced by actress and singer Colleen Rennison.
In the first of our series bringing you opera productions from London’s Royal Opera House, a chance to enjoy the company’s new staging of Richard Wagner’s epic, his final masterpiece. A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the kingdom?
Running time includes two intermissions.
An unforgettable experience!
Reel 2 Real features thought-provoking films from around the world for kids and the young at heart, and includes hands-on activities for the whole family. On Friday, April 10, R2R's Opening Night Film, Kahlil Gibran's The Prophet, is a 'reel' treat. Saturday morning check out the Pajama Party. Keep your PJs on and enjoy free breakfast snacks, unlimited coffee, and the Family Shorts program. On Sunday, get ready for an afternoon of shorts + workshops during Sunday Fun Day! Imagination, wacky props, and paper cut-outs make for a truly irresistible day—all for only $5! Film highlights include: Lola on the Pea, All the Time In the World, True Son and Giovanni's Island.
Find R2R's brochure in the lobby of the Vancity Theatre, or visit www.r2rfestival.org
Two years to the day since the collapse of the garment factory in Rana Plaza, Bangladesh, that claimed the lives of 1129 workers, Eco Fashion Week, Fashion Revolution Day and VIFF Vancity Theatre present this inspiring documentary about individuals and organizations forging change. ‘Traceability’ is the aim to have a proper trail for every single step in the supply chain. As well as where, it wants consumers to be concerned with how garments are made. Sharpe’s film follows young designer Laura Seigel as she seeks to connect her work with the people and the places who manufacture them, putting an altogether brighter spin on "globalization".
Through majestic cinematography, DamNation explores the history and controversy surrounding dam removal projects. Where obsolete dams come down, rivers bound back to life, giving salmon and other wild fish the right of return to primeval spawning grounds, after decades without access.
"Directors Ben Knight and Travis Rummel have made a fleet movie with a convincing argument for systemic dam removal (some of which is caught thrillingly on film) and arresting nature-drenched cinematography." — Robert Abele, LA Times
Return of the River vividly portrays the epic story of the freeing of Olympic National Park’s mighty Elwha River from two salmon-blocking dams. It is a story of hope and possibility amid grim environmental news. It is a film for our time: an invitation to consider crazy ideas that could transform the world for the better.
The Elwha Klallam people, scientists, fishermen, politicians, enviros, and townsfolk all add their voices to a film that is visually dazzling, lyrically evocative, and fluid as mountain snowmelt.”
— Tim McNulty, poet, essayist, nature writer
Wrenched reveals how author Edward Abbey’s anarchistic spirit and riotous novels influenced the nascent environmental movement of the 1970s and ‘80s. Through interviews, archival footage and re-enactments, director ML Lincoln captures the outrage of Abbey’s friends who were the original eco-warriors. With tree-spiking, forest occupation and high-profile publicity stunts such as the cracking at Glen Canyon Dam, this group became the eventual target of FBI infiltrators, leading to the arrest of various members.
Imagine spending years in prison without being charged with a crime or knowing exactly what you’re accused of. A film about the human impact of the “War on Terror,” The Secret Trial 5 is a sobering examination of the Canadian government’s use of security certificates, a Kafkaesque tool that allows for indefinite detention without charges, based on evidence not revealed to the accused or their lawyers. Over the last decade, this rare and highly controversial device has been used to detain five men for nearly 30 years combined. To date, none has been charged with a crime or seen the evidence against them. Through the experience of the detainees and their families, the film raises poignant questions about the balance between security and liberty.
"Troubling and compelling ... As Canadians, we’re used to looking elsewhere in the world and shuddering at the lack of due process and respect for human rights. This film is bound to shake many of us out of that sense of smug complacency." — Bruce DeMara, The Star
What would happen if you could take your quiet desperation and channel it into song? Office drudge Carol does just that, and what starts as an exercise in therapeutic self-expression turns out to have serious drawbacks. In short order she is visited by the cops, fired, and worst of all, becomes the fixation of her ex-boss, "Asshole Dave", who quits to pursue his own rock-n-roll dream, and insists on Carol coming along. This oddball musical comedy comes from the peculiar mind of Vancouver filmmaker Kris Elgstrand (Doppelganger Paul).
"Bushnell and Dryborough make for a wonderful comedic odd couple, delivering what finally amounts to a heartfelt search for self-improvement." — Andrew Parker, Dork Shelf
"Often gob-smackingly good... Strangely beautiful... Uber-quirky." — Susan G Cole, Now magazine
Told in fourteen fixed-angle, single shot, individual tableaus that parallel Christ’s journey to his own crucifixion,Stations ... is both an indictment of fundamentalist faith and the articulation of an impressionable teen’s struggle to find her own path in life. Though from the outside Maria lives in the modern world, her family and her heart are faithful to a Catholic radicalism that requires sacrifice and devotion at every turn.
"This brilliant and subtle comedy about teenage martyrdom argues that extremism has no place in the modern world." — David Jenkins, Little White Lies
"Passionate, generous, witty; Dietrich Bruggemann’s study of a fanatical Catholic family renews one’s faith in the power of slow art movies to change the world." — London Evening Standard