Academy Award nominee: Best Foreign Language Film, Guerra’s film is a bewitching Amazonian odyssey inspired by two historical forays deep into the jungle by European anthropologists. Filmed in stunning black and white, this is a potent, poetic, political film reminiscent of Herzog’s Fitzcarraldo and Aguirre.
Beginning with one of the most original and daring diamond heists ever concocted - and located at the Cannes Film Festival, no less! - this labyrinthine neo-noir is arguably De Palma’s most underrated movie, a crazy mirror of illusions and allusions to cinema’s love affair with deception.
On the surface The Fits is a simple story about an 11-year-old girl joining a local dance group, but this mesmerising film is truly about bodies, movement, individualism and the group. The title puns on physical fitness, fitting in (Toni’s brother boxes in the gym next door to the rehearsal space, and Toni works out there too), and the unexplained physical spasms that befall several of the dancers.
A rare chance to check out the first feature by blockbuster filmmaker Christopher Nolan (Interstellar; The Dark Knight), made on a shoestring and shot in 16mm black and white a couple of years before Memento propelled him to Hollywood fame. When a blocked writer takes to following strangers through the streets of London, a story shapes up over which he has no control…
Greta Gerwig is delightful - a kind of modern day Annie Hall - in this lovely, deft, funny/sad movie from Noah Baumbach. Frances Halladay is 27, living in New York, and not really pulling things together yet. She’s in the wrong job, and her most intimate friend is her flatmate, who’s moving out. Simultaneously optimistic and melancholy, romantic and unsentimental, it’s a real charmer.
John Boorman (Point Blank, Deliverance, Hope and Glory) surprised everyone with this boisterous, energetic thriller based on a real life Dublin criminal, Martin Cahill. It’s an oblique take on "The Troubles", but one that pays off in spades (and hearts and diamonds too). The movie also made an unexpected star out of hitherto unknown Brendan Gleeson.
Set in a remote forest ashram in India, the film explores the daily life of the followers of Swami Dayananda, one of the last teachers of Vedanta. Rather than focus on the Swami or the intricacies of his teachings, Gurukulam places the audience in the ashram, evoking a visceral presence of the place and a tactile sense of the sacred.
Robi is a lonely guy who is passionate about photography and torn between the love he feels for his “uncle” Salomón, who is ill with AIDS and to whom he owes his gratitude, and the love he feels for Galaxia, who decides to leave for France
"They’re going to be carrying ravished film students out of the theaters on stretchers," wrote Terrence Rafferty in the New Yorker when this astonishing Soviet-made portrait of Castro’s Cuba was rediscovered in the mid 1990s. Featuring some of the jaw-dropping camerawork ever filmed (and decades before the invention of the Steadicam), the movie is a euphoric celebration of Cuba, the Revolution, and (most potently) revolutionary cinema.
35mm print courtesy Milestone Films
Co-presented with the BC SPCA, we’re delighted to share this specially vetted package of cat-themed internet videos with Vancouver cat lovers.
Atrium events include:
– Kitten adoption drive
– Button making
– Cat ears
– Cat merchandise
Society depends on the Internet for nearly everything but rarely do we step back and recognize its endless intricacies and unsettling omnipotence. From the brilliant mind of Werner Herzog comes a playful yet chilling examination of our rapidly interconnecting lives.
In this Palestinian comedy-thriller, Sami Metwasi plays Mousa, a petty thief looking to leave his home behind. There’s a chance to sneak out through Israel to Italy, but our hero will need $5,000 cash. He steals a Volkswagen, expecting a big payoff, but there’s an awful surprise in the trunk, and poor Mousa winds up caught between Palestinian militants and Israeli intelligence in a deadly dilemma.
Three tales about three women called Lucía. One takes place during the
independence war against Spain, the second during the Machado dictatorship, and the third one is after Castro’s revolution. Considered among Cuban critics as one of the great achievements of Cuban cinema.
These three tales about three Lucías set in three separate periods that were essential to the formation, consolidation and splendour of Cuban national conscience—1895, 1932 and the early years of the Revolution reflect the parallel maturing process of Cuban women.
A middle-class intellectual who stayed in Cuba after the
Revolution in 1959 faces a new world he does not seem to grasp. Selected among the best 2000 films of all times by the International Federation of Film-Clubs. Based on Edmundo Desnoes’s award-winning novel. "This audacious, sensual portrait of an alienated intellectual in the early days of Castro’s Cuba, released in 1968, is one of the great movies of its era." Michael Sragow, New Yorker
The great Margherita Buy stars as a film director trying to deal with simultaneous crises — one on the movie set and one involving her mother’s health — in Italian master Nanni Moretti’s smart and funny humanist take on the ties that bind. "Warm, witty and seductive - tremendously smart and enjoyable. Moretti’s best film in years." (The Guardian)
De Palma’s only modern day blockbuster is an infectiously enjoyable series of conceits and deceits, feints, masks and trompe l’oeils, designed to undermine the hard and fast polarities that propped up the Cold War. To be sure it’s De Palma-lite, but light years ahead of the other films in this franchise.
In this elegant, witty courtroom drama, the outcome of the trial gradually slips into the background as Christian Vincent instead focuses on the courtship between the presiding judge (Fabrice Luchini, from Gemma Bovery and Cycling with Moliere) and one of the reserve jurists (Sidse Babett Knudsen from The Duke of Burgundy and TV’s Borgen). Witty, subtle and ultimately poignant, this is like an especially polished episode of The Good Wife, augmented with a certain savoir faire.
Movies for Mommies screenings are modified for the enjoyment of moms and their infants. Screenings take place in low light with lower volume levels.
Wild, sensual and utterly transporting, Brazilian writer-director Gabriel Mascaro’s second fiction feature unfolds within the world of the vaquejada, a traditional exhibition sport in which cowboys try to pull bulls to the ground by their tails. Neon Bull explores the vaquejada through the eyes of Iremar, a handsome cowboy who works the events. While he’s not afraid to get his hands dirty, Iremar’s real dream is to design exotic outfits for dancers.