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Located on the banks of the Tennessee River, Muscle Shoals, Alabama is the unlikely breeding ground for some of the most creative and defiant music in American history. With nothing but grit and great ears, producer Rick Hall turned a tiny studio into the heart and soul of 60s R&B, recording such classic songs as "I’ll Take You There," "Brown Sugar," "When a Man Loves a Woman," "I Never Loved A Man the Way That I Loved You," "Mustang Sally,” "Tell Mama" and "Freebird".

"Propelled in equal measure by its gorgeous music and rich anecdotes, it’s joyous, uplifting – and as funky as the music at its heart." David Gritten, Daily Telegraph

"A terrific film… a must see for even the most casual of music fans.. a stunning, soulful achievement." Jason Gorber, Twitch

"Will appeal to just about everyone." Katherine Monk, Canada.com

Vancity Theatre Screening

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.

"On the one hand a sad, poignant character study, "Museum Hours" is also a treatise on art history and a love letter to architectural wonder. A-" Eric Kohn, Indiewire

"Engaginly offbeat… Cerebral stuff, but delivered with warmth, wit and quiet confidence." Stephen Dalton, Hollywood Reporter

"Delightfully accessible…filled with gently moving wit." Ken Eisner, Georgia Straight

Vancity Theatre Screening

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.

"On the one hand a sad, poignant character study, "Museum Hours" is also a treatise on art history and a love letter to architectural wonder. A-" Eric Kohn, Indiewire

"Engaginly offbeat… Cerebral stuff, but delivered with warmth, wit and quiet confidence." Stephen Dalton, Hollywood Reporter

"Delightfully accessible…filled with gently moving wit." Ken Eisner, Georgia Straight

Black History Month

Presented in association with Black History Month, Music for Mandela explores the role music played in the remarkable life of one of the world’s few genuinely heroic politicians. Musical performances include celebrated artist Vusi Mahlasela, Grammy award-winning group Ladysmith Black Mambazo and new music from the internationally acclaimed Soweto Gospel Choir. Interviews include the legendary BB King, Sean Paul, Estelle, Welsh opera star Katherine Jenkins and Mandela’s grandson, hip hop artist Bambatha Mandela.

Live musical tribute performed post screening by Benin musician Yoro Noukoussi.

Cinema Salon

Set in the 1920s in the palace of a noble Bengali whose passion is music and whose arch-enemy is a wealthy upstart, The Music Room reflects the conflict between the dying aristocracy and new money. Director Satyajit Ray is one of the greatest auteurs of international cinema. His film about those who dwell in the past and those who embrace the future is a magnificent tour de force. Introduced by Professor Scott Watson, head of the Department of Art History, Visual Art and Theory, UBC.

The Royal Opera House presents...

Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.

“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian

(O soma o redor)
Vancity Theatre Screening

After a series of burglaries on a middle-class Recife avenue, a private security team is hired by the residents—with ominous results. A gripping and expectations-upending slow-burn thriller from Kleber Mendonça Filho, Neighbouring Sounds is one of the first films from Brazil to deal with the clash between the archaic, exploitive class-based society of plantation owners and workers, and the more modern and egalitarian bourgeois society that Brazil has become. It is also superbly constructed, wonderfully acted and luminously filmed.

"A revelatory debut feature. Mr. Mendonça, a former film critic whose command of the medium is both formidable and subtle. The scope of his movie is narrow, but its ambitions are enormous, and it accomplishes nothing less than the illumination of the peculiar state of Brazilian (and not only Brazilian) society." AO Scott, New York Times

"I’d put money on the likelihood that Brazil’s Kleber Mendonça Filho is on track to become a major filmmaker in the coming years." Gavin Smith, Film Comment

"A thoroughly modern, film-savvy opus (at times it suggests Cache as directed by Paul Thomas Anderson), steeped equally in dread and humor." Dennis Lim, Artforum

Music Mondays

Jonathan Demme returns to his favourite subject - Neil Young - for their third collaboration in six years. This is an intimate and intense account of Young returning to his homeland and performing a couple of blistering shows at Massey Hall in the spring of 2011.

"Shooting a couple of rapturously received gigs performed by a band-less Young at Toronto’s historic Massey Hall in May, 2011, Demme not only had his camera crew get up the singer’s nose (literally), he affixed small stationary cameras inside a piano, on the microphone stand and elsewhere to capture his subject’s every grimace, gliss of sweat and fleck of spittle….At film’s end, one is left in awe at the richness of Young’s oeuvre (which admittedly sometimes makes Bob Dylan’s seem like tidings of great joy), his stamina and his questing spirit." James Adams, Globe and Mail

"A feast for Neil Young lovers and initiates alike." Peter Rainier, Christian Sience Monitor

007 Reloaded: Bond vs Bond

Released just a few months after Octopussy, this Thunderball remake was produced by a rival team who managed to entice Sean Connery back into his most famous role (hence the ironic title). Notable for superior super villains Max von Sydow, Klaus Maria Brandauer and Barbara Carrera.

"The classiest of all the Bonds." Jay Scott, Globe & Mail

SPARK FX

Adapted from the myth that served as the basis for Wagner’s Ring cycle(though not an adaptation of the operas themselves), Lang’s two part, five-hour epic is a monumental fantasy film on a par with his subsequent Metropolis. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proven an inspiration for nearly every fantasy cycle that has emerged on-screen since – from Star Wars to The Lord of the Rings.

This edition is mastered in HD from the extensive 35mm restoration conducted by the Friedrich-Wilhelm-Murnau-Stiftung, completed in 2012, and featuring a recent recording of the original 1924 score. Screening in two parts with a 40 minute intermission.

"It’s too-faint praise to claim thatDie Nibelungen is The Lord of the Rings of its time (J.R.R. Tolkien was apparently inspired by the Nibelungenlied, too), but that gives you some sense of all the scope, innovation, rousing razzle-dazzle, human emotion writ large, and cinematic virtuosity on proud display here. It’s a huge, action-packed spectacle to rival those concocted by DeMille and Griffith, but with access to the bold, harsh, glacially-gleaming, tragically doomed finality of Northern-European myth. Once it’s over, you’ll be exhausted, emotionally drained, and already looking forward to the time you can experience the whole intensely involving, transporting, and devastating dream/nightmare once more." Christopher McQuain, DVD Talk

Copacabana Social Club

In the theater: applause and screams. On stage: young Chico Buarque, Caetano Veloso, Gilberto Gil, Roberto Carlos, Edu Lobo. Songs: "Roda Viva," "Ponteio," "Alegria, Alegria," "Domingo no Parque." It was a contest, but everybody won. This vivid record offers an invitation to relive the finale of the III Festival da Record, an event that forever changed the course of Musica Popular Brasileira.

Vancity Theatre Screening

Three activists (Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard) plan to blow up a hydro-electric dam in Oregon in this taut, gripping thriller from the director of Wendy and Lucy. Tapping into familiar environmental concerns and asking pressing questions about next steps, Reichardt has crafted a timely, provocative drama which stays with you long after the fade out.

"Night Moves is a film of deliberate, gnawing intensity and focus." Scott Tobias, The Dissolve

"Sharp and haunting." AO Scott, New York Times

Vancity Theatre Screening

In the northern Philippine province of Luzon, a law-school dropout commits a horrific double murder; a gentle family man takes the fall and receives a life sentence, leaving behind a wife and two kids. A careful rethinking of Dostoevsky’s Crime and Punishment shot in blazing color, this tour de force offers a masterful recapitulation of Diaz’s longstanding obsessions: cultural memory, national guilt, and the origin of evil. "A masterpiece. An astonishing work of life, death and art." Wesley Morris

Its very existence is an exhilarating triumph over complacency… there is an almost inexhaustible humanism at the heart of this remarkable film." A.O. Scott, The New York Times

“The lights came up, I stood with tears in my eyes, and clapped as loudly as I ever have for any movie in my life.” Wesley Morris, Grantland

“A mesmerising experience that grows deeper and broader the longer it goes on” Kieran Corless, Sight and Sound

Vancity Theatre Screening

Join us for a special screening of a new Vancouver-made documentary highlighting a new breed of ethical entrepreneurs, capitalists with a conscience who are reframing the debate about profit and loss. The film will be followed by a panel discussion featuring Brett Wilson (Dragon’s Den), Joel Bakan (writer, The Corporation), Mark Brand (Save on Meat), RBC Director of Sustainability Sandra Odendahl and moderated by Sharad Khare. Tickets ($18) include post show reception.

Vancity Theatre Screening

Screening in two feature-length parts, Nymphomaniac is the wild and poetic story of a woman’s journey from birth to the age of 50 as told by the main character, the self-diagnosed nymphomaniac, Joe (Charlotte Gainsbourg). "A ferociously entertaining experience in which one finds von Trier at the peak of his craft, linking together ideas about female sexuality, fly-fishing and artistic creation with equal amounts of playfulness and intellectual rigor." Scott Foundas, Variety

"A ferociously entertaining experience in which one finds von Trier at the peak of his craft, linking together ideas about female sexuality, fly-fishing and artistic creation with equal amounts of playfulness and intellectual rigor." Scott Foundas, Variety

"Hang on to your seat back, your Bible, or the hand of a friend. Lars von Trier’s Nymphomaniac bludgeons the body and tenderises the soul. It is perplexing, preposterous and utterly fascinating." Xan Brooks, The Guardian

Vancity Theatre Screening

Screening in two feature-length parts, Nymphomaniac is the wild and poetic story of a woman’s journey from birth to the age of 50 as told by the main character, the self-diagnosed nymphomaniac, Joe (Charlotte Gainsbourg). "A ferociously entertaining experience in which one finds von Trier at the peak of his craft, linking together ideas about female sexuality, fly-fishing and artistic creation with equal amounts of playfulness and intellectual rigor." Scott Foundas, Variety

IBFF 2013 Vancouver (International Buddhist Film Festival)

From the World Cup to the remote Buddhist kingdom of Bhutan, three students are on a quest. The catch is…the teacher. Soccer-obsessed, charismatic filmmaker, and citizen of the world, Khyentse Norbu may be one of the most eminent Tibetan Buddhist teachers, but it’s a job description he slyly seems to reject at every turn.

"Provocative and surprisingly fast-moving." Ken Eisner, Georgia Straight

(Des hommes et des dieux)
Mongrel Media 20th Anniversary

Loosely based on a real incident involving a Cistercian order of monks kidnapped by Islamic fundamentalists in Algeria, Beauvois’s film is an austere but gripping meditation on faith and fraternity.

"Of Gods and Men, a transcendent drama of uplift and inspiration, reveals the cavernous divide between heaven and Earth." Peter Howell, Globe and Mail

"Beautiful, somber and rigorously intelligent." AO Scott, New York Times

Vancity Theatre Screening

Special Panel Discussion will follow the screening with Director Doug Blush (via skype) and in person, Heather Stewart, MDABC Speakers Bureau and Chris Gorman, President of the BC Psychiatric Association Executive and host of radio show about mental health called Beautiful Minds

Eschewing medical explanations and expert opinions, “Of Two Minds” examines the experience of bipolar disorder through firsthand testimony from three people coping with it in varying ways. Following these individuals over a three-year period, helmers Doug Blush and Lisa Klein create three intertwined narratives with additional interwoven strands, tracing fascinating processes of adaptation.

"Intelligent, compassionate." Variety

Vancity Theatre Screening

Last September Neil Young spoke for many when he likened Fort McMurray to Hiroshima, "a wasteland". Local inhabitants were outraged, and at least one radio station banned Young from its playlist. Vancouver filmmaker Charles Wilkinson (Peace Out) treads a middle-ground with Oil Sands Karaoke, a portrait of the tar sands capital which includes both sobering vistas of massive environmental upheaval and an affectionate, non-judgmental look at the folks who live and work there, mostly when they’re letting their hair down at Bailey’s karaoke bar.

"Surprisingly sensitive… poignant, and beautifully shot." Marsha Lederman, Globe & Mail

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